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The Last Mile (1932)

Passed | | Crime, Drama | 17 August 1932 (USA)
Richard Walters is condemned to death for a murder he claims not to have committed. He arrives on death row just before a brutal inmate leads the other convicts in a violent uprising. ... See full summary »

Director:

(as Sam Bischoff)

Writers:

(play), (screenplay)
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Cast

Cast overview, first billed only:
...
Richard 'Dick' Walters - Cell 5
...
John 'Killer' Mears - Cell 4
...
Joe Berg - Cell 1
...
D'Amoro - Cell 6
Alan Roscoe ...
Kirby - Cell 7 (as Allan Roscoe)
...
Eddie Werner - Cell 8
...
Fred Mayer - Cell 3
Daniel L. Haynes ...
Sonny Jackson - Cell 2
...
Rabbi
Louise Carter ...
Mrs. Walters
Ralph Theodore ...
Pat Callahan - Principal Keeper
Jack Kennedy ...
Mike O'Flaherty - Guard
...
Drake - Guard
...
Peddie - Guard
...
Harris - Guard
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Storyline

Richard Walters is condemned to death for a murder he claims not to have committed. He arrives on death row just before a brutal inmate leads the other convicts in a violent uprising. Walters gets caught up in the riot, while on the outside his friends are trying to find evidence of his innocence. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

prison | melodrama | based on play | See All (3) »

Taglines:

The Season's Dramatic Thunderbolt! From the Play that Rocked the Nation!

Genres:

Crime | Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

17 August 1932 (USA)  »

Also Known As:

Cadeira Elétrica  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The earliest documented telecasts of this film occurred in New York City Friday 3 May 1946 on WCBW (Channel 2) and in Los Angeles Sunday 18 April 1948 on KTLA (Channel 5). See more »

Goofs

As Joe Berg is saying goodbye to "Killer" Mears, a moving shadow of the boom microphone is visible on the wall of Mears' cell. See more »

Quotes

[first title card]
Title Card: "The Last Mile" is more than a story of prison and of the condemned. To me it is a story of those men within barred cells, crushed mentally, physically and spiritually between unrelenting forces of man-made laws and man-fixed death. And justly or unjustly found guilty, are they not the victims of man's imperfect conventions, upon which he has erected a social structure of doubtful security? What is society's responsibility for ever-increasing murders? What shall be done with ...
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Connections

Featured in Rush: A Show of Hands (1989) See more »

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User Reviews

 
Vehicle for Clark Gable and Spencer Tracy
25 September 2004 | by (Buffalo, New York) – See all my reviews

The Last Mile was a popular play of the early depression years that had starred Spencer Tracy on Broadway in the principal role of Killer Mears. His performance there, brought him rave critical notice and a Hollywood contract with Fox Films. Also Clark Gable portrayed the same role in a West Coast production and his performance there got him noticed by MGM who signed Gable and launched that career.

Interesting that two of Hollywood's major stars from the studio era both owed their careers to this play. But The Last Mile didn't come to the screen from a major studio. It was a small independent B film and the biggest name they could get was Preston Foster. Not that Foster was bad, but I really would have loved to see either Gable or Tracy tackle this part for the screen.

Nevertheless Foster does a capable job. During the 30s he was in some top drawer films. Besides this Foster is probably best known for his role in The Informer as the IRA captain who hunts, tries, and then orders the execution of Victor McLaglen. He drifted downward into B films in the 40s and later on gave good performances in supporting parts. His best later career film was Kansas City Confidential, supporting John Payne.

Although its dated and overacted in spots, The Last Mile is still good entertainment and a must see for those who are opposed to capital punishment. Some of the stereotypes of the prisoners on death row are still in use today, most notably in The Green Mile.

But to have only seen Tracy or Gable do it.


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