Sophisticated comedy: a trio of money hungry women who all have sugar daddies who keep them in the lap of luxury, even as they drive the men crazy. Each woman represents a different ...
See full summary »
13 years before the movie opens, there was a dinner party, at which the 13th guest failed to show up. The master of the manner has died, and left the bulk of his estate to this 13th guest, ... See full summary »
J. Farrell MacDonald
This revue presents its numbers around the orchestra leader Paul Whiteman, besides that it shows in it's final number that the European popular music are the roots of American popular music... See full summary »
Sophisticated comedy: a trio of money hungry women who all have sugar daddies who keep them in the lap of luxury, even as they drive the men crazy. Each woman represents a different personality type, from sensitive, to kind-hearted, to difficult and untrustworthy. Set in the age of jazz, the twenties come roaring back with immorality and in-fighting. Written by
In her December 1972 interview to Leonard Maltin in Film Fan Monthly, Madge gave the following testimony on the atmosphere on the set during filming: "That was a rather hectic picture, with him [i.e. Lowell Sherman] not taking the directing seriously, George Barnes falling madly in love with Joan [i.e. Joan Blondell] so he could hardly see anybody but Joan. Ina Claire was very much in love with John Gilbert (this was before they were married) and every time she got into a costume that she thought she looked well in, particularly the bridal costume at the end of the film, she disappeared from the lot, because she had driven off to Metro to show John Gilbert how enchanting she looked. I went into that film very quickly, because Carole Lombard was supposed to do the part I played, but she became ill, and I replaced her." See more »
THE GREEKS HAD A WORD FOR THEM has a good cast, a good director, and a good idea for a story, but you would never know it from watching this film. Ina Claire, a renowned actress from Broadway, displays not one ounce of subtlety in her role as the gold-digging, throat-cutting Jean. Joan Blondell tries her best as the warm-hearted Schatzi who attempts to keep order and harmony in her group of three women seeking wealth through marriage with a wealthy man. Given the script she has to work with, her task was next to impossible. Madge Evans, as the nice showgirl, rounds out the trio, but is unfortunately over-shadowed by the antics of Claire who dominates every scene with her over-acting.
David Manners plays Madge's nice and wealthy, though unbelievable boyfriend, while Lowell Sherman, who directed the film, plays a renowned pianist Claire runs after. This film is classic proof of the old adage that a film's principal seldom can step outside of their role to direct the proceedings and do a good job.
This film is so bad, one has to wonder who Sam Goldwyn had in mind when he began this production. The women are the worst stereotypes one could imagine, while the men have absolutely no redeeming qualities. No doubt Goldwyn saw this as some sort of a roaring twenties exercise in loose morality, but he only succeeded in creating a caricature of life in the jet-set.
I rated this a 3 only because of the presence of Joan Blondell and Madge Evans who are worth watching. Evans has been described as a "wooden" actress by another writer. In this film, she is the only one with any fire in her demeanor when standing up against Claire busy demonstrating how to chew up the scenery. Evans projects poise, grace, and class... no easy task in this scenario.
10 of 25 people found this review helpful.
Was this review helpful to you?