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Mystery Ranch (1932)

 |  Mystery, Western  |  1 July 1932 (USA)
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Ratings: 7.2/10 from 51 users  
Reviews: 7 user | 5 critic

An undercover ranger investigates a deranged rancher who acts as a law unto himself, finding a girl held as a prisoner until she agrees to marry the madman.



(as Al Cohn) , (story)
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Title: Mystery Ranch (1932)

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Complete credited cast:
Bob Sanborn
Cecilia Parker ...
Jane Emory
Henry Steele
Charles Stevens ...
Henchman Tonto
Forrester Harvey ...
Artie Brower
Noble Johnson ...
Henchman Mudo
Roy Stewart ...
Buck Johnson
Betty Francisco ...
Appetite Mae
Russ Powell ...
Sheriff Bill Burnham


To maintain his vast ranch holdings, Henry Steele holds Jane, the daughter of his deceased business partner, against her will. Stalwart ranger Bob Sanborn rescues Jane in a riding incident and is invited to stay over at the ranch by the malevolent Steele, who catches on immediately to the fact that Sanborn has been asked by Jane to help her escape. Steele escorts Bob off the ranch just after giving the order to his vicious ranch hands, Mudo and Tonto, not to let him leave alive. Written by Doug Sederberg <>

Plot Summary | Add Synopsis


Mystery | Western





Release Date:

1 July 1932 (USA)  »

Also Known As:

Death Valley  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric System)

Aspect Ratio:

1.37 : 1
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User Reviews

Ming the Rancher
13 December 2003 | by (Seattle) – See all my reviews

The story and writing and much of the acting is not so great, but the Gothic atmosphere and visuals are worth a look. (I'd like to see a better version than the Sinister Cinema DVD-R, but at least it's from a 35 mm print, if I recall correctly.) Charles Middleton is great as the grand piano-playing bad guy (and only says "heh" once), but George O'Brien as the hero is kind of a stiff. I also liked Noble Johnson as the murderous, mute Apache. Between his appearance and the piano-playing villain, this movie starts to make me think of another 1932 adventure film, THE MOST DANGEROUS GAME. But the shadowy cinematography of Joseph August is the real attraction here, and there are some terrific tracking shots as well. Some of the action sequences are also pretty exciting, but in the end the stakes of the plot just aren't strong enough to generate any tension. I agree with the other comment, however, that the ending is great stuff.

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