Gar Evans is a "high pressure" promoter who tends to be unrealistically optimistic about his projects and exaggerates the chance of success. He sets up the "Golden Gate Artificial Rubber ...
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A discredited diplomat accidentally finds work with a seedy private detective. The diplomat's ethics later bump up against the detective's illegal methods after their new partnership is ... See full synopsis »
In 1917 Lt. Bill Gordon is headed for France when he meets and becomes friendly with Joel Carter, niece of the Asst. Secretary of War. Finding out that he is an expert on codes, she gets ... See full summary »
William K. Howard,
British officer is assigned to duty in Ireland and gets embroiled in Anglo-Irish battles and old girl friend who is now married to an Irishman. Powell learns more than he wanted to know ... See full summary »
A young American girl visits Paris accompanied by her fiancee and her wealthy uncle. There she meets and is romanced by a worldly novelist; what she doesn't know is that he is a blackmailer who is using her to get to her uncle.
Gar Evans is a "high pressure" promoter who tends to be unrealistically optimistic about his projects and exaggerates the chance of success. He sets up the "Golden Gate Artificial Rubber Company", and persuades a lot of people to invest. He believes that the process to produce artificial rubber exists, but does it? Written by
Another wonderfully fast-moving early 1930s comedy with Powell in his element as a pushy promoter, this one is based on a stage play. As anticipated, it's rather talky, but the dialogue surfeit doesn't slow down the pace a single bit thanks to the masterful direction of Mervyn LeRoy who keeps the movie moving at such a rapid pace, it leaves the viewer begging for more as soon as "The End" flashes on the screen.
Assisted by Kurrle's fine photography and Grot's superlative sets, LeRoy has staged the movie using the full resources of the now mature sound cinema. Sequences like that in which a dialogue exchange between Powell and Brent is underscored by the tumultuous din of a salesmen's convention where the participants are growing more and more impatient by the second, have never been equaled, let alone surpassed. In fact, if anything (perhaps due to the dead hand of censorship), mainstream Hollywood seemed to grow more timid and less inventive as the 1930s advanced.
Powell has a great supporting cast to contend with, but still comes out on top.
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