Menton Gill is longing to become a cowboy actor and leaves his hometown to try his luck in Hollywood, but there his acting ability is regarded as non-existent, but actress Flips gives him a... See full summary »
Broadway star Jimmy Canfield stars in a patriotic show on the great white way during WWI. He plays the heroic soldier, but he is doesn't want to join the Army. To evade some troubles with ... See full summary »
Joe E. Brown,
Sophisticated comedy: a trio of money hungry women who all have sugar daddies who keep them in the lap of luxury, even as they drive the men crazy. Each woman represents a different ... See full summary »
Famous motor-racing champion Joe Greer returns to his hometown to compete in a local race. He discovers his younger brother has aspirations to become a racing champion and during the race ... See full summary »
Seventy-two hours in the life of Indiana man Bud who inherits money and heads for New York City where his cousin Gibbony introduces him to chorus girl Vida for whom he falls. When a girl is... See full summary »
Kenny Williams, a lieutenant on the homicide squad, is engaged to Maxine Carroll, the Mayor's secretary. Or isn't he rather married with his job? For each time he has a date with his ... See full summary »
Vicki Wallace (Joan Blondell) takes great pleasure in teasing her husband,Tony Wallace (Warren William), who takes no pleasure at all in being teased and it isn't long before he ups and ... See full summary »
Edward Everett Horton
Menton Gill is longing to become a cowboy actor and leaves his hometown to try his luck in Hollywood, but there his acting ability is regarded as non-existent, but actress Flips gives him a chance in a bit part, but he fails in that, but the way he fails makes her think that he could be a good comedian. She persuades the studio to put him in a western parody, not telling him what they're really planing, because they know that he does not like comedies. Rather than ending tragic-comically, however, the movie becomes a brilliant coda to art and its servants, the artists, in this case the magniloquent Joan Blondell and Stuart Erwin. Written by
Stephan Eichenberg <email@example.com>
Once again TCM comes to the rescue of a forgotten gem. I agree with the posters here who comment on the interesting mix of pathos and comedy in this film. The film is truly touching in a way that could not come across today. Why is that? I think that nowadays it is an either-or : either you are a comedy or you are going for pathos. The trick of balancing both seems to be lost.
There is additional pleasure in seeing Paramount stars of the times in walk-ons in the scenes on the lot or at the disastrous/successful preview. Look quickly and you can see Gary Cooper, Claudette Colbert, Tallulah Bankhead among others.
Joan Blondell is excellent in her specialty, playing the tough cookie with a huge sentimental streak. I found the sweetness of the comedy in the scenes back home in Simsbury absolutely refreshing. Not a touch of cynicism even though these characters are so clearly the objects of humor.
Catch this when you can. I just checked the Turner schedule for the next three months and it doesn't seem to be on.
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