| Harry Carey | ... | Hawkeye | |
| Hobart Bosworth | ... | Chingachgook, 'the Sagamore' | |
| Frank Coghlan Jr. | ... | Uncas (as Junior Coghlan) | |
| Edwina Booth | ... | Cora Munro | |
| Lucile Browne | ... | Alice Munro | |
| Walter Miller | ... | Maj. Duncan Heyward | |
| Bob Kortman | ... | Magua | |
| Walter McGrail | ... | Dulac (the French spy) | |
| Nelson McDowell | ... | David Gamut | |
| Edward Hearn | ... | Col. Munro | |
| Mischa Auer | ... | Gen. Montcalm | |
| Yakima Canutt | ... | Black Fox / messenger [Ch.1] / bullion wagon driver [Ch.6] | |
| rest of cast listed alphabetically: | |||
| Chief John Big Tree | ... | Huron warrior (uncredited) | |
| Jim Corey | ... | Dulac Henchman (uncredited) | |
| Al Craven | ... | Dulac Henchman (uncredited) | |
| Joan Gale | ... | Red Wing [Ch.10] (uncredited) | |
| Tracy Layne | ... | British Sentry [Chs. 3, 5] / Wagon Escort [Ch. 4] / Huron Warrior (uncredited) | |
| Jewel Richford | ... | Girl (uncredited) | |
| Lee Sage | ... | Horseman (uncredited) | |
Directed by | |||
| Ford Beebe | |||
| B. Reeves Eason | (as Reaves Eason) | ||
Writing credits | ||
| James Fenimore Cooper | (novel "The Last of the Mohicans") | |
| Colbert Clark | (screenplay) and | |
| Jack Natteford | (screenplay) (as John Francis Natteford) and | |
| Ford Beebe | (screenplay) and | |
| Wyndham Gittens | (screenplay) | |
Produced by | |||
| Nat Levine | .... | producer (uncredited) | |
Original Music by | |||
| Lee Zahler | (uncredited) | ||
Cinematography by | |||
| Ernest Miller | |||
| Jack Young | |||
Film Editing by | |||
| Ray Snyder | |||
Sound Department | |||
| George Lowerre | .... | sound | |
Editorial Department | |||
| Wyndham Gittens | .... | supervising editor | |
Other crew | |||
| Nat Levine | .... | presenter (uncredited) | |
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| The Vanishing Legion | Canadian Mounties vs. Atomic Invaders | Heroes of the West | Hawk of the Wilderness | The Shadow of the Eagle |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
Considering that this was made only 5 years after sound was added to movies, I think that some of the negative comments is extremely unfair. This is one of the problems in reviewing old movies. Should they be judged by current standards or should allowances be made for age? Personally my answer is that the only fair way to solve the problem is to give two ratings on all movies prior to say 1935, one using current standards and the other allowing for age . This would be particularly important for silent films. Using that approach I would give this serial a five for today but a 7 for 1932. If you doubt this try watching other movies of its day-they do not make very interesting watching today with very few exceptions.