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In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman. Written by
Jeremy Lunt <firstname.lastname@example.org>
So many layers of cotton were glued to Boris Karloff's face to create the wrinkled visage of Imhotep as a mummy that Karloff was unable to move his facial muscles enough even to speak. See more »
According to the newspaper article detailing the findings, the man who helped them to find the site is named "Ardath Bay." (See also trivia, this is an anagram of "Death by Ra.") But many other sources, including the subtitles/captions on home video releases, use the spelling "Ardeth Bay." See more »
Put it back. Bury it where you found it. You have read the curse. You dare defy it?
Sir Joseph Whemple:
In the interest of science, even if I believed in the curse, I'd go on with my work for the museum. Come back with me, and we'll examine this great find together.
I cannot condone an act of sacrilege with my presence.
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Boris Karloff plays Imhotep, a cursed Egyptian buried alive 3700-years-ago, returns to life to claim the reincarnation of his lost-love in this Universal classic. Moody, understated and succinct, The Mummy is one of the best films from Universal's classic horror period. Although much of the success can be credited to first time director Karl Freund, who normally worked as a top cinematographer, and the brilliant make-up artist Jack P. Pierce, it is Boris Karloff who gives the film its resonance. As he previously did with the Frankenstein monster, Karloff imbues this character with an aching sense of humanity which was completely absent later incarnations of the Mummy character. Credit must also be given to the able supporting cast including Zita Johann and the always reliable Edward Van Sloan. Now here's a question. Is the film scary by today's standards? I guess I'd have to say not really. However, I just watched this film again after seeing the American version of 'The Grudge.' 'The Grudge' certainly had me jumping more, but which film did I enjoy more? It'd have to be 'The Mummy.'
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