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The Lost Squadron (1932)

Passed  -  Drama | History | War  -  12 March 1932 (USA)
6.5
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Ratings: 6.5/10 from 360 users  
Reviews: 14 user | 9 critic

Three World War I fighter pilots manage to land jobs in hard times just after the war as Hollywood stunt fliers working for the dictatorial director von Furst.

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(from the story by), (screen play), 3 more credits »
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Title: The Lost Squadron (1932)

The Lost Squadron (1932) on IMDb 6.5/10

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Cast

Complete credited cast:
...
Gibson
...
Follette
Robert Armstrong ...
Woody
...
The Pest
...
Red
...
Von Furst (as Erich Von Stroheim)
...
Fritz
Ralph Ince ...
Jettick
Marjorie Peterson ...
Stenographer
Ralph Lewis ...
Joe
William B. Davidson ...
Lelewer (as William Davidson)
Edit

Storyline

Three World War I fighter pilots manage to land jobs in hard times just after the war as Hollywood stunt fliers working for the dictatorial director von Furst.

Add Full Plot | Add Synopsis

Genres:

Drama | History | War

Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

Release Date:

12 March 1932 (USA)  »

Also Known As:

Die letzten Vier  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.19 : 1
See  »
Edit

Did You Know?

Trivia

The German consul in San Francisco delivered an official protest over the reactionary portrayal of Erich von Stroheim as one of his countrymen. See more »

Goofs

At the start, during the aerial dog fight, the front aiming machine guns fire too quickly for the bullets to pass through the propellers. See more »

Connections

Featured in I'm King Kong!: The Exploits of Merian C. Cooper (2005) See more »

Soundtracks

Keep the Home-Fires Burning ('Till the Boys Come Home)
(1914) (uncredited)
Music By Ivor Novello
Lyrics by Lena Guilbert Ford
Played and partially sung on a record
See more »

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User Reviews

 
It's good, and it's significant in film history
24 October 2013 | by (United States) – See all my reviews

By now, everyone knows that this film is significant to anyone writing a dissertation on obscenity in popular culture because of the flipping of the bird. However, this is not the film's only claim to modernity. The collaboration of many skilled film makers at the beginning of the talkie era, it has several imaginatively crafted scenes, with one (you will know which one I mean) being positively Jarmuschesque. The sound track in particular is brilliant. I can't get the song of the wind out of my head.

Plus, if you love Erich von Stroheim, and who doesn't, his character is based on him, or his reputation. Of course you love von Stroheim, who doesn't love Max from Sunset Boulevard? Here, he gets to show his directorial style, while giving the sort of all out performance he was trying to get out of his actors. If you like this, try "The Great Flamarion".

I am not surprised to read that the ending was re-shot. My husband and I were both mystified the first time we saw it. Some of the plot is hackneyed, but the acting and production values transcend.


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