Andrew Garfield, Mahershala Ali, Ruth Negga, and five others received their first-ever acting nominations for 2017. While these actors are new to the Academy Awards, you may recognize them from their earlier work.
In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman. Written by
Jeremy Lunt <email@example.com>
Zita Johann later recalled Karl Freund's nastiness to her: "Karl Freund made life very unpleasant. It was his first picture as a director, and he felt he needed a scapegoat in case he didn't come in on schedule, 23 days, I believe. Well I was cast as the scapegoat--and I saw through it right away! Before shooting started, I asked Freund and his wife over for dinner. He told me for one scene, I would have to appear nude from the waist up. He expected me to say, 'The hell I will!' Instead I said, 'Well, it's all right with me if you can get it past the censors'--knowing very well that the censors of that time were very strict. So, I had him there." See more »
When Muller shows Frank the Isis charm in the car, the close-up is a reused shot from earlier, which does not match the way Muller hold the charm in the longer shots. See more »
Anck-es-en-Amon, my love has lasted longer than the temples of our gods. No man ever suffered as I did for you.
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I love these Universal horror movies. This one is all atmosphere. The lighting, the focus on Karloff's eyes and his threatening persona carry the film. When I was in elementary school (my kids would say not long after this film was made), I had another kid scare the daylights out of me by describing the internment of the Egyptian rulers. The taking of the body, perfuming it, placing it in a room full of gold, then killing the slaves so that only the priests would know the actual resting place of the body. There was also the bit about being wrapped alive for burial. I'll tell you.
The effect of that story, which is portrayed in the movie, put a bigger scare into me than any movie I've ever seen. Since this one was really the only one we would ever see on television, I watched it every time I could. Isn't it interesting that both the Lugosi "Dracula" use a quotation from "Swan Lake" as a theme song. I've always wondered why that is. It is certainly eerie and as the credits roll, it builds in intensity. I was told once that Tchaikovsky would probably do movie soundtracks if he were alive today. Pardon my digressions. It is interesting that the mummy (as a fully wrapped personage) really doesn't appear after the beginning sequence--we just know that old Boris is in the process of decay and will eventually be sent to his eternal reward. As usual, the scientists and those who should know, carelessly leave the young woman unattended and he makes his move. The threatening suavity of Karloff is the high point of the movie. I feel the world received such a gift when these films were made. It is a delight, full of frightening images and classic moments.
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