IMDb > Me and My Gal (1932)

Me and My Gal (1932) More at IMDbPro »


Overview

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Director:
Writers:
Philip Klein (story) and
Barry Conners (story) ...
(more)
Release Date:
4 December 1932 (USA) See more »
Genre:
Plot:
Young New York cop Dan falls in love with waterfront waitress Helen. Helen's sister Kate falls for gangster Duke. Dan must do in Duke. | Add synopsis »
NewsDesk:
(2 articles)
Il Cinema Ritrovato 2012 #4
 (From MUBI. 5 July 2012, 8:16 PM, PDT)

New York's "Essential Pre-Code" Series: Week 2
 (From MUBI. 4 August 2011, 12:48 PM, PDT)

User Reviews:
Ingratiating pre-Code fun See more (12 total) »

Cast

  (in credits order) (verified as complete)

Spencer Tracy ... Danny Dolan

Joan Bennett ... Helen Riley
Marion Burns ... Kate Riley
George Walsh ... Duke Castenega
J. Farrell MacDonald ... Pop Riley
Noel Madison ... Baby Face Castenega
Henry B. Walthall ... Sgt. John Collins aka Sarge
Bert Hanlon ... Jake
Adrian Morris ... Allen aka Al
George Chandler ... Eddie Collins
rest of cast listed alphabetically:
Frank Atkinson ... Ashley's Chum (uncredited)

Billy Bevan ... Ashley (uncredited)
Heinie Conklin ... Bank Robbery Accomplice (uncredited)
Emmett Corrigan ... Police Captain (uncredited)
Jesse De Vorska ... Jake Castenega (uncredited)
Lemist Esler ... Doctor (uncredited)
Chuck Hamilton ... Dock Worker (uncredited)
Roger Imhof ... Down and Outer (uncredited)
Mike Lally ... Wedding Guest (uncredited)
Hank Mann ... Hank (uncredited)
James A. Marcus ... Tugboat Captain (uncredited)
Frank Moran ... Frank - Drunk's Foil (uncredited)
Pat Moriarity ... Minister (uncredited)
Russ Powell ... Burper (uncredited)
Dick Rush ... Police Desk Sergeant (uncredited)
Ralph Sipperly ... English Drunk (uncredited)
Will Stanton ... Drunk (uncredited)
Phil Tead ... Radio Salesman (uncredited)
Eleanor Wesselhoeft ... Wife (uncredited)
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Directed by
Raoul Walsh 
 
Writing credits
Philip Klein (story) and
Barry Conners (story)

Arthur Kober 

Frank Dolan  uncredited and
Philip Dunne  uncredited and
Charles Vidor  uncredited and
Alfred A. Cohn  uncredited

Cinematography by
Arthur C. Miller  (as Arthur Miller)
 
Film Editing by
Jack Murray (uncredited)
 
Art Direction by
Gordon Wiles 
 
Costume Design by
Rita Kaufman 
 
Second Unit Director or Assistant Director
Horace Hough .... assistant director (uncredited)
 
Art Department
Don B. Greenwood .... property master
 
Sound Department
George Leverett .... sound recording engineer
 
Camera and Electrical Department
Billy Abbott .... assistant camera (uncredited)
Don Anderson .... assistant camera (uncredited)
Roy Johnson .... still photographer (uncredited)
Joseph LaShelle .... camera operator (uncredited)
Clarence Slifer .... assistant camera (uncredited)
 
Music Department
George Lipschultz .... musical director
 

Production CompaniesDistributors
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Additional Details

Also Known As:
Runtime:
79 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric System)

Did You Know?

Quotes:
Pop Riley:Another bank robbery yesterday.
Danny Dolan:Oh? Who'd the bank rob now?
Pop Riley:Nobody, someone robbed the bank.
Danny Dolan:Ah, turned the tables on 'em, eh? Smart!
See more »
Movie Connections:
Spoofed in Me and My Pal (1933)See more »

FAQ

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10 out of 10 people found the following review useful.
Ingratiating pre-Code fun, 18 July 2005
Author: warrenk-2 from Oakland, CA, USA

"Me and My Gal" is an ingratiating pre-Code comedy-drama enhanced by spirited banter between Spencer Tracy and Joan Bennett who play two young people feeling each other out as potential mates. Bennett is surprisingly good as a wise-cracking, down-to-earth waitress who speaks her mind and can easily hold her own against Tracy's New York City cop. The pre-Code era's lack of pretense about sexuality makes their impassioned kiss in the diner -- as the two knock over items on the lunch counter -- all the more humorous. Bennett, both impressed and amused by Tracy's kiss, responds: "If you're gonna kiss me like that, you're gonna have to marry me." It's a magical little moment that caused the passage of time since 1932 to drop away and left me there with them to enjoy the fun.

A sub-plot involves Bennett's newly married sister, a good girl who nevertheless can't resist her bad boy gangster ex-boyfriend. When he needs to hide from the police, she installs him in a spare bedroom, under the nose of her disabled father-in-law who is confined to a wheelchair, can't speak a word and communicates only by blinking his eyes in Morse code. Later, when everything gets resolved, Tracy tells the father-in-law that the daughter-in-law is a good kid at heart in spite of what she did, expressing pre-Code generosity for forgiveness and tolerance, even in sexual transgressions with gangsters.

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