IMDb > Madame Racketeer (1932)

Madame Racketeer (1932) More at IMDbPro »


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6.2/10   32 votes »
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Release Date:
23 July 1932 (USA) See more »
International con artist Martha Hicks a.k.a. Countess von Claudwig is released from another stay in... See more » | Add synopsis »
1 win See more »
User Reviews:
Skipworth, Bennett, MacDonald all shine! See more (4 total) »


  (in credits order)

Alison Skipworth ... Countess von Claudwig / Martha Hicks
Richard Bennett ... Elmer Hicks

George Raft ... Jack Houston
John Breeden ... David Butterworth
Evalyn Knapp ... Alice Hicks
Gertrude Messinger ... Patsy Hicks
Robert McWade ... James Butterworth
J. Farrell MacDonald ... John Adams
rest of cast listed alphabetically:
Oscar Apfel ... J. Harrington Hagney (uncredited)
Jessie Arnold ... Frankie (uncredited)
Irving Bacon ... Gus, the Desk Clerk (uncredited)
George Barbier ... Warden George Waddell (uncredited)
Frank Beal ... Appleby - Bank Director (uncredited)
Bonita ... Bit Role (uncredited)
Ed Brady ... Taxi Driver (uncredited)
Rita Carlyle ... Inquisitive convict (uncredited)
Anna Chandler ... Stella (uncredited)
Winter Hall ... Minister (uncredited)
Arthur Raymond Hill ... Shanks (uncredited)
Robert Homans ... Chief of Police (uncredited)
Arthur Hoyt ... Shiffem (uncredited)
William Humphrey ... Bank Director (uncredited)
Alfred P. James ... Bank Director (uncredited)
Edgar Lewis ... Bank Director (uncredited)
Kate Morgan ... Maxine (uncredited)
Nellie V. Nichols ... Bit Role (uncredited)
Edward Peil Sr. ... Train Passenger (uncredited)
Scott Seaton ... Bank Director (uncredited)
Cora Shumway ... Matron (uncredited)
Oscar Smith ... Train Porter (uncredited)
Walter Walker ... Arthur Gregory (uncredited)
Eleanor Wesselhoeft ... Mrs. Donkenspeil (uncredited)

Directed by
Harry Wagstaff Gribble 
Alexander Hall 
Writing credits
(in alphabetical order)
Malcolm Stuart Boylan 
Harvey Gates 

Produced by
Harry Wagstaff Gribble .... producer
Original Music by
John Leipold (uncredited)
Cinematography by
Henry Sharp 
Casting by
Mel Ballerino (uncredited)
Fred A. Datig (uncredited)
Casting Department
Joe Egli .... casting assistant (uncredited)

Production CompaniesDistributors

Additional Details

Also Known As:
72 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Noiseless Recording)

Did You Know?

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since.See more »
Countess von Claudwig:You pick 'em young, don't you?
Jack Houston:They pick me. Why, I'm catnip to the skirts.
See more »
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7 out of 8 people found the following review useful.
Skipworth, Bennett, MacDonald all shine!, 27 June 2005
Author: F Gwynplaine MacIntyre from Minffordd, North Wales

SLIGHT SPOILERS AHEAD. Alison Skipworth is remembered solely for partnering W.C. Fields, and here (in a rare leading role) she plays a distaff version of Fields's confidence trickster. The opening shot shows Skipworth regally presiding at a tea party, then pulls back to reveal that this soiree takes place in a women's prison. (I spotted Elizabeth Patterson among the inmates.) This scene and the last scene of the movie serve as amusing bookends.

Get this premise: Skipworth is an habitual con artist, who has left two infant daughters in the care of her milquetoast husband Elmer. Now, after nearly 20 years, for no particular reason, she decides to go back and see how they're doing. Richard Bennett (grandfather of Morton Downey Jnr) gives a standout performance as her husband. Evalyn Knapp is dull as dishwater in the role of the elder daughter, but Gertrude Messinger is excellent as the Jean Harlowesque kid sister. Irving Bacon, Hollywood's perennial desk clerk, is better than usual in that role here.

There are some impressive slapstick sequences, necessarily featuring a male stunt person doubling for Skipworth. George Raft, as a spiv on the make, is excellent. I could have done without the makeup job on Edward Brady, who seems to be impersonating Andy Clyde in an old Keystone comedy.

The real revelation of this movie, though, is J. Farrell MacDonald as the cop who periodically arrests Skipworth. MacDonald appeared in many films of the '30s and '40s but seldom had much to do. Roles he could have performed admirably often went to Edgar Kennedy (who usually did them justice). Here, in a long sequence, MacDonald sits idly in a chair while a music box tinkles twee melodies nearby. MacDonald's upper body remains motionless while his feet perform a toe dance to the music. It's hilarious and also touching, as we glimpse the inner sensitivity of this gruff cop.

It's a shame that Skipworth got so few chances to play lead roles: she could easily have rivalled Marie Dressler. I can think of several Margaret Dumont roles that would have been better served if Skipworth had been cast in her stead. 'Madame Racketeer' is a delight, including the fast-paced (and well-photographed) climax. This movie rates 9 out of 10.

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