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5 out of 6 people found the following review useful:
Great mystery with some really frightening scenes (so keep the lights on), 29 July 2006
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Author:
dbborroughs from Glen Cove, New York
Detective Cornish goes to visit his friend Dr Walcott at a swanky
hotel. Walcott has found something that Cornish would find interesting,
a human ear bone in his fireplace. As Walcott is standing the window he
suddenly collapses. Cornish calls for a doctor who arrives and tells
Cornish that his friend collapsed from the heat, and that the blood on
his forehead was from the fall. Something doesn't seem right and when
the pair tries to investigate someone again takes a shot at the good
doctor. With that the detective and the doctor are plunged head long
into a mystery that the owners don't want them to know anything about.
From the opening minutes this movie grabs you and pulls you in. Just
what in the heck is going on here? You have to know, as mystery is
added to mystery and layer is piled on layer you really do want to get
to the bottom of things. Certainly things take a strange turn or two,
but in this case make it even more intriguing. This is a great little
thriller.
The question I want to know is why this film isn't better known since
its a dynamite way to spend an hour. William "Stage" Boyd makes a great
detective and Hooper Atchley as Dr Walcott is simply a great deal of
fun. Not only is the mystery really mysterious, you have some truly
frightening scenes toward the end as the dead seem not to be so dead
after all.These are the sort of thing you'd expect in a horror film not
a mystery film, certainly not one that isn't an old dark house. (You
may want to keep the lights on during the second half of the film)
See this movie. This is a keeper, and while you may not watch it a lot,
it will be one that you hand off to friends that you'd like to turn on
to a really good movie. See this movie you will enjoy it.
9 out of 10.
4 out of 6 people found the following review useful:
A Decent Mystery Movie, 17 July 2003
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Author:
Don W from Long Island Motor Parkway
Supposedly based on a real incident which occurred at the 1893 Chicago World's Fair. This film fits into the "Pre-Code" genre, only because the "baddies" are not brought to "justice" at the end. The acting is pretty good, although I have to smile when I remember that William "Stage" Boyd was shortly afterwards involved in a famous Hollywood sex scandal, which temporarily ruined the career of William "Hopalong Cassidy" Boyd when his photograph was erroneously printed in a newspaper along with the scandal story; I can understand why reporters thought it was the "Hoppy" Boyd & not the "Stage" Boyd! A bit too talky at times, but an interesting film nonetheless.
1 out of 1 people found the following review useful:
Phooey, it's William "Stage" Boyd and not William "Hoppy" Boyd, 4 May 2008
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Author:
kidboots from Australia
*** This review may contain spoilers ***
William "Stage" Boyd was a stage actor who used "Stage" as his middle
name in order to avoid confusion with the already popular William Boyd
(later of Hopalong Cassidy fame). He almost wrecked Hoppy's career
because when stories started appearing about Stage Boyd's bad behaviour
- the pictures used were of the other William Boyd (Hoppy).
William "Stage" Boyd is quite good as the private investigator Bill
Cornish. Someone tries to take a pot shot at Dr. Walcott (Hooper
Atchley) when he is with Bill Cornish. Cornish has been showing him a
special pair of glasses that can magnify objects up to a block away.
All evidence points to Erich (John Harron) and his fiancée Enid Van
Buren (the beautiful Claudia Dell) as being the shooters. When they
catch Erich, he tells them an incredible story.
His fiancée came with her brother to stay at the Clarendon Arms. Edith
is called away and when she returns the hotel deny all knowledge of her
and her brother staying there. When she calls in the police she is
placed in an asylum. When Erich gets her out, he starts taking pot
shots at guests from the hotel to give them a warning.
The plot is almost identical to a very excellent 1950 British film
called "So Long at the Fair" with Jean Simmons and Dirk Bogarde. The
latter film is a high quality production and has a superior cast. Also
setting the film during the French exposition make the story line much
more believable.
There is a very scary sequence at the end of "Midnight Warning". Edith
is taken to the morgue to see her brother and is locked in with the
bodies - it is very blood curdling, especially seen at night.
The Brother Vanishes, 18 July 2009
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Author:
wes-connors from Earth
"After a young couple and the woman's brother check into a hotel, the
brother turns up missing. While no one at the hotel seems to know where
the man is, let alone acknowledge he was even there, the woman decides
to hire an investigator to look into the matter. The investigator, his
assistant and the young couple find some strange circumstances at the
hotel, which lead them to a shocking discovery," according to the DVD
sleeve's synopsis.
Ah
it's the old vanishing relative plot. This one moves along quite
nicely, thanks to writer John Thomas Neville beginning his version from
an interesting angle: hotel patron Hooper Atchley (as Steven Walcott)
calls upon an old friend, investigator William Boyd (as William
Cornish), after finding a human ear bone in his fireplace. Then, Mr.
Atchley collapses
The unraveling mystery is engaging; and, the movie
works as a filmed stage play.
Columbia Pictures model Claudia Dell (as Enid Van Buren) gets to play
frightened in a mortuary, and Robert Harron's brother John ("Johnny"
Harron, as Erich) has a good expositional scene explaining his
involvement in the intrigue. Forgotten film veteran Phillips Smalley
(as Dr. Bronson) is another asset. "Midnight Warning" obviously needs
Alfred Hitchcock's direction, and a more satisfying conclusion (see
"The Lady Vanishes").
***** Midnight Warning (11/15/32) Spencer Gordon Bennet ~ William Stage
Boyd, Claudia Dell, John Harron
0 out of 1 people found the following review useful:
Hard to sum up, 18 March 2012
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Author:
jonfrum2000 from United States
Reviewing this movie is a bit tricky. First, it was made in 1932, and
we can't expect too much. The acting is stilted, and the dialogue....
is sometimes.... a bit stiff. Then, part of the detective's success
depends on his super-duper binocular-glasses, which is more than a bit
goofy. They look like something out of the back of a comic book, circa
1955. Between the set-up and the climax scene at the end, it drags, and
I found myself pausing it and browsing web sites for a while.
The end of the action, as mentioned in some other reviews, is actually
pretty harrowing, if you imagine watching it in a dark movie theatre in
1932. The scene seems to come out of nowhere in this otherwise standard
genre film. If the rest of the film had been up to that standard, it
would have been a much better production.
Finally, the denouement is a surprising twist - it doesn't work out
anything like you'd expect in the genre. Let's just say it's far more
ambiguous than Hollywood usually produced. I'd say it's worth watching
if you're a fan of the genre and films of the early talkie era. Just
don't expect too much - I don't know how another reviewer gave this
nine stars. Different strokes, I guess.
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