Stan and Ollie take a trip into the mountains ('the high multitude') so that Ollie can recover from gout. Bootleggers have dumped their moonshine in the well from which the boys sample ... See full summary »
Stan and Ollie give evidence which convicts vicious gangster Butch. They plan to leave town and advertise for a traveling companion to share expenses. Butch's girl replies to the advert and... See full summary »
Jilted by his girlfriend, "Jeanie-Weenie," Oliver joins the Foreign Legion to forget, bringing Stanley along with him. They wilt under the scorching desert sun and under the harsh ... See full summary »
Ollie is running for mayor when an old flame (Mae Busch) tries to blackmail him with a old photo ('just the same old apple-cheeked boy'). Stan's attempts to help Ollie keep the blackmailer ... See full summary »
A gruff sea captain is having trouble manning his ship because of rumors it's haunted. He inveigles Stanley and Oliver into helping him shanghai a crew from the sailors at a dockside bar. ... See full summary »
Oliver's house is in a shambles after a wild party, and his wife is due home at noon. He calls Stanley to help him fix the place up, and the typical catastrophies ensue. Somehow, however, ... See full summary »
The Laurel & Hardy Moving Co. have a challenging job on their hands (and backs): hauling a player piano up a monumental flight of stairs to Prof. von Schwarzenhoffen's house. Their task is complicated by a sassy nursemaid and, unbeknownst to them, the impatient Prof. von Schwarzenhoffen himself. But the biggest problem is the force of gravity, which repeatedly pulls the piano back down to the bottom of the stairs. Finally, the irate Professor explodes in fury to discover the "mechanical blunderbuss" in his home, not knowing it was a surprise birthday present from his wife. Written by
Paul Penna <email@example.com>
The crate that Stan Laurel and Oliver Hardy wrestle with was empty, but the one shown sliding down the staircase really did have an upright piano in it. As it careens down the steps muffled, discordant tones can be heard. See more »
According to the titles in the film the events take place later "that afternoon". When Stan Laurel and Oliver Hardy do eventually get the piano into the house the clock on the mantle reads 9:45. This cannot be accurate because it would not be daylight at this time of day. See more »
[walks out of the house and looks up at him]
There's somebody home.
Are they up there?
No, I heard them coming up the stairs.
You heard them coming up... Why stupid, that was me!
That was you?
Well how'd you get in the house?
Well I was standing on the ladder while you were pulling the piano up and the block and tack...
[...] See more »
L&H are without doubt the best comedy double act of all time regardless of media format. Its amazing that their best movies are now 70 years old and yet remain timeless in their humour and inventiveness.
I've had the pleasure of seeing most of their movies - shorts & full format
and all of them have their own individual quirky qualities that other
comedians still can't fathom.
The Music Box won them a well-deserved Oscar and although it is an excellently choreographed movie I personally don't think its their very best.
However, my opinion doesn't matter because any L&H fan will regard this movie as their favourite. The story is so simple yet so inventive and full of kinetic & emotive energy.
Stan & Ollie have to deliver a Piano to a highly strung guy who can't stand pianos. But just to make life a little interesting the guy's home just happens to be perched on a hill with the longest flight of steps in history to whit S&O have to push & pull their awkward delivery.
Some of the gags we've seen many times before but it doesn't matter because the added sparkle derives from the human emotions & expressions delivered with such panache from Stan & the long suffering Ollie - the way he looks-to-camera in a pleading kind of way just drives me wild with laughter & sympathy.
I can't find a single fault with this movie short, except that it just flies by so quickly. How I wish today's contemporary comedy writers could spend a few hours in a dark room watching how the masters of comedy produce such wonderful scripts. It proves that there is no need to have cheap & vulgar language, innuendo & explicit violence to make any audience, young or old, laugh with mirth.
The Golden Age of comedy is dead, long live the Golden Age; long live Laurel & Hardy!!!
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