MOVIEmeter
SEE RANK
Down 24,216 this week

The Man Who Played God (1932)

7.5
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.5/10 from 525 users  
Reviews: 10 user | 1 critic

Add a Plot

Director:

Writers:

(based on the play by), (from the short story by), 2 more credits »
0Check in
0Share...

User Lists

Related lists from IMDb users

a list of 771 titles
created 04 Mar 2012
 
a list of 42 titles
created 09 Dec 2012
 
a list of 727 titles
created 27 Mar 2013
 
list image
a list of 105 titles
created 10 months ago
 
a list of 187 titles
created 9 months ago
 

Related Items


Connect with IMDb


Share this Rating

Title: The Man Who Played God (1932)

The Man Who Played God (1932) on IMDb 7.5/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of The Man Who Played God.
Edit

Cast

Complete credited cast:
George Arliss ...
Montgomery Royle (as Mr. George Arliss)
Violet Heming ...
Mildred Miller
...
Grace Blair
André Luguet ...
The King (as Andre Luguet)
Louise Closser Hale ...
Florence Royle
Donald Cook ...
Harold Van Adam
Ivan F. Simpson ...
Battle (as Ivan Simpson)
Oscar Apfel ...
Appleby - the Lip Reader
Charles E. Evans ...
The Doctor (as Charles Evans)
...
Mrs. Alice Chittendon
William Janney ...
First Boy
Fred Howard ...
Man (scenes deleted)
Murray Kinnell ...
King's Aide
Edit

Storyline

Add Full Plot | Add Synopsis

Taglines:

'A Modern Drama From Real Life'

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

|

Release Date:

19 February 1932 (USA)  »

Also Known As:

The Man Who Played God  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Previously, George Arliss had starred in the play and in the 1922 silent version of the play. See more »


Soundtracks

Fantaisie-Impromptu in C Sharp Minor, Op.66
(1834) (uncredited)
Written by Frédéric Chopin
Played on piano by George Arliss (dubbed by Salvatore Santaella) at the concert
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

This (1932) Motion Picture is the One that Made Bette Davis
11 October 2007 | by (United States) – See all my reviews

"Of Human Bondage," (1934) by RKO, to whom Bette Davis was 'loaned' by Warner Brothers, is most often given credit for the beginning of the Queen of the Silver Screen's magnificent acting career. That's not the historical fact, however; this movie, "The Man Who Played God," (1932) must be credited for bringing Bette Davis the recognition as an actor who could hold her own in the lead next to the great screen legend, George Arliss.

Davis was only 23 years of age when filming the show that earned her enough screen status for RKO to even desire her to play the leading, (dare I say) 'lady' next to leading man, Leslie Howard in "...Bondage." Arliss is to be credited for having, more or less, discovered Bette Davis; phoned her & the rest of her acclaimed acting career began.

So many of the critiquers repeat the myth that "... Bondage" is the film that made the world recognize how great an actor Davis was. But, if it was, RKO would have never even wanted her so badly that they 'got her on loan' from the Warners! RKO recognized the talent of Bette Davis in this film: "The Man Who Played God." So should we.

Never underestimate what young adult & teen women can achieve. After all, Mary Shelley wrote "Frankenstein," when she was only 19 years of age in a bet with great poets, Lord Byron & her husband Percy Bysche Shelley. Ann & Nancy Wilson of the rock band "Heart," composed many of their best songs when they were 13 years of age! Davis had already been on Broadway before taking her role in this movie. In fact, her acting career began when she was 15 (in 1923). Davis went on (& on!) to co-lead with Lillian Gish in "Whales of August," (1987), having been in over 100 movies; was the first woman to receive an Oscar at Warner Brothers (for "Dangerous"); the first person to be nominated for an Oscar 5 years in a row; the first woman to receive the AFI's Lifetime Achievement Award; the first person to be nominated for 10 Oscars; the highest paid woman during her prime. She was the epitome of a trail blazer who had to do it "the hard way."

Today, Robert Wagner, Miss Davis's son, Michael, & Miss Davis's closest assistant are key figures who keep Bette Davis's acting excellence alive, through the foundation named after her. Meryl Streep was the first actor to benefit from Davis's foundation. Obviously, the foundation board is taking Davis's acting acumen as a serious measure by which to select recipients of foundation awards & scholarships. Davis herself was the one to recognize Streep's acting abilities.

That's what kind of lady she was: she'd take a step back on the set to boost someone else's acting career; she'd take steps forward to seek out great scriptwriters, directors, cinematographers, etc. She strove to not only circulate her own gifts, but wanted to help others people do so with theirs--and still does so. Her reputation on the set was not as a "star," struck with ego maniacal lights in her fabulously expressive eyes. Instead, she was known to be a pleasure to work with amongst the team workers; and a real tough lady to contend with when she sensed something was amiss in a line, scene, lighting, direction, or co-worker. But, as Robert Wagner tells of Davis, she was truly a fun person to work with because she "always" came to work prepared to put on her very best performance. And when she goofed, she did so with a kind of cute humility that was full of wit enough to crack-up the co-workers she liked.

There's a huge difference between striving for perfection and believing we're perfect. Davis did the former. By the way, she gave her "Jezebel" Oscar to her son, Michael. Steven Spielberg bought her "Dangerous" one that was auctioned (for the second highest price ever) to benefit her foundation. This says to me that Davis herself knew she'd really earned her "Jezebel" Oscar; whereas it was no secret that the masses believed she got the "Dangerous" Oscar as a "consolation prize" for not even being nominated for, "Of Human Bondage."

By my standards, Davis was robbed of her third Oscar for playing the role of Charlotte Vale in "Now, Voyager." In Davis's mind, she was robbed of (what would have been her fourth) Oscar for playing Baby Jane Hudson in, "What Ever Happened to Baby Jane?"

Davis herself credited George Arliss & this movie for jump starting her into untouchable acting achievements. This movie is the movie to own if we want to say we've got a copy of Bette Davis's first great one.


17 of 23 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss The Man Who Played God (1932) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?