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I Am a Fugitive from a Chain Gang (1932)

Not Rated  |   |  Crime, Drama, Film-Noir  |  19 November 1932 (USA)
8.1
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Ratings: 8.1/10 from 8,608 users  
Reviews: 330 user | 38 critic

Wrongly convicted James Allen serves in the intolerable conditions of a southern chain gang, which later comes back to haunt him.

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(by), (screen play), 2 more credits »
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Nominated for 3 Oscars. Another 3 wins. See more awards »

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Cast

Cast overview, first billed only:
...
Glenda Farrell ...
Marie
Helen Vinson ...
Noel Francis ...
Preston Foster ...
...
Barney Sykes
...
The Judge
Edward Ellis ...
Bomber Wells
David Landau ...
The Warden
Hale Hamilton ...
Rev. Allen
...
Alice
Louise Carter ...
Mother
Willard Robertson ...
Prison Board Chairman
Robert McWade ...
Attorney
Robert Warwick ...
Fuller
Edit

Storyline

Having returned from fighting in World War I, James Allen doesn't want to settle into a humdrum life and decides to set off to find his fortune. He travels the length and breadth of America, working as a skilled tradesman in the construction industry. When times get tough however, he finds himself living in a shelter where an acquaintance suggests they go out for a hamburger. What the friend really has in mind is to rob the diner and Allen soon finds himself working on a chain gang with a long jail sentence. Allen manages to escape however and heads to Chicago where over several years he slowly but surely works his way up the ladder to become one of the most respected construction engineers in the city. His past catches up with him and despite protestations from civic leaders and his many friends in Chicago, he finds himself again on the chain gang. Escaping for a second time, he accepts that to survive, he must lead a life of crime. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Six sticks of dynamite that blasted his way to freedom... and awoke America's conscience!

Genres:

Crime | Drama | Film-Noir

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 November 1932 (USA)  »

Also Known As:

I Am a Fugitive  »

Box Office

Budget:

$195,845 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

(original release)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Though the filmmakers omitted the name of Georgia from the working title and never mentioned the state in the entire film, the indictment of that specific state's cruel penal system was obvious. A typhoon of protest, in the form of newspaper editorials, reform committees, petitions, and letters and telegrams to congressmen, resulted in the abolishment of some of the prison system's cruel practices. However, the film was banned in Georgia and a libel suit on Georgia's behalf was filed against Warner Bros. Two prison wardens in Georgia also filed million-dollar law suits against the studio. All of this legal wrangling all came to nothing, but the state of Georgia remained relentless in its attempts to recapture Robert E. Burns, while Mervyn LeRoy and Jack L. Warner were barred from entering the state of Georgia for years. See more »

Goofs

When James Allen is getting a shave he asks the barber for a hot towel and when he does this the left side of his face is covered in shaving cream. When the barber returns with the towel the left side of his face has no shaving cream on it. See more »

Quotes

James Allen: Do you mind if we stay here awhile, or must you go home?
Helen: There are no musts in my life. I'm free, white and twenty-one.
See more »

Connections

Spoofed in Take the Money and Run (1969) See more »

Soundtracks

Semper Fidelis
(1888) (uncredited)
Music by John Philip Sousa
Played during parade
See more »

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User Reviews

Gutsy, and hard to forget
14 March 2003 | by (Deming, New Mexico, USA) – See all my reviews

It took some courage to make this movie, and Warner Brothers was up to it. This is one of four such productions on the early 1930s that dealt with crime naturalistically. But the others -- "Public Enemy," "Little Caesar," and "Scarface" -- although investing the protagonists with recognizably human traits like jealousy or male bonding -- were nevertheless on the side of the state. Okay, he might love his Mamma, but he's still a menace to society. They all died violently in the end. Here, on the other hand, is a story in which the protagonist is completely innocent, guilty of nothing more than wanting to strike out on his own and accomplish something constructive after having been through hell in the army in World War I.

The state -- Georgia -- convicts him in error. He was forced into participating in the crime by a stranger, although to be sure he acted guilty enough. And, what with the real James Allen acting as consultant, and the film being based on his autobiographical book, who can really tell how unwilling a participant he was?

Still, the point of the movie is that even if were guilty of robbery, the punishment imposed by the state, the conditions at the chain gang, were inhuman. Let's say many sensible people would consider it "cruel and unusual." So Allen escapes the first time, just as Cool Hand Luke did. According to the movie he rises to prominence as a self-taught engineer, although, again, the point would remain the same even if he never rose above the station of busboy. Coerced into marriage by a domineering, greedy, and self-indulgent wife (whose autobiographical novel should have been a companion piece to Allen's), he finds himself falling for a "nice girl".

But his past catches up with him. His wife betrays him out of spite. The governor of Illinois is understandably reluctant to extradite a prominent citizen who has shown how socially valuable he is, but the representatives of Georgia insist on a symbolic retribution. Return to Georgia voluntarily, says the soothing, expensive Georgian. There'll be only a token service of, say, 90 days in a cushy job, then you'll be pardoned. Alas, he's thrown into an even more horrific penal servitude and his hearing is suspended indefinitely. So he pulls Cool Hand Luke's Excape Number Two, right down to the admiring companion who jumps aboard the truck with him.

This time there is no going back, at least not according to the movie. The final shot is heartbreaking. I don't know how much of this story can be believed insofar as Allen's character is concerned. Suppose you were to write an autobiography. Might you not come out looking a little better than you actually are? Oh, that God the giftie gie' us/ to see ourselves as others see us. But I believe the chain gang sequences allright. If Allen is fibbing about that, he's still done a good job of convincing me that these conditions were real. I've worked with Corrections Officers and while they might be tough and contemptuous towards inmates, they treated them fairly. But I can believe things were quite different in 1925 in Georgia. The South has an interesting way of dealing with deviance. Southerners tend to be polite, compassionate, and helpful. They go out of their way to be friendly -- until you break an important rule. Then you forfeit any claim to humane treatment. (You want to be executed? Murder somebody in Texas or Florida.)

In the course of the 1960s, the state became as much of an enemy as the criminal himself -- maybe moreso. But this movie was released in 1932, a time at which it still took guts to depict a social system so thoroughly corrupt and sadistict.

Catch this one, if you can.


36 of 41 people found this review helpful.  Was this review helpful to you?

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