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The Man Who Played God (1932)

7.4
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Ratings: 7.4/10 from 569 users  
Reviews: 10 user | 1 critic

After losing his hearing, a musician uses lip-reading to help others.

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Writers:

(based on the play by), (from the short story by), 2 more credits »
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Title: The Man Who Played God (1932)

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Cast

Complete credited cast:
...
Montgomery Royle (as Mr. George Arliss)
Violet Heming ...
Mildred Miller
...
Grace Blair
André Luguet ...
The King (as Andre Luguet)
Louise Closser Hale ...
Florence Royle
Donald Cook ...
Harold Van Adam
Ivan F. Simpson ...
Battle (as Ivan Simpson)
Oscar Apfel ...
Appleby - the Lip Reader
Charles E. Evans ...
The Doctor (as Charles Evans)
...
Mrs. Alice Chittendon
William Janney ...
First Boy
Fred Howard ...
Man (scenes deleted)
Murray Kinnell ...
King's Aide
Edit

Storyline

After losing his hearing, a musician uses lip-reading to help others.

Plot Summary | Add Synopsis

Taglines:

'A Modern Drama From Real Life'

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

|

Release Date:

19 February 1932 (USA)  »

Also Known As:

Covek koji se dopao Bogu  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Previously, George Arliss had starred in the play and in the 1922 silent version of the play. See more »


Soundtracks

Sonata No.14 in C Sharp Minor, Op.27 No.2 ('Moonlight')
(1802) (uncredited)
Written by Ludwig van Beethoven
Played on piano by George Arliss (dubbed by Salvatore Santaella) for the king
See more »

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User Reviews

 
A lot more going on here besides Bette Davis
30 December 2007 | by (United States) – See all my reviews

First and foremost, "The Man Who Played God" (1932) is not a Bette Davis vehicle. She was still a few years away from receiving top billing and graduating into 'A' pictures. However, the mere fact that she's in this overlooked and forgotten film will only push it into wider circulation and rapidly increase its number of viewers. So much has already been said about her, there's very little one can add to further compliment her. Personally, I think she gave some of her best performances in these early 1930s B programmers for Warner Bros. Sure, the material wasn't nearly as good, which only made her performances stand out all the more. But Bette Davis has little to do with what stands out about this movie.

After losing his hearing, a well-loved and respected piano player (George Arliss) becomes a recluse. He rejects most of his old friends and companions, and is cruel to the few he does see. He learns to read lips, but grows more and more depressed at the same time. And finally when he has hit rock bottom, he finds a purpose in his life,... philanthropy. Putting aside his own problems and selfishness, his salvation comes from helping others. This is a theme that would recur over and over again to varying degrees in the Depression era 30s (especially in Frank Capra's movies).

The other thing of interest here is the act of voyeurism. Through the aid of binoculars, he's able to read lips, and essentially, spy on everyday New Yorker's. One can't help but wonder if this little movie may have had some influence or have been the basis for the idea of Cornell Woolrich's short story "It Had to Be Murder", which would be eventually adapted into Alfred Hitchcock's "Rear Window" (1954).

This movie, is, by no means a masterpiece, but its still an important one. With so many interesting ideas going on here, its well worth the watch.


10 of 16 people found this review helpful.  Was this review helpful to you?

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