Mickey, Donald, and Goofy are cleaning a large clock. Among the complications: Mickey fights a sleeping stork that doesn't want to leave, Donald gets tangled up in the main-spring, and Goofy is inside the bell when the clock strikes four.
The story of a little boy who would only talk in sound effects. With story by Dr. Seuss (and Bill Scott of Rocky and Bullwinkle fame) this cartoon won the Oscar for best short subject (animated) for 1950.
Betty Boop runs away from home with her friend, Bimbo the Dog. They end up in a cave where a walrus, with Cab Calloway's voice, sings "Minnie the Moocher" and dances to the melancholy song. He is joined in the performance by various ghosts, goblins, skeletons and other frightening things. Betty and Bimbo are subjected to skeletons drinking at a bar; ghost prisoners sitting in electric chairs; a mother cat with skull-like eyes feeding her equally empty-eyed kittens; and worse. Written by
The title refers to the 1931 jazz song "Minnie the Moocher" recorded by Cab Calloway and His Orchestra which sold over 1 million copies. "Minnie the Moocher" is most famous for its nonsensical ad libbed ("scat") lyrics (for example, "Hi De Hi De Hi De Hi") that was repeated by the audience. See more »
Entertaining, but I wanted to see more of Cab Calloway!
This is a Betty Boop cartoon, though it starts with a bit of footage of Cab Calloway and his orchestra. Calloway's song "Minnie the Moocher" is set to life using Betty, her friend Bimbo and an odd assortment of ghosts, though I really would have much preferred to actually just watch and listen to Calloway sing this song live--since it is very easy to like and quite funny (and a bit radical with its reference to cocaine). However, as a cartoon, it's a very strange thing indeed as I really don't know who the audience for this Pre-Code nightmare would be! After all, it is really scary and so younger kids would be terrified by it and the drug references, if the parents noticed, would really turn them off as well, as it's NOT good child fare! Interesting, well animated but too bizarre, this one is great for adults who want to see just how subversive Betty could be in her wild Pre-Code days.
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