7.8/10
2,674
46 user 28 critic

Love Me Tonight (1932)

A Parisian tailor finds himself posing as a baron in order to collect a sizeable bill from an aristocrat, only to fall in love with an aloof young princess.

Director:

Writers:

(screen play), (screen play) | 3 more credits »
Reviews
1 win. See more awards »
Learn more

People who liked this also liked... 

Certificate: Passed Comedy | Crime | Romance
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A gentleman thief and a lady pickpocket join forces to con a beautiful perfume company owner. Romantic entanglements and jealousies confuse the scheme.

Director: Ernst Lubitsch
Stars: Miriam Hopkins, Kay Francis, Herbert Marshall
Le Million (1931)
Musical | Comedy
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

An impoverished painter and his rival engage in a race across Paris to recover a jacket concealing a winning lottery ticket.

Director: René Clair
Stars: Annabella, René Lefèvre, Jean-Louis Allibert
Comedy
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

Boudu, a tramp, jumps into the Seine. He is rescued by Mr Lestingois, a gentle and good bookseller, who gives shelter to him. Mrs Lestingois and the maid Anne-Marie (Mr Lestingois' mistress... See full summary »

Director: Jean Renoir
Stars: Michel Simon, Marcelle Hainia, Sévérine Lerczinska
Comedy | Drama | Musical
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Millionaire turned composer Dick Powell rescues unemployed Broadway people with a new play.

Director: Mervyn LeRoy
Stars: Warren William, Joan Blondell, Aline MacMahon
Comedy | Musical
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Seeking better life, two convicts escape from prison.

Director: René Clair
Stars: Raymond Cordy, Henri Marchand, Rolla France
Certificate: Passed Adventure | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A loose woman rediscovers a former lover during a dangerous train ride to Shanghai.

Director: Josef von Sternberg
Stars: Marlene Dietrich, Clive Brook, Anna May Wong
Certificate: Passed Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

An unhappily married couple try to come between a happy one.

Directors: Ernst Lubitsch, George Cukor
Stars: Maurice Chevalier, Jeanette MacDonald, Genevieve Tobin
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A Chinese warlord and an engaged Christian missionary fall in love.

Director: Frank Capra
Stars: Barbara Stanwyck, Nils Asther, Toshia Mori
Certificate: Passed Musical | Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »

Director: Ernst Lubitsch
Stars: Maurice Chevalier, Jeanette MacDonald, Edward Everett Horton
Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Chester Kent struggles against time, romance, and a rival's spy to produce spectacular live "prologues" for movie houses.

Director: Lloyd Bacon
Stars: James Cagney, Joan Blondell, Ruby Keeler
Applause (1929)
Drama | Musical
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A burlesque star seeks to keep her convent-raised daughter away from her low-down life and abusive lover/stage manager.

Director: Rouben Mamoulian
Stars: Helen Morgan, Joan Peers, Fuller Mellish Jr.
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

Director: Josef von Sternberg
Stars: George Bancroft, Betty Compson, Olga Baclanova
Edit

Cast

Complete credited cast:
...
...
Princess Jeanette (as Jeanette Mac Donald)
...
Viscount Gilbert de Varèze (as Charlie Ruggles)
...
Count de Savignac
...
Countess Valentine
...
Duke d'Artelines
...
First Aunt
...
Second Aunt
Blanche Friderici ...
Third Aunt (as Blanche Frederici)
...
Dr. Armand de Fontinac (as Joseph Cawthorne)
Robert Greig ...
Major Domo Flammand
...
Emile
Edit

Storyline

When Parisienne tailor Maurice Courtelin learns that one of his aristocratic clients, the Viscount Gilbert de Varèze, is a deadbeat who never pays for the merchandise he acquires, he heads off to try and collect what is owed to him. He gets little in the way of cash from the Viscount who is desperate that his uncle, the Duke D'Artelines not learn of his debts. He suggests that Maurice spend a little time at the chateau until the money can be found. The Duke takes an immediate liking to Maurice - who's been introduced as a Baron - but that's not the case for the Princess Jeanette who, after an encounter with him him on the road earlier that day. Over time Jeannette falls in love with him Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

You Could Watch it for Hours and Still Want More!! (Print Ad) See more »


Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

Release Date:

14 October 1932 (Germany)  »

Also Known As:

Ama-me Esta Noite  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (re-release) | (TCM print)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

The death of Marice Chevalier's mother during the production reportedly affected the actor's work on the film. See more »

Goofs

Camera shadow on a curtain as it pulls out of a window, as Jeanette sleeps (a little after the "I fell flat on my flute" sequence). See more »

Quotes

Dr. Armand de Fontinac: A peach must be eaten, a drum must be beaten, and a woman needs something like that.
See more »

Connections

Referenced in The Palm Beach Story (1942) See more »

Soundtracks

The Son of a Gun Is Nothing But a Tailor
(1932) (uncredited)
Music by Richard Rodgers
Lyrics by Lorenz Hart
Sung by C. Aubrey Smith, Elizabeth Patterson, Ethel Griffies, Blanche Friderici, Myrna Loy, Robert Greig, Edgar Norton, Cecil Cunningham, Rita Owin and Mel Kalish
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
The greatest movie musical ever made!
18 February 2000 | by See all my reviews

No, really -- I defy anyone to name a movie musical more exuberant, more creative, more romantic, melodic, hilarious, or escapist; not even "Singin' in the Rain" equals it. From opening shot (a rhythmic ballet-mechanique of Paris coming to life at dawn) to fade-out (a happy-ending finale that also parodies Eisenstein), it's bursting with ingenious ideas.

The pre-Code screenplay, rife with double entendres and social satire, is a princess-and-commoner love story written to the strengths of its two stars: Chevalier, never more charming, and MacDonald, never a subtler comedienne. With one foot in fantasy and the other in reality, it manages to sustain an otherworldly feeling even while grounded in the modern-day Paris of klaxons, tradesmen, and class consciousness. The supporting cast is phenomenal, with Myrna Loy as a man-hungry countess, C. Aubrey Smith doing his old-codger thing, Charles Butterworth priceless as a mild-mannered nobleman ("I fell flat on my flute!"), and Blanche Frederici, Ethel Griffies, and Elizabeth Patterson as a benign version of the Macbeth witches' trio.

All are wonderful, but the real muscle belongs to the director and the songwriters. Mamoulian's camera has a rhythm of its own and many tricks up its lens: note the fox-hunt sequence suddenly going into slow-motion; the Expressionist shadowplay in Chevalier's "Poor Apache" specialty; the sudden cuts in the "Sonofagun is Nothing But a Tailor" production number. As for the Rodgers and Hart score, it's simply the best they ever wrote for a film -- maybe the best anybody wrote for a film. The songs are unforgettable in themselves -- "Isn't It Romantic?", "Mimi," "Lover," etc. -- but, and here is where genius enters, they're superbly integrated and magnificently thought out. Note the famous "Isn't It Romantic" sequences, the camera roaming effortlessly through countless verses from tailor shop to taxi to field to gypsy camp to castle, finally linking the two leads subliminally, though their characters have never met. "A musical," Mamoulian once said, "must float." This sequence may float higher than any other in any musical.

Best of all, you can sense the unbridled enthusiasm the authors must have had for this project: Rodgers and Hart seem positively giddy with the possibilities of cinema, eager to defy time, place, and reason as was never possible for them onstage. What a pity that this magnificent movie isn't available on video, so that future generations can't easily rediscover its brilliance.


45 of 53 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Apache? rrberbec
Beauty and the Beast Tchaster
Two Things frankgaipa
1930s musical deadparrotsoc
'Isn't It Romantic' lyrics marknyc
Mamoulian and Marx Brothers fred_lubin
Discuss Love Me Tonight (1932) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?