Mickey (and Pluto) are delivering a grocery order to Minnie. She pretends not to notice for a while, but when he gets hit on the head by an iron, she drops her pretense and rushes to his ... See full summary »
Mickey and his friends are staging a sort of olympics in a makeshift stadium on his farm. The main event is a sort of quadrathlon, with running, pole vaulting, rowing, and cycling. Mickey ... See full summary »
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals ... See full summary »
Mickey has built a robot to compete in the boxing ring against the giant gorilla, the Kongo Killer. Whenever it hears Minnie's car horn, it goes crazy and starts punching any picture of ... See full summary »
Mickey runs radio station ICU from his barn. His friends play various musical numbers. A cat wanders in and starts yowling (which sets Pluto, who was listing from his doghouse, off). Mickey... See full summary »
Mickey, apparently shipwrecked, is on a raft; he washes up on a tropical island, where a banana tree takes care of his hunger. He then discovers a piano that washed ashore, and begins ... See full summary »
Mickey gets a package from Australia: a kangaroo, complete with boxing gloves. The 'roo moves into Pluto's brand new doghouse, much to his annoyance (which we actually hear voiced). Mickey ... See full summary »
Mickey (and Pluto) are delivering a grocery order to Minnie. She pretends not to notice for a while, but when he gets hit on the head by an iron, she drops her pretense and rushes to his side. Mickey then helps with the dinner preparations, but Pluto steals the turkey, and a chase ensues. There's also a 4-layer cake that you just know is going to get ruined spectacularly. Written by
Jon Reeves <email@example.com>
Mickey, THE GROCERY BOY, makes a delivery to Minnie - which is interrupted by Pluto's unfortunate interest in the baked turkey in Minnie's oven...
This is an enjoyable little black & white film, with fine animation and a strong sense of fun. Walt Disney supplies Mickey's squeaky voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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