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Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and... See full summary »
A young French soldier in World War I is overcome with guilt when he kills a German soldier who, like himself, is a musically gifted conscript, each having attended the same musical ... See full summary »
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Edward Everett Horton
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Maurice Courtelin, a Parisian tailor (Maurice Chevalier), is owed a great sum of money by a viscount (Charles Ruggles). Stalling for time, the titled but penniless nobleman moves Maurice into the family chateau and passes him off as a baron. The beguiling Maurice soon charms the entire aristocratic household, except for the haughty Princess Jeanette (Jeanette MacDonald), who remains suspicious of him. But suspicion eventually gives way to love. Written by
Dan Navarro <email@example.com>
Among scenes and dialogue commonly deleted by local censors were references to the "virgin spring"; the scene of the Princess's examination by the physician; and Maurice taking measurements of the princess. In 1937, letters from Joseph I. Breen of the AMPP to Paramount indicate that Breen advised against the re-issue of the film because he felt that the severe editing required to pass the censors would ruin the film. In a 1949 letter, Breen approved a re-release with the following deletions: Any reference to "virgin springs"; the song "A Woman Needs Something Like That"; and the scene of Myrna Loy in a "transparent nightgown." According to a memo in the file, the four-reel re-release was unsuccessful See more »
Camera shadow on a curtain as it pulls out of a window, as Jeanette sleeps (a little after the "I fell flat on my flute" sequence). See more »
Without a doubt, this is a film that should be seen by more people as it was way ahead of its times! The film is helped by the magnificent direction of Rouben Mamoulian, who knew a thing, or two, about how to create movies that endured the passage of time. The film has the magnificent score by Rodgers and Hart, the leading geniuses of the American musical theater.
The picture is a joy to watch from the beginning. The opening sequence in Paris, as people go about their daily routine, ending with Maurice arriving at his own tailor shop is amazing. The story is pure fantasy, but it serves the movie well. The time where this movie was made had a different feel and there was an innocent air surrounding the magic the new talking pictures that were coming out in the early 30s.
The casting proves to be also excellent. Maurice Chevalier, who was an idol in France, made it big in America. He had a personality that put a good feeling to any character he played. Jeannette McDonald, the leading lady was a favorite of the movie going public and it's easy to see why she was adored.
Also a young and fresh Mirna Loy, joins Charles Ruggles and Charles Butterworth in the supporting roles.
This film should be included in any collection of the discriminating movie fan.
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