New York playboy Danny Churchill is sent to a small town in Arizona, where being sheriff is very dangerous, to keep away from girls, but he decides to open a dude ranch there. He asks his ...
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New York playboy Danny Churchill is sent to a small town in Arizona, where being sheriff is very dangerous, to keep away from girls, but he decides to open a dude ranch there. He asks his friend Slick, a professional gambler and his wife Kitty, to help him. Slick decides to go there in a cab, driven by shy Jimmy. Jimmy's younger sister Tessie also travels there. There Danny has fallen in love with Molly, but troubles arise for him when the local heavy decides that he doesn't like the ranch and announces running for sheriff. Danny and Slick got the idea that Jimmy would be the ideal candidate, especially because of the fact that the heavy has announced he would kill another sheriff. With some help Jimmy is elected, but Molly leaves Danny with a New York shyster for Mexico. Mitzi, Danny, Kitty, Patsy - Jimmy's sweetheart as well as Jimmy and Slick follow her to win her heart back for Danny, but they are followed by the local heavy and his friend. Written by
Stephan Eichenberg <firstname.lastname@example.org>
Norman Taurog was the uncredited director of the retakes. Subsequently, he would oversee MGM's 1943 version starring Mickey Rooney and Judy Garland. Providing new choreography for the "I Got Rhythm" retake with Kitty Kelly in 1932 was Busby Berkeley (also uncredited), who then would stage the Mickey-Judy number 11 years later. Originally tapped to direct, Mr. Berkeley was taken off the Metro production when Roger Edens expressed unhappiness with Mr. Berkeley's "I Got Rhythm" treatment, which Mr. Edens felt overloaded his arrangement. In addition, Miss Garland had complained that Mr. Berkeley's demanding work technique had exhausted her. See more »
Easy. First you remove most of the songs, and then you give one of the most popular comedy teams of the day nothing to work with. All downhill from there. I really don't understand why the producers removed songs and inserted a couple of tuneless ones in their place. The new ones sounded like Gershwin rejects they had stashed in a trunk somewhere. "I Got Rhythm" could have been a show-stopper but it took place in a night club, in one of the most bizarre, surreal musical numbers ever committed to film. I think jaw-dropping is an apt term.
In the early 30's, Wheeler and Woolsey were one of the best comedy teams extant. They had made "Hook,Line and Sinker", and "Half Shot At Sunrise", both in 1930. Now, those were funny pictures with good, funny material. "Girl Crazy" was reissued with "Peach-O-Reno" by Warner Archives collection, and there is hardly an unforced laugh in either one. Dreadfully unfunny movies.
I could go on and on but why bother. My rating is more a reflection of disappointment than anything else. But The Gershwins and Wheeler and Woolsey deserved better.
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