A working-class family in Berlin in 1931 where survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni's brother commits suicide in despair, her ... See full summary »
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of ... See full summary »
Eddie and his Mexican friend Ricardo are expelled from college after Ricardo put Eddie in the girl's dormitory when he was drunk. Per chance Eddie gets mixed up in a bank robbery and is ... See full summary »
Marius has left, signed up for a five year hitch on a ship bound for the Indian Ocean. In his few letters to his father César, he hardly mentions Fanny. When she finds she is pregnant, she ... See full summary »
Junta is hated by the people in the village where she lives, especially by the women, who suspect her of being a witch. Only she can climb the nearby mountains to a cave high up, whence a ... See full summary »
After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To ... See full summary »
In the very oldfashioned town of Ostend suddenly 13 suitcases are delivered to the hotel, with a note, that O.F. will be here soon and needs 6 rooms (the hotel just has five). This event, ... See full summary »
A working-class family in Berlin in 1931 where survival is difficult, with massive unemployment in the wake of the Great Depression. After Anni's brother commits suicide in despair, her family finds itself forced to move to Kuhle Wampe, a lakeside camp on the outskirts of Berlin, now home to increasing numbers of unemployed. When Anni's relationship with Franz ends, she moves back to Berlin and gets involved in the workers' youth movement. Written by
DEFA Film Library
This is a great film, an early example of fiction film-making that is responsive to social and political circumstances, but that doesn't get bogged down in the naturalist pessimism of, say, Piel Jutzi's contemporary "Mutter Krausens Fahrt ins Glück." The cinematography may not be the most compelling, but it is sensitive, considered, and bears the mark of Dudow's admiration for Eisenstein. Brecht was only one of the collaborators on the script -- together with the reportage-novelist Ernst Ottwalt, even if he was its most outspoken defender in the censorship proceedings; and the idea for the film was Dudow's, a Bulgarian-born theater and film director who had made one documentary prior to "Kuhle Wampe" and would go on to co-found the East German studio, DEFA.
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