IMDb > The Mummy (1932)
The Mummy
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The Mummy (1932) More at IMDbPro »

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The Mummy -- Open-ended Trailer from Universal

Overview

User Rating:
7.3/10   12,926 votes »
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Director:
Writers:
Nina Wilcox Putnam (from a story by) &
Richard Schayer (from a story by) ...
(more)
Contact:
View company contact information for The Mummy on IMDbPro.
Release Date:
22 December 1932 (USA) See more »
Genre:
Tagline:
It comes to life!
Plot:
A living mummy stalks the beautiful woman he believes is the reincarnation of his lover. Full summary » | Full synopsis »
Awards:
1 win & 1 nomination See more »
User Reviews:
The Most Subtle of the Universal Horror Films See more (146 total) »

Cast

  (in credits order) (verified as complete)

Boris Karloff ... Imhotep
Zita Johann ... Helen Grosvenor
David Manners ... Frank Whemple
Arthur Byron ... Sir Joseph Whemple
Edward Van Sloan ... Docter Muller
Bramwell Fletcher ... Ralph Norton
Noble Johnson ... The Nubian
Kathryn Byron ... Frau Muller
Leonard Mudie ... Professor Pearson
James Crane ... The Pharaoh
Henry Victor ... The Saxon Warrior (scenes deleted)
rest of cast listed alphabetically:
Florence Britton ... Nurse (uncredited)
Bill Elliott ... Party Guest (uncredited)
Leyland Hodgson ... Gentleman #2 (uncredited)
Eddie Kane ... Inspector's Assistant (uncredited)
Tony Marlow ... Police Inspector (uncredited)
C. Montague Shaw ... Gentleman #1 (uncredited)
Pat Somerset ... Helen's Dancing Partner (uncredited)
Arthur Tovey ... Nubian (uncredited)

Directed by
Karl Freund 
 
Writing credits
Nina Wilcox Putnam (from a story by) &
Richard Schayer (from a story by)

John L. Balderston (screen play)

Produced by
Carl Laemmle Jr. .... producer
Stanley Bergerman .... associate producer (uncredited)
 
Original Music by
James Dietrich (uncredited)
 
Cinematography by
Charles J. Stumar (camera) (as Charles Stumar)
 
Film Editing by
Milton Carruth (film editor)
 
Art Direction by
Willy Pogany (uncredited)
 
Costume Design by
Vera West (uncredited)
 
Makeup Department
Jack P. Pierce .... makeup designer (uncredited)
 
Sound Department
Joe Lapis .... sound (uncredited)
 
Special Effects by
John P. Fulton .... special effects
 
Camera and Electrical Department
Fred Archer .... still photographer (uncredited)
Jerome Ash .... camera (uncredited)
James Drought .... camera operator (uncredited)
Martin Glouner .... assistant camera (uncredited)
Ray Jones .... still photographer (uncredited)
 
Costume and Wardrobe Department
Eugene Joseff .... costume jeweller (uncredited)
 
Music Department
James Dietrich .... orchestrator (uncredited)
 
Other crew
Carl Laemmle .... presenter
Carl Laemmle .... president: Universal Pictures Corp.
 
Crew verified as complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
73 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Noiseless Recording Sound System)
Certification:
Australia:PG | Brazil:12 | Finland:K-11 (2004) | Finland:K-18 (self applied) (2002) | Finland:(Banned) (1935) | Germany:12 | Netherlands:12 | Netherlands:18 (original rating) (1933) | New Zealand:PG | Spain:T | UK:15 | UK:PG (theatrical re-release) (2013) | USA:Unrated | USA:Approved (PCA #2709-R: 23 September 1936 for re-release) | USA:TV-PG (TV rating)

Did You Know?

Trivia:
According to Johann Freund's behavior became dangerous as in those days before the Actors' Guild there was no protection. "Finally we reached a climax. Freund had exhausted me so that the crew was furious; they wanted to kill him. 'What the hell is he doing to her?' they'd ask my secretary. Freund never heard of the 12 hour day. Well, very near the end of the shooting on a Saturday night, we had the scene where Karloff shows me my previous lives in the magic pool. Suddenly I keeled over, and I was out for an hour - dead. They couldn't get a doctor - it was 11 o'clock at night - so the crew prayed me back to consciousness."See more »
Goofs:
Continuity: When Muller shows Frank the Isis charm in the car, the close-up is a reused shot from earlier, which does not match the way Muller hold the charm in the longer shots.See more »
Quotes:
Doctor Muller:Look - the sacred spells which protect the soul in its journey to the underworld have been chipped off the coffin. So Imhotep was sentenced to death not only in this world, but in the next.
Assistant:Maybe he got too gay with the vestal virgins in the temple.
Doctor Muller:Possibly.
See more »
Movie Connections:
Soundtrack:
Swan Lake, Op.20See more »

FAQ

Is 'The Mummy' based on a book?
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See more »
26 out of 27 people found the following review useful.
The Most Subtle of the Universal Horror Films, 2 October 2005
Author: gftbiloxi (gftbiloxi@yahoo.com) from Biloxi, Mississippi

Although frequently reinterpreted, the original 1932 THE MUMMY remains the most intriguing film version of a story inspired by both 1920s archaeological finds and the 1931 Bela Lugosi Dracula: when an over-eager archaeologist reads an incantation from an ancient scroll, he unexpectedly reanimates a mysterious mummy--who then seeks reunion with the princess for whom he died thousands of years earlier and ultimately finds his ancient love reincarnated in modern-day Egypt.

Less a typical horror film than a Gothic romance with an Egyptian setting, THE MUMMY has few special effects of any kind and relies primarily upon atmosphere for impact--and this it has in abundance: although leisurely told, the film possesses a darkly romantic, dreamlike quality that lingers in mind long after the film is over. With one or two exceptions, the cast plays with remarkable restraint, with Boris Karloff as the resurrected mummy and Zita Johann (a uniquely beautifully actress) standouts in the film. The sets are quite remarkable, and the scenes in which Karloff permits his reincarnated lover to relive the ancient past are particularly effective.

Kids raised on wham-bam action and special effects films will probably find the original THE MUMMY slow and uninteresting, but the film's high quality and disquieting atmosphere will command the respect of both fans of 1930s horror film and the more discerning viewer. Of all the 1930s Universal Studio horror films, THE MUMMY is the most subtle--and the one to which I personally return most often.

Gary F. Taylor, aka GFT, Amazon Reviewer

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Cagliostro by Nina Wilcox Putnam and Richard Schayer got_a_clue
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