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Kuhle Wampe oder: Wem gehört die Welt? (1932)

 -  Drama  -  23 April 1933 (USA)
6.8
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A working-class family in Berlin in 1931 where survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni's brother commits suicide in despair, her ... See full summary »

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Title: Kuhle Wampe oder: Wem gehört die Welt? (1932)

Kuhle Wampe oder: Wem gehört die Welt? (1932) on IMDb 6.8/10

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Cast

Cast overview, first billed only:
Hertha Thiele ...
Annie Bönike
Ernst Busch ...
Fritz
Martha Wolter ...
Gerda
Adolf Fischer ...
Kurt, Anni's Bruder
Lili Schoenborn-Anspach ...
Mutter Bönike (as Lilli Schönborn)
Max Sablotzki ...
Vater Bönike
Alfred Schaefer ...
Junger Arbeitsloser
Gerhard Bienert ...
Zeitungsleser in der S-Bahn
Martha Burchardi
Carl Heinz Charrell
Helene Weigel ...
Ballad Singer (voice)
Karl Kahmen
Fritz Erpenbeck
Josef Hanoszek
Richard Pilgert
Edit

Storyline

A working-class family in Berlin in 1931 where survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni's brother commits suicide in despair, her family finds itself forced to move to Kuhle Wampe, a lakeside camp on the outskirts of Berlin, now home to increasing numbers of unemployed. When Anni's relationship with Franz ends, she moves back to Berlin and gets involved in the workers' youth movement. Written by DEFA Film Library

Plot Summary | Plot Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

23 April 1933 (USA)  »

Also Known As:

Kuhle Wampe oder: Wem gehört die Welt?  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

(censored) | (original)

Sound Mix:

(Tobis-Klangfilm)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Bertolt Brecht, who wrote the screenplay, claimed that this was the only film made of his work not to distort his intentions. See more »

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User Reviews

 
Slatan Dudow's film classic not to be missed
9 April 2007 | by (United States) – See all my reviews

This is a great film, an early example of fiction film-making that is responsive to social and political circumstances, but that doesn't get bogged down in the naturalist pessimism of, say, Piel Jutzi's contemporary "Mutter Krausens Fahrt ins Glück." The cinematography may not be the most compelling, but it is sensitive, considered, and bears the mark of Dudow's admiration for Eisenstein. Brecht was only one of the collaborators on the script -- together with the reportage-novelist Ernst Ottwalt, even if he was its most outspoken defender in the censorship proceedings; and the idea for the film was Dudow's, a Bulgarian-born theater and film director who had made one documentary prior to "Kuhle Wampe" and would go on to co-found the East German studio, DEFA.


7 of 7 people found this review helpful.  Was this review helpful to you?

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