The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52% of the taxes) has left for Paris. So Count Danilo is sent to Paris, to stop ... See full summary »
Edward Everett Horton
When Parisienne tailor Maurice Courtelin learns that one of his aristocratic clients, the Viscount Gilbert de Varèze, is a deadbeat who never pays for the merchandise he acquires, he heads off to try and collect what is owed to him. He gets little in the way of cash from the Viscount who is desperate that his uncle, the Duke D'Artelines not learn of his debts. He suggests that Maurice spend a little time at the chateau until the money can be found. The Duke takes an immediate liking to Maurice - who's been introduced as a Baron - but that's not the case for the Princess Jeanette who, after an encounter with him him on the road earlier that day. Over time Jeannette falls in love with him Written by
Among the deletions in the film's 1949 reissue was Myrna Loy's portion of the "Mimi" reprise. In the Production Code era, Miss Loy's negligee was deemed too revealing. See more »
Just before the "Isn't It Romantic?" number begins in the tailor shop, Maurice reacts with pleasure as his customer Emile steps out of the dressing room, supposedly wearing his new suit. But in the mirror's reflection we can see that actor Roach is still wearing his long-johns from earlier in the scene. In the next shot, he is suddenly wearing the suit. See more »
Without a doubt, this is a film that should be seen by more people as it was way ahead of its times! The film is helped by the magnificent direction of Rouben Mamoulian, who knew a thing, or two, about how to create movies that endured the passage of time. The film has the magnificent score by Rodgers and Hart, the leading geniuses of the American musical theater.
The picture is a joy to watch from the beginning. The opening sequence in Paris, as people go about their daily routine, ending with Maurice arriving at his own tailor shop is amazing. The story is pure fantasy, but it serves the movie well. The time where this movie was made had a different feel and there was an innocent air surrounding the magic the new talking pictures that were coming out in the early 30s.
The casting proves to be also excellent. Maurice Chevalier, who was an idol in France, made it big in America. He had a personality that put a good feeling to any character he played. Jeannette McDonald, the leading lady was a favorite of the movie going public and it's easy to see why she was adored.
Also a young and fresh Mirna Loy, joins Charles Ruggles and Charles Butterworth in the supporting roles.
This film should be included in any collection of the discriminating movie fan.
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