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Manhattan Tower (1932)

 -  Drama  -  1 December 1932 (USA)
7.0
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Ratings: 7.0/10 from 65 users  
Reviews: 4 user | 1 critic

The lives of a number of the workers and executives in a Manhattan skyscraper are affected by the actions of a philandering and crooked company boss.

Director:

(as Frank Strayer)

Writers:

(story), (adaptation)
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Cast

Cast overview:
...
Mary Harper
...
Ann Burns
James Hall ...
Jimmy Duncan
Hale Hamilton ...
David Witman
Noel Francis ...
Marge Lyon
Clay Clement ...
Kenneth Burns
Nydia Westman ...
Miss Wood
Jed Prouty ...
Mr. Hoyt
Billy Dooley ...
Crane-Eaton
Wade Boteler ...
Mr. Ramsay
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Storyline

The lives of a number of the workers and executives in a Manhattan skyscraper are affected by the actions of a philandering and crooked company boss.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

1 December 1932 (USA)  »

Box Office

Budget:

$50,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
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User Reviews

 
Obscure but good
16 February 2009 | by (United States) – See all my reviews

Surprisingly entertaining B-movie about intertwined lives during a typical day in a downtown office tower. The cast is attractive, and there's a suitably despicable villain who gets what he deserves. Starts out looking like it's going to be a Grand Hotel knock-off but only one story is covered. Later a hint of the bank run of American Madness is thrown in sketchily. Like other such contemporary lower case pictures with similar styles & themes (such as Hotel Continental from the same year, which really IS a Grand Hotel knock-off), it has no street exteriors --saving money -- and moves satisfyingly fast with second-tier actors showing their stuff. But this one is distinguished by a really unusual scene-changing device making use of the skyscraper's vertical architecture really well. Made by a no-name company with a Gower Gulch list of techs and creative talent behind the camera.

I had no idea this type of production could be so good.


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