Oliver's house is in a shambles after a wild party, and his wife is due home at noon. He calls Stanley to help him fix the place up, and the typical catastrophies ensue. Somehow, however, ... See full summary »
Chimney sweeps Stanley and Oliver go about their job, reducing Professor Noodle's living room to a shambles in the process, while the mad doctor works in his laboratory perfecting his "... See full summary »
Leaving the dentist's office, where Hardy's teeth have been extracted by mistake, the boys, still under the influence of laughing gas, meet up with a traffic cop (Kennedy) and cause a huge ... See full summary »
Oliver is heartbroken when he finds that Georgette, the inkeeper's daughter he's fallen in love with, is already married to dashing Foreign Legion officer Francois. To forget her, he joins ... See full summary »
Stan and Ollie take a trip into the mountains ('the high multitude') so that Ollie can recover from gout. Bootleggers have dumped their moonshine in the well from which the boys sample ... See full summary »
Stan and Ollie are down on their luck and beg at an old lady's house for food. While they are eating they overhear a villainous landlord (Finlayson) threatening to evict her if she does not... See full summary »
On their way to the train station with their wives for a vacation in Atlantic City, Stanley and Oliver get a phone call from a fellow lodge member who tells them a surprise stag party in ... See full summary »
James W. Horne,
Ollie is running for mayor when an old flame (Mae Busch) tries to blackmail him with a old photo ('just the same old apple-cheeked boy'). Stan's attempts to help Ollie keep the blackmailer ... See full summary »
It looks like the boys won't need to fish off the end of the pier to feed themselves any longer when Stanley's rich uncle Ebenezer Laurel dies, leaving a large estate. But when he and ... See full summary »
Oliver's house is in a shambles after a wild party, and his wife is due home at noon. He calls Stanley to help him fix the place up, and the typical catastrophies ensue. Somehow, however, Stanley manages to complete the job by the time Oliver leaves to pick up his wife at the train station. As a finishing touch, Stan decides to start a nice fire in the fireplace, using a can of gasoline to hurry the process along. Written by
Paul Penna <email@example.com>
At one point Stan Laurel gives out a phone number, and it was his own personal number at the time. See more »
Stan has attached the drying line to the kitchen door and, when Ollie opens it, he pulls down the chimney pipe from the stove and is hit by a cloud of soot. Stan comes over and takes off Ollie's hat, and, trying to clean it , blows the soot from the top into Ollie's face. But the top of his hat was white and clean in the previous shot. See more »
Do you realise that this is the only suit I've got left? It's enough to make a man burst out crying.
[Stan starts to cry]
Shut Up! Don't you realise my wife will be home at noon?
See more »
When the cat's away the mice will play. This is true when Mrs Hardy goes out of town and Ollie has a huge party that sees his house a mess and his cash lost on poker games. When a telegram arrives telling Ollie that his wife is due back at noon that day, Ollie turns to Stanley for help tidying the house that was his first mistake.
Similar in style to many of their other shorts, this film sees the duo's attempts to fix/tidy the house actually results in more damage than existed in the first place. The set up with Ollie addressing himself (but seems like it's the audience) is a little strange but once the film moves into the whole cleaning up business it does get a lot better. Ollie goes flying over a hoover on several occasions and his suit frequent changes grow increasingly amusing. It goes without saying that the degree of mishap that Laurel causes increases throughout the film and the punchline, although not hilarious, is a good conclusion.
In terms of cast Laurel and Hardy pretty much carry this themselves. Payson makes a brief appearance as Mrs Hardy but her role is to be plain and aggressive rather than funny. That said, the film doesn't really need anyone else as the pair do good work. Hardy bears the brunt of the physical work but also does good `to camera' looks. Laurel does his usual shtick but I always think he does a lot of work `off the ball' to use a football term. Because Hardy more often is the focus of the punchline (ie the look or the fall) I always tend to notice him and forget the involvement of Laurel in the set up or enabling the film to move on that was the case here.
Overall this is an enjoyable short that sees the tried and tested formula of `chores go wrong' used to good effect.
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