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Lawyer Man (1932)

TV-G  |   |  Drama, Romance  |  7 January 1933 (USA)
6.6
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Ratings: 6.6/10 from 396 users  
Reviews: 12 user | 8 critic

Idealistic attorney Anton Adam makes headlines when he successfully prosecutes a prominent New York racketeer named Gilmurry. Adam's sudden renown attracts the attention of high-profile ... See full summary »

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(screen play), (screen play), 2 more credits »
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Title: Lawyer Man (1932)

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Cast

Complete credited cast:
...
Anton Adam
...
Olga
David Landau ...
Gilmurry
Helen Vinson ...
Barbara
Claire Dodd ...
Virginia
Alan Dinehart ...
Bentley
...
Izzy Levine
Edit

Storyline

Idealistic attorney Anton Adam makes headlines when he successfully prosecutes a prominent New York racketeer named Gilmurry. Adam's sudden renown attracts the attention of high-profile legal eagle Granville Bentley, who asks Adam to become a partner in his law firm. But Adam's rising career takes a nosedive when he's framed by Gilmurry and a sexy actress in a trumped-up breach of promise suit. The only constant in Adam's life is the loyalty and unrequited love of his secretary Olga. Written by Daniel Bubbeo

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

TV-G | See all certifications »
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Details

Country:

Language:

Release Date:

7 January 1933 (USA)  »

Also Known As:

Hombre de leyes  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

At approx. minute :38, a young boy is crying and led out of the courtroom by his mother. The young, uncredited actor is Bobs Watson (PeeWee of Boys Town fame. See more »

Goofs

The newspaper article announcing the breakup of the Bentley-Adam law partnership misspells Bentley's name as "Bently." See more »

Connections

Referenced in Hollywood Hist-o-Rama: William Powell (1961) See more »

Soundtracks

If I Could Be with You
(1926) (uncredited)
Music by James P. Johnson
Played on piano in the bar
See more »

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User Reviews

 
Good legal precode in the Warner Brothers tradition
18 June 2011 | by (United States) – See all my reviews

This film moves too fast for introspective angst or art design to be an issue, so if you want that go watch an MGM or Paramount film of the period. Instead the film focuses on rapid fire dialog and keeping the plot moving. What makes this one a cut above most films of the early 30's are the players, in particular the dapper and charming William Powell as East Side lawyer Tony Adam and brassy Joan Blondell as Olga, his secretary who wants things to be more than they are between herself and Tony. Sparks do fly from time to time, and when they do it just doesn't quite work on the romantic level - rather like picturing James Cagney and Myrna Loy as romantic leads in a film.

When the film opens Tony is a lawyer with a hole in the wall office on the East Side of New York City. He's defending neighborhood hoods and ripped off struggling businessmen, but he wants more - he wants to be a big shot. He gets what he wants and then some and the film shows his trek through the ups and downs of an uptown practice, his run-ins with the corrupt political boss of the city that can't decide if he wants to hire Tony or rub him out, and the high society ladies who use him and lose him along the way.

The final speech by Tony as he makes a crucial career decision will have you going huh?? where did that come from?? as there has been no indication that Tony is learning anything from any of this up to the last two minutes. Still it's enjoyable to see darts flying from Joan Blondell's eyes and William Powell unruffled in the the face of bullets, ballots, or blackmail. I'd recommend this one to anyone who enjoys the precodes, and in particular the fast moving WB precodes.


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