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Movie Crazy (1932)

Harold Hall, an accident prone young man with little or no acting ability, desperately wants to be in pictures. After a mix-up with his application photograph, he gets an offer to have a ... See full summary »

Directors:

, (uncredited)

Writers:

(screenplay), (dialogue) | 6 more credits »
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On Disc

at Amazon

1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
Mary Sears
...
Vance
Louise Closser Hale ...
Mrs. Kitterman
Spencer Charters ...
J.L. O'Brien
...
Wesley Kitterman - Producer
Eddie Fetherston ...
Bill - Assistant Director (as Eddie Fetherstone)
Sydney Jarvis ...
The Director
...
Miller
...
Margie
...
Mr. Hall (as De Witt Jennings)
Lucy Beaumont ...
Mrs. Hall
Arthur Housman ...
Customer Who Didn't Order Rabbit
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Storyline

Harold Hall, an accident prone young man with little or no acting ability, desperately wants to be in pictures. After a mix-up with his application photograph, he gets an offer to have a screen-test, and goes off to Hollywood. At the studio, he does everything wrong and causes all sorts of trouble. But he catches the fancy of a beautiful actress, and eventually the studio owner recognizes him as a comic genius. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

The Funniest Man in the World! See more »

Genres:

Comedy | Family | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

23 September 1932 (USA)  »

Also Known As:

Silence... on tourne!  »

Box Office

Budget:

$675,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(re-release) | (restored)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The final climax of the picture on board of the ship between Harold and Vance was basically reworked from Harold Lloyd's The Kid Brother (1927). The film was also shot with a silent film camera to re-create the Lloyd silent technique and the sound effects and dialogue were recorded in post-production. See more »

Goofs

At the beginning of the shipboard fight scene, the mounted life preserver is seen to accidentally fall. Near the end of the fight, it is back on its mount. See more »

Quotes

Mary Sears: [Final line] Come on, Trouble.
See more »

Connections

Featured in Funny Side of Life (1963) See more »

Soundtracks

Indiana
(1917) (uncredited)
Music by James F. Hanley
Whistled by Harold
See more »

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User Reviews

 
Mr. Lloyd's Talkie Triumph
26 February 2004 | by (Forest Ranch, CA) – See all my reviews

A MOVIE CRAZY young klutz comes to Hollywood and tries to become a film star in the worst possible way.

Harold Lloyd had a solid success with this, his third talking film. Not only is he still a very funny fellow with outstanding athletic abilities (especially considering that half of his right hand was a prosthetic) but the film itself is remarkable for its feeling of natural realism. It doesn't look or sound like most of its other contemporaries. The dialogue has a true ring to it and much of the acting is perfectly straightforward & unaffected. Much credit must go to the fine work done by the director, writer & cameraman.

The production values are of a very high order, offering glimpses of back lot Paramount Studios as a bonus. Harold's gags are often hilarious and he has some tremendous sequences, creating unintended havoc about the movie lot, attending a fancy dance party while wearing a magician's coat maliciously intent on disgorging its contents, or engaging in a climactic battle with the bad guy around a flooded set.

Constance Cummings, as the actress who captures Harold's heart, gives a remarkably naturalistic performance, sweetly bringing the viewer under her spell. You want Harold to fall for her, even while he only has eyes for her Latin alter ego. Here is a performer who deserves to be rediscovered.

DeWitt Jennings & Lucy Beaumont are enjoyable in their very short opening sequence as Harold's Kansas parents. Kenneth Thomson, as the villain of the film, is effective as the drunken brute who wants Miss Cummings for himself. Spencer Charters is fun as a highly temperamental studio executive. Arthur Housman is on hand playing the patented inebriate he performed so often. And marvelous Louise Closser Hale shines in her only scene as a Hollywood matron who shares a disastrous dance with Harold.

Movie mavens will recognize Noah Young, a familiar face from Harold's silent films, as an upset cop & a hilarious Grady Sutton as a nervous fellow who's terrified of mice--both uncredited.


13 of 17 people found this review helpful.  Was this review helpful to you?

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