After philosophy Professor Todhunter is told he has 6 months left to live, he is barred from teaching by his college so there won't be a scandal if he drops dead in class. Discussing a ... See full summary »
Emperess Catherine II wants to get rid of Princess Elisabeth Tarakanova who is to replace her on the throne of Russia. She asks Prince Orloff to travel to Venice so he can seduce Elisabeth ... See full summary »
Norah is very rich, owns her own shipyard and has Sylvia double for her at all outside functions. But Sylvia is now married and wants to go to Washington with her new husband while Norah's ... See full summary »
Laughing Boy, is a Navaho from a remote part of the reservation, while Slim Girl was raised by whites in a town and lives as a white man's mistress. They meet at a pow-wow and marry, in ... See full summary »
W.S. Van Dyke
William B. Davidson
Leonard and Anne are taking the lovers road to Dover where they will board the boat and go to Paris. But the car breaks down and Saunders takes them to a nearby hotel. When they get there, ... See full summary »
Was about to start filming with rising star Robert Williams in the role of Guy when Williams died from a sudden attack of appendicitis and peritonitis. Ben Lyon replaced him in the role. See more »
About 12 minutes into the film, Constance mentions to the host that her drink is strong. When the host offers to taste it, she hands him a glass that has less liquid than when it cuts to him tasting the cocktail. See more »
This is a charming, subtle little pre-code in which everything is implied and little actually shown.
Constance Bennet is a good girl from a good New York family and no one finds her interesting. In Paris she finds Ben Lyon, an indigent American who bums a beer from her. She hires him as a gigolo and he shows her how to be fascinating to men, using frequent kicks to the shin to encourage her education.
Lyon is particularly good in his fast-talking role and Miss Bennet is at her most charming. The two have real chemistry together and Edward Griffith directs with a gracefully moving camera under the control of the under-rated Hal Mohr. All of these combine to produce a comedy that is knowing without being cynical.
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