| Boris Karloff | ... | Dr. Fu Manchu | |
| Lewis Stone | ... | Nayland Smith | |
| Karen Morley | ... | Sheila | |
| Charles Starrett | ... | Terrence Granville | |
| Myrna Loy | ... | Fah Lo See | |
| Jean Hersholt | ... | Von Berg | |
| Lawrence Grant | ... | Sir Lionel Barton | |
| David Torrence | ... | McLeod | |
| rest of cast listed alphabetically: | |||
| Everett Brown | ... | Slave (uncredited) | |
| Steve Clemente | ... | Knife Thrower (uncredited) | |
| Willie Fung | ... | Ship's Steward (uncredited) | |
| Ferdinand Gottschalk | ... | British Museum Official (uncredited) | |
| Allen Jung | ... | Coolie (uncredited) | |
| Tetsu Komai | ... | Swordsman (uncredited) | |
| James B. Leong | ... | Guest (uncredited) | |
| Oswald Marshall | ... | Undetermined Role (uncredited) | |
| Chris-Pin Martin | ... | Potentate (uncredited) | |
| Lal Chand Mehra | ... | Indian Prince (uncredited) | |
| Edward Peil Sr. | ... | Coolie Spy (uncredited) | |
| Clinton Rosemond | ... | Slave (uncredited) | |
| C. Montague Shaw | ... | Curator Dr. Fairgyle - British Museum Official (uncredited) | |
| E. Alyn Warren | ... | Goy Lo Sung - Fu Manchu Messenger (uncredited) | |
Directed by | |||
| Charles Brabin | |||
| Charles Vidor | (uncredited) | ||
Writing credits | ||
| Irene Kuhn | (screen play) & | |
| Edgar Allan Woolf | (screen play) and | |
| John Willard | (screen play) | |
| Sax Rohmer | (from the story by) | |
Original Music by | |||
| William Axt | (uncredited) | ||
Cinematography by | |||
| Tony Gaudio | (photographed by) | ||
Film Editing by | |||
| Ben Lewis | (film editor) | ||
Art Direction by | |||
| Cedric Gibbons | |||
Costume Design by | |||
| Adrian | (gowns) | ||
Makeup Department | |||
| Cecil Holland | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| John Waters | .... | assistant director (uncredited) | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
| Anstruther MacDonald | .... | sound (uncredited) | |
Special Effects by | |||
| Warren Newcombe | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Clarence Sinclair Bull | .... | still photographer (uncredited) | |
| Ken Strickfaden | .... | electrician: effects unit (uncredited) | |
Costume and Wardrobe Department | |||
| Eugene Joseff | .... | costume jeweller (uncredited) | |
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| Masters of the Universe | Indiana Jones and the Temple of Doom | G.I. Joe: The Rise of Cobra | Raiders of the Lost Ark | The Spider Returns |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Wonderfully inventive exotic horror movie from the early days of talkies.
An expedition from the British Museum sets out to find the long searched for tomb of legendary warlord Genghis Khan and get to the fabled sword and mask before it is found and usurped by Dr. Fu Manchu, evil contemporary warlord with an unquenchable ambition to extinguish the white race in his lust for power.
'Mask of Fu Manchu' is well worth a watch for its stunning look alone. The sets by Cedric Gibbons are gorgeous to look at, a uniquely Hollywoodian blend of art-deco and tasteful Orientalism, photographed to fantastic effect by Tony Gaudio and evocatively lit. The acting is top-notch with Karloff an exquisitely seductive Fu Manchu and the young Loy a delight as his sadistic daughter. This film could not have been made just a couple of years later, it is decidedly pre-Code in its sexual frankness and the lusty demeanor of the characters. Ex-football star Starrett is more than sufficiently hunky stripped down to a loincloth in a torture scene! But then, the torture of this movie is always a naughty delight, it has so many things in store for us.
Obviously, the question with 'Mask of Fu Manchu' as with others of its time is, Are you able to forgive its naive racism? "You hideous yellow monster!", our heroine hisses contemptuously, but then again, the Brits aren't exactly angels either, the barbaric way these so-called scientists go about breaking open Genghis Khan's tomb, desecrating everything on their way, only barely concealing their avarice ...
A really good film, highly recommended.
7/10