Gar Evans is a "high pressure" promoter who tends to be unrealistically optimistic about his projects and exaggerates the chance of success. He sets up the "Golden Gate Artificial Rubber ...
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A discredited diplomat accidentally finds work with a seedy private detective. The diplomat's ethics later bump up against the detective's illegal methods after their new partnership is ... See full synopsis »
In 1917 Lt. Bill Gordon is headed for France when he meets and becomes friendly with Joel Carter, niece of the Asst. Secretary of War. Finding out that he is an expert on codes, she gets ... See full summary »
William K. Howard,
Idealistic attorney Anton Adam makes headlines when he successfully prosecutes a prominent New York racketeer named Gilmurry. Adam's sudden renown attracts the attention of high-profile ... See full summary »
Gar Evans is a "high pressure" promoter who tends to be unrealistically optimistic about his projects and exaggerates the chance of success. He sets up the "Golden Gate Artificial Rubber Company", and persuades a lot of people to invest. He believes that the process to produce artificial rubber exists, but does it? Written by
In 1932 Warners re-shot this same comedy with French-speaking actors (replacing the original performers), delivering all their dialog in French, at the same Hollywood studio, in the same sets, and using the same script (translated into French), under the French title "Le bluffeur" (The Bluffer). Subtitles weren't yet in vogue, so Warners gave French-speaking audiences a parallel version they could understand, played mostly by French actors. Powell's star part was played by Andre Luguet, Brent's by Lucienne Radisse, Sidney's by Torben Meyer, Kibbee's by Andre Cheron, McHugh's by Jacques Jou-Jerville, Middleton's by Georges Renavent, Beresford's by Christian Rub, and Littlefield's by Emile Chautard. Meyer, Renavent, Rub, and Chautard were already permanently ensconced in Hollywood, while most of the other French-speaking actors were imported from Paris just for these parallel French-language versions in the early 1930s. When subtitles and dubbing were soon "perfected", the US studios ceased making parallel versions like "Le bluffeur". See more »
William Powell is at his peak in this madcap financial comedy. His high-voltage energy eclipses the other actors, although most are more than competent. From the brief synopsis I read, I was expecting more of a screwball comedy, centering on the relationship between Powell and Evelyn Brent. The movie turned out to be more of a hard-hitting satire, focussing on the deep economic troubles of 1932. How funny is it to hear references to "bank presidents committing suicide"? Evelyn Brent seems completely mismatched to Powell. Totally lacking charisma in this movie, she seems more like a depressed, real-life person than the incandescent beauty without whom Powell cannot perform his flimflam miracles. Great movie for Powell fans, but seems a bit too much of a history lesson, overall. Slightly risqué pre-Code touches are entertaining.
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