When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
John Hamilton leaves a comfortable New York job to take up as an artist in a quiet Connecticut town. His dipso wife hates the life and falsely makes him out to be selfish, unsuccessful, and... See full summary »
Peter Carter follows his girlfriend home for the weekend to meet her family, but quickly finds himself in a struggle for survival when her father drags him into a group of cohorts who will lie, cheat, steal and kill to get what they want.
Captain Edward A. Salisbury (1875-1962) was a noted millionaire explorer and writer, whose exploration stories of the islands of the South Seas Pacific appeared often in "The National ... See full summary »
After their luxury cabin cruiser crashes on a reef, Bob Rainsford finds himself washed ashore on a remote island. He finds a fortress-like house and the owner, Count Zaroff, seems to be quite welcoming. Apart from Zaroff's servant Ivan, the only other people present are Eve Trowbridge and her brother Martin, also survivors of their own shipwreck. Other survivors are missing however and Rainsford soon learns why. Zaroff releases them into his jungle island and then hunts them down in his grisly "outdoor chess" game! Then after Martin disappears, Bob realizes that he and Eve are to be the next "pawns" in Zaroff's deadly game. Written by
The drunken Armstrong is a loaded script element: he's supposed to be annoying. At the time this film was released, Prohibition was still in effect, but the law was widely ignored. Producer Merian C. Cooper was strongly critical of alcohol use and of the glamorization of drunkenness in movies. There is a similar scene in both Mighty Joe Young (1949) (where inebriated nightclub patrons precipitate the creature's escape and rampage) and The Son of Kong (1933) (where drunkenness proves disastrous for the heroine's father). Zaroff's reveling in his hunting exploits was also deliberate beyond the needs of the story, downplaying its glamorization in other movies of the period. See more »
The island is described by Rainsford as "small as a deer park", but it contains a dramatic waterfall. Such a fall would have to have been fed by a large lake on a much larger island to flow at such a high volume. See more »
The channel's here on the chart, all right, and so are the marking lights.
Then what's wrong with them?
Those lights don't seem to be in just the right place. They're both a bit out of position according to this.
Two light buoys means a safe channel between the world over!
"Safe between the world over" doesn't go in these waters.
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"The Most Dangerous Game" is a surprisingly good little thriller that runs just over an hour. It was made the year before "King Kong" by many of the same people that were involved that classic. In fact many of the "run through the jungle" scenes are very similar to those in the later film.
The film opens with a realistic staged ship wreck (achieved mostly with convincing miniatures) from which only Bob Rainsford (Joel McCrea) survives. He crawls ashore on a mysterious island and finds his way to a creepy castle inhabited by a Russian Count named Zaroff (Leslie Banks). There he meets the lovely Eve (Fay Wray) and her drunken brother Martin (Robert Armstrong), who were also ship wrecked.
It turns out that the "Game" of the title is the mad Count hunting down and killing human prey. Naturally, McCrea and Wray ultimately wind up as the hunted.
A very young McCrea is excellent as the hero and Wray, fetching as the heroine. Banks, however, and Armstrong for that matter, are way over the top in their roles. Banks in that early talkie style, enunciates every syllable and bugs out his eyes at every opportunity.
Still and all, "The Most Dangerous Game" is exciting and well made and worth a look.
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