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The Mummy (1932)

 -  Horror  -  22 December 1932 (USA)
7.3
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Ratings: 7.3/10 from 12,575 users  
Reviews: 146 user | 102 critic

A living mummy stalks the beautiful woman he believes is the reincarnation of his lover.

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(from a story by), (from a story by), 1 more credit »
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Title: The Mummy (1932)

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Cast

Complete credited cast:
...
Zita Johann ...
David Manners ...
Arthur Byron ...
Edward Van Sloan ...
Bramwell Fletcher ...
Noble Johnson ...
Kathryn Byron ...
Leonard Mudie ...
James Crane ...
Henry Victor ...
The Saxon Warrior (scenes deleted)
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Storyline

In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman. Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Plot Synopsis

Taglines:

It comes to life!

Genres:

Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

22 December 1932 (USA)  »

Also Known As:

Cagliostro  »

Filming Locations:

 »

Box Office

Budget:

$196,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The ring Boris Karloff uses has been in the possession of Forrest J Ackerman for many decades (he wears it). See more »

Goofs

When Muller shows Frank the Isis charm in the car, the close-up is a reused shot from earlier, which does not match the way Muller hold the charm in the longer shots. See more »

Quotes

Imhotep: Excuse me... I dislike being touched... an Eastern prejudice.
See more »

Crazy Credits

A good cast is worth repeating... See more »

Connections

Referenced in Saturday Night Live: Jesse Eisenberg/Nicki Minaj (2011) See more »

Soundtracks

Dirge
(uncredited)
Music by Michel Brusselmans
Played during the flashback to Ancient Egypt
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Karloff Walks!
27 May 2003 | by (Forest Ranch, CA) – See all my reviews

THE MUMMY awakened in Egypt by English archeologists goes on a rampage searching for its reincarnated lover.

Boris Karloff dominates this little fright fest, bringing new nightmares to the screen and proving that his Frankenstein's Monster was no mere quirk, but actually the beginning of a distinguished career in shocker films. Helped immensely by makeup master Jack Pierce, who gave the Mummy face & hands like weathered parchment, Karloff uses his own saturnine features and tall thin body to full effect, creating a horror portrait that has stood the test of time.

A sturdy supporting cast gives Karloff good support: exotic Zita Johann is lovely & slightly mysterious as the woman of Imhotep's deathless desires; valiant David Manners as the young hero gives another typically fine performance; Arthur Byron & Edward Van Sloan are enjoyable as the requisite old gentlemen (every horror film must have at least one) who study & stalk the Mummy. African-American silent film star Noble Johnson appears as a sinister Nubian.

The film's best scene, the resuscitation of the Mummy, demonstrates the potential of the medium. The only indication the viewer has that something horrible is about to happen is a flicker of Karloff's eye and a slight movement of his hand as he stands in his casket, bound in bandages. The rest of the scene unfolds in the hysterical reaction of young Bramwell Fletcher (excellent performance) as he watches the undead leave the scientists' tent. All the audience sees is Karloff's hand and the trailing bandages from his feet as they drag across the floor. It is enough.


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