Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
Country orphan Lily goes to Berlin to stay with her tippling aunt, and soon meets Richard, handsome sculptor across the street. Persuaded half-reluctantly to pose for Richard, her physical ... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Set in the bleak aftermath and devastation of the World War I, a recently demobbed soldier, Timosh, returns to his hometown Kiev, after having survived a train wreck. His arrival coincides ... See full summary »
Opera singer Chivo is currently playing a singing cowboy, and Mexican bandito Braganza kidnaps him (along with Jane, an heiress) so he can learn to become more like the American movie gangsters he admires.
Maurice Courtelin, a Parisian tailor (Maurice Chevalier), is owed a great sum of money by a viscount (Charles Ruggles). Stalling for time, the titled but penniless nobleman moves Maurice into the family chateau and passes him off as a baron. The beguiling Maurice soon charms the entire aristocratic household, except for the haughty Princess Jeanette (Jeanette MacDonald), who remains suspicious of him. But suspicion eventually gives way to love. Written by
Dan Navarro <firstname.lastname@example.org>
MPAA/PCA files at the AMPAS Library reveal that while most of the songs in the film were approved prior to release, the Hays Office objected to the suggestive nature of the song, "A Woman Needs Something Like That," although it was left in the film. Jesse Lasky, Jr. responded in a letter to the MPPDA's concern about the line "Must we sleep tonight all alone?" in the song "Love Me Tonight," by noting that the line had been changed to "Let's drink deep tonight all alone." Concern that French Royalists might take offense to the film prompted the Hays Office to give a copy of the script to the Los Angeles French consul, Henri Didot. Based on Didot's comments, it was determined that only the scene in which the princess strikes a servant should be deleted. In addition, Didot maintained that as long as the duke and princess were not implied to have royal blood, the film should not give offense. The film was rejected in Czechoslovakia, approved without eliminations in Quebec, New York and Kansas, and approved with eliminations in Australia, Britain, Chicago, Ontario, British Columbia, Ohio, Alberta, Pennsylvania and Massachusetts. See more »
The lighting on Jeanette during the balcony scene. See more »
This is an enchanting film, one of the best musicals of the decade. Maurice Chevalier and Jeanette MacDonald are incredibly appealing in a rich-girl-poor-boy musical romance. It's one of those rare films where the girl runs away from the palace to follow her true love and you *don't* think "wait a minute, you'll never survive out there", no, you want them to be together. The score is enchanting (the big hits being "Isn't it Romantic" and "Lover"), Chevalier is devastatingly attractive, and MacDonald is vulnerably appealing and completely without the annoying primness that marred her later films.
It's also a remarkably well made film for 1932, when most films were just getting used to sound and suffered from a horrible stiffness on the part of the actors and the camera. You'd think this movie was made ten years later, it's lively and sparkling, and directed with a smoothness and originality that's still amazing.
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