Hoping for positive publicity, a tobacco company offers $25 million to any American town that quits smoking for 30 days. Amidst a media frenzy, Eagle Rock, Iowa accepts the challenge while the company's PR man tries to sabotage the effort.
Francis Bernardone (Bradford Dillman) is the son of a wealthy cloth merchant in Assisi, who gives up all his worldly goods to dedicate himself to God. Clare (Dolores Hart) is a young ... See full summary »
Mountain Rivera is at the end of his boxing career after a knockout by Cassius Clay in the seventh round. His left eye is one punch from permanent trauma, his ears turned to cauliflower, ... See full summary »
In order to raise money to produce a play (as well as prove that the plot isn't ridiculous), Michael McCreigh makes a bet with his Uncle Carlton that he can begin in Central Park in his ... See full summary »
Blue collar steelworker Richard Brunton (McCrea) saves two of his fellow workers after an accident at a factory. In gratitude, his boss, millionaire Arthur Parker invites Richard for dinner... See full summary »
Clara Kimball Young,
Was about to start filming with rising star Robert Williams in the role of Guy when Williams died from a sudden attack of appendicitis and peritonitis. Ben Lyon replaced him in the role. See more »
About 12 minutes into the film, Constance mentions to the host that her drink is strong. When the host offers to taste it, she hands him a glass that has less liquid than when it cuts to him tasting the cocktail. See more »
Okay, the plot is sort of silly -- you have to accept that gorgeous society girl Constance Bennett, in a succession of clinging gowns, has difficulty attracting men. So much so that on a whirlwind trip to Paris, she hires penniless American Ben Lyon as a gigolo, if only to prove that she isn't a complete dud.
Bennett exudes her trademark seductive charm. But it's Lyon, as her romantic mentor, who bring the "Lady with a Past" to life. He gives a brash, breezy, effortless performance reminiscent of Melvyn Douglas at his best in the days of "Ninotchka" and "Theodora Goes Wild." Not many of Lyon's films, with the exception of "Hells Angels," have been seen in recent years. And I always had the idea that he was a stick-figure straight man.
It was entertaining to be proved wrong.
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