Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and... See full summary »
Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count ... See full summary »
The small kingdom of Marshovia has a little problem. The main tax-payer, the wealthy widow Sonia (who pays 52 0f the taxes) has left for Paris So Count Danilo is sent to Paris, to stop her ... See full summary »
Edward Everett Horton
Boudu, a tramp, jumps into the Seine. He is rescued by Mr Lestingois, a gentle and good bookseller, who gives shelter to him. Mrs Lestingois and the maid Anne-Marie (Mr Lestingois' mistress... See full summary »
Nan, a racketeer's daughter, is in love with The Kid, a shooting gallery showman. Despite Nan's prodding, The Kid has no ambitions about joining the rackets and making enough money to ... See full summary »
Maurice Courtelin, a Parisian tailor (Maurice Chevalier), is owed a great sum of money by a viscount (Charles Ruggles). Stalling for time, the titled but penniless nobleman moves Maurice into the family chateau and passes him off as a baron. The beguiling Maurice soon charms the entire aristocratic household, except for the haughty Princess Jeanette (Jeanette MacDonald), who remains suspicious of him. But suspicion eventually gives way to love. Written by
Dan Navarro <firstname.lastname@example.org>
Among the deletions in the film's 1949 reissue was Myrna Loy's portion of the "Mimi" reprise. In the Production Code era, Miss Loy's negligee was deemed too revealing. See more »
Just before the "Isn't It Romantic?" number begins in the tailor shop, Maurice reacts with pleasure as his customer Emile steps out of the dressing room, supposedly wearing his new suit. But in the mirror's reflection we can see that actor Roach is still wearing his long-johns from earlier in the scene. In the next shot, he is suddenly wearing the suit. See more »
This has eluded me for forty years. Yet all I ever heard about it were unqualified raves. Now I have finally found a copy and they are all right, folks - it is a masterpiece - way ahead of its time - one of the freshest, brightest, breeziest musicals ever made and technically state of the art for the forties, not 1932 when it was made. Brilliant, imaginative direction, superlative cinematography, elaborate art direction, full sound capturing the spectrum, a brilliant score by Rodgers and Hart boasting three standards (Isn't It Romantic?; Mimi; Lover)plus six others (Soul of Paree/How Are You?; The Examination; I'm An Apache; Love Me Tonight; Son of a Gun Is A Tailor). About the only quibble one could make is that the highly delightful opening, the rhythmic sounds of a city coming to life, is a direct steal from PORGY AND BESS which premiered a decade before the film. Go out of your way to see this one. Not a single Oscar nom but it deserved six of them: Direction; Cinematography; Art Direction; Score; Sound; Song.
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