A pair of young vacationers are involved in a dangerous conflict with treasure hunters when they discover a way into a deadly wreck in Bermuda waters. Featuring extended underwater ... See full summary »
Dick Anthony Williams
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In London, sculptor Ivan Igor struggles in vain to prevent his partner Worth from burning his wax museum...and his 'children.' Years later, Igor starts a new museum in New York, but his ... See full summary »
The Staten Island apartment of lovely model Danielle becomes the scene of a grisly murder that is witnessed by her neighbor, Grace, a reporter. But the police don't believe her story, so ... See full summary »
Brian De Palma
After their luxury cabin cruiser crashes on a reef, Bob Rainesford finds himself washed ashore on a remote island. He finds a fortress-like house and the owner, Count Zaroff, seems to be quite welcoming. Apart from Zaroff's servant Ivan, the only other people present are Eve Trowbridge and her brother Martin, also survivors of their own shipwreck. Other survivors are missing however and Bob soon learns why: Zaroff releases them onto his jungle island and them hunts them down and kills them. Written by
The second of three film collaborations involving Ernest B. Schoedsack, Merian C. Cooper, and Fay Wray. See more »
When Count Zaroff is first giving the knife to Rainsford, he is pointing the blade at him. There is a cut to a closer shot, and the blade is now facing away. See more »
The channel's here on the chart, all right, and so are the marking lights.
Then what's wrong with them?
Those lights don't seem to be in just the right place. They're both a bit out of position according to this.
Two light buoys means a safe channel between the world over!
"Safe between the world over" doesn't go in these waters.
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I must have been about 5 years old when I saw this film just before the WAR, in a flea-ridden "picture-house" in Dublin, Ireland, where I was born and brought up. It made such an impression on me that I remembered it all my life, but never remembered the name or any of the cast. I tried without success, and as time passed I began to believe that the Island owner was, perhaps, Conrad Veidt, this was the sort of persona he portrayed to me. I remembered that there were people on a luxury yacht, suddenly wrecked, and that a man and woman were washed up on an island, and after having been given hospitality by a recluse in a large house, were set loose to be hunted. The young man was a famous big game hunter, and he had only a knife with which he devised traps to catch their pursuer who hunted them with a bow and arrows. One trap, I remember was an old log which was triggered somhow to fall and kill whoever who set it off. This film always stayed in the forefront of my mind, and, when, at age about 70, I met a compatriot, a little older, I began to tell him about this film, asking him if he'd ever seen it or knew anything about it. He interrupted me to tell me that it was a story, and gave me the name of the writer, Richard Connell. How did he know this immediately, having barely heard the beginning of my story?? He was a retired English teacher who admired this story so much that,year after year, he always set it for his classes. So then I was able to look it up on the internet and not at all to my surprise found the close connection of the cast and scenery to KING KONG. You see, KING KONG has been my all-time favourite film. I think I've seen it at least 25-30 times and have several video copies of it.
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