Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
Princess Ling Moy, a young and beautiful Chinese aristocrat lives next door, unbeknownst to her, to Dr. Fu Manchu, a brilliant but twisted genius who is out to rule the world. She is ... See full summary »
Anna May Wong,
Dr. Fu Manchu, evil genius and possessor of seemingly unlimited financial resources, has pledged to bring about the downfall of western civilization to avenge unknown wrongs of the past. ... See full summary »
A wealthy industrialist hires the renowned hoax-buster Phillip Knight to prove that an island he plans to develop isn't voodoo cursed. However, arriving on the island, Knight soon realizes ... See full summary »
Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and his diabolical daughter will enslave the world! Written by
Ken Yousten <firstname.lastname@example.org>
Long shots reveal that Boris Karloff is wearing platform shoes, which is why he is taller than all his costars. See more »
While he is Fu Manchu's prisoner, it is an important plot point that Sir Lionel Barton has had his hand cut off by Fu, his severed hand falling out of a tree and being discovered by Terrence Granville. But later, when Barton's body is abandoned in front of the expedition headquarters after his murder, he clearly (in long shot) has both hands. See more »
Fah Lo See:
[referring to Terrence Granville]
He is not entirely unhandsome, is he, my father?
For a white man, no.
See more »
Many, many times a movie can be worthwhile when it does no more than create and display a strange world. Almost always that's the case where the world is new and/or synthesized from previous abstract sources.
"Metropolis" of five years earlier is often celebrated as a film. Its only value is in the art design, but that's miraculous in a way. Unfortunately the story is as thuggishly stupid as the notions it criticizes. And that mars a movie for me.
This one is even more clever in the visual world it creates. And yes the story is dumb, and also racist. But it is not hypocritical: all the people involved are dishonorable, worthy of a Tod Browning script.
The visual notions are astonishingly varied. Nominally this is a mystical Chinese (Northern Chinese, more deeply mystical) environment added to a 30's German-influenced visual depiction of science. There are lots of "electrical" visuals, zaps and blinkers. Abstractions of reality dominate: staircases that stand alone: monumental pedestals and other features in internal spaces; statues and icons that become characters from props.
The styles aren't Chinese at all but borrowed from any place or era with an association with the mystical.
Deep, deep shadows. Many ceremonial movements in everyday tasks (as well as ceremonies). Vast ambitions, though this was commonplace by then. Direct precode references to sex and the implication that somehow rape on a national scale had something to do with mystical/ scientific power.
(Remember, this is BEFORE Hitler's ascendancy.)
The story and most characters are irrelevant and that underscores the effect of the tone.
Watch Indiana Jones if you must, if you need movement. Watch this if you want to be saturated with cinematic color.
Ted's Evaluation -- 4 of 3: Every cineliterate person should experience this.
14 of 23 people found this review helpful.
Was this review helpful to you?