At midnight on Walpurgis Night, an English clerk, Renfield, arrives at Count Dracula's castle in the Carpathian Mountains. After signing papers to take over a ruined abbey near London, ... See full summary »
Enrique Tovar Ávalos
In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »
This mostly unrelated sequel to Cat People (1942) has Amy, the young daughter of Oliver and Alice Reed. Amy is a very imaginative child who has trouble differentiating fantasy from reality,... See full summary »
In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman. Written by
Jeremy Lunt <email@example.com>
Throughout the film's production, there was great tension between Zita Johann and director Karl Freund who disliked each other immensely. According to Johann, on the first day of filming Freund attempted to portray her as a temperamental actress who was very hard to work with to the film's producers. Freund told her that she would have to play the part of Anck-es-en-Amon nude from the waist up, to which Johann replied "I will if you can get it past the censors." Freund ultimately never forced Johann to appear nude; however, he did make life difficult for her on set by refusing her a chair with her name on it, forcing her to stand against a wall for hours to keep a dress from wrinkling, and providing her with no protection from lions in a scene which was ultimately cut from the film. See more »
When Im-Ho-Tep breaks the glass in the display case with his bare hand, there is clearly no glass there, just the sound effect. See more »
Anck-es-en-Amon, my love has lasted longer than the temples of our gods. No man ever suffered as I did for you.
See more »
With one of Boris Karloff's numerous acting successes and a production done the way that a horror feature should be made, this is a well-crafted classic of the genre. From the first scene, the right atmosphere is established, and the story is told at an implacable pace that slowly builds up the tension and possibilities.
As he does with his characters in so many of his horror features, Karloff makes "The Mummy" a menacing monster, yet one with enough human motivations to keep him from becoming cartoonish. Karloff's approach, as does the movie as a whole, stimulates the imagination rather than the senses, giving this classic version a depth and permanence that cannot be matched by those more recent adaptations that rely on boring "special" effects and contrived "action" sequences instead of a well-told story with solid characters.
Edward Van Sloan, David Manners, and the rest of the supporting cast also help out. The atmosphere and settings are kept relatively simple, but effective. Naturally, the story is far-fetched, but it has a consistency that makes it relatively easy to suspend disbelief. The picture fits together well, and it remains a solid entry in the list of classic horror films.
33 of 33 people found this review helpful.
Was this review helpful to you?