A mangy cat on the verge of starvation finds a tiny canary and a bottle of 'Jumbo-Gro' fertilizer, which gives him an idea that leads to giant cats, dogs, mice and canaries chasing each other round Lilliputian towns and cities...
The story of a little boy who would only talk in sound effects. With story by Dr. Seuss (and Bill Scott of Rocky and Bullwinkle fame) this cartoon won the Oscar for best short subject (animated) for 1950.
We see the various birds, mice, and bats that have moved into an old windmill, followed by the frogs, crickets, and fireflies making their music in an adjacent pond. Then a storm comes, ... See full summary »
Betty Boop runs away from home with her friend, Bimbo the Dog. They end up in a cave where a walrus, with Cab Calloway's voice, sings "Minnie the Moocher" and dances to the melancholy song. He is joined in the performance by various ghosts, goblins, skeletons and other frightening things. Betty and Bimbo are subjected to skeletons drinking at a bar; ghost prisoners sitting in electric chairs; a mother cat with skull-like eyes feeding her equally empty-eyed kittens; and worse. Written by
Perfect use of the song with the right character and the results are an excellent short
Everything works here-the song, "Minnie the Moocher" goes hand in glove with the character of Betty Boop, the music and the animation are a wonderful fit, Cab Calloway has just the right flair to pull it all together, it all works splendidly and gives the viewer a treat for both eyes and ears. Betty Boop was animation's answer to Clara Bow, the "It" Girl and the early shorts were more risque and playful than the later ones, after The Code took effect. An excellent short, in print and available. Well worth seeing. Most highly recommended.
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