Menton Gill is longing to become a cowboy actor and leaves his hometown to try his luck in Hollywood, but there his acting ability is regarded as non-existent. Actress Flips gives him a ... See full summary »
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Actress Judy Carroll, from the gas-house district has been trained, educated and developed so well by her manager, that not even the publicity-seeking world of the theater has guessed her ... See full summary »
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Sylvia is the French teacher at Briarcroft's School for Girls, but she wants to find romance. When she hears Bill on the radio, she decides to leave and thank him. But he is on his way to ... See full summary »
Menton Gill is longing to become a cowboy actor and leaves his hometown to try his luck in Hollywood, but there his acting ability is regarded as non-existent. Actress Flips gives him a chance in a bit part, but he fails in that; however, the way he fails makes her think that he could be a good comedian. She persuades the studio to put him in a western parody, not telling him what they're really planing, because they know that he does not like comedies. Rather than ending tragic-comically, the movie becomes a brilliant coda to art and its servants, the artists, in this case the magniloquent Joan Blondell and Stuart Erwin. Written by
Stephan Eichenberg <firstname.lastname@example.org>
Once again TCM comes to the rescue of a forgotten gem. I agree with the posters here who comment on the interesting mix of pathos and comedy in this film. The film is truly touching in a way that could not come across today. Why is that? I think that nowadays it is an either-or : either you are a comedy or you are going for pathos. The trick of balancing both seems to be lost.
There is additional pleasure in seeing Paramount stars of the times in walk-ons in the scenes on the lot or at the disastrous/successful preview. Look quickly and you can see Gary Cooper, Claudette Colbert, Tallulah Bankhead among others.
Joan Blondell is excellent in her specialty, playing the tough cookie with a huge sentimental streak. I found the sweetness of the comedy in the scenes back home in Simsbury absolutely refreshing. Not a touch of cynicism even though these characters are so clearly the objects of humor.
Catch this when you can. I just checked the Turner schedule for the next three months and it doesn't seem to be on.
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