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Girl Crazy (1932)

Passed  -  Comedy | Musical  -  25 March 1932 (USA)
6.3
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Ratings: 6.3/10 from 166 users  
Reviews: 11 user | 4 critic

New York playboy Danny Churchill is sent to a small town in Arizona, where being sheriff is very dangerous, to keep away from girls, but he decides to open a dude ranch there. He asks his ... See full summary »

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(book), (book), 4 more credits »
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Title: Girl Crazy (1932)

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Cast

Complete credited cast:
Bert Wheeler ...
Jimmy Deegan - The Taxi Driver
Robert Woolsey ...
Slick Foster - The Gambler
Dorothy Lee ...
Patsy - The Gal of the Golden West
Eddie Quillan ...
Danny Churchill - The Heroine
...
Tessie Deegan - Deegan's Sister
Brooks Benedict ...
George Mason - The New York Villain
Kitty Kelly ...
Kate Foster - The Gambler's Wife
Arline Judge ...
Molly Gray - The Heroine
Stanley Fields ...
Lank Sanders - The Arizona Heavy
...
Mary
Chris-Pin Martin ...
Pete (as Crispen Martin)
Monte Collins ...
Bartender (as Monty Collins)
The Orchestra
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Storyline

New York playboy Danny Churchill is sent to a small town in Arizona, where being sheriff is very dangerous, to keep away from girls, but he decides to open a dude ranch there. He asks his friend Slick, a professional gambler and his wife Kitty, to help him. Slick decides to go there in a cab, driven by shy Jimmy. Jimmy's younger sister Tessie also travels there. There Danny has fallen in love with Molly, but troubles arise for him when the local heavy decides that he doesn't like the ranch and announces running for sheriff. Danny and Slick got the idea that Jimmy would be the ideal candidate, especially because of the fact that the heavy has announced he would kill another sheriff. With some help Jimmy is elected, but Molly leaves Danny with a New York shyster for Mexico. Mitzi, Danny, Kitty, Patsy - Jimmy's sweetheart as well as Jimmy and Slick follow her to win her heart back for Danny, but they are followed by the local heavy and his friend. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

Sensational Gershwin Song Hits

Genres:

Comedy | Musical

Certificate:

Passed
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Details

Country:

Language:

Release Date:

25 March 1932 (USA)  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(TCM print)

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Norman Taurog was the uncredited director of the retakes. Subsequently, he would oversee MGM's 1943 version starring Mickey Rooney and Judy Garland. Providing new choreography for the "I Got Rhythm" retake with Kitty Kelly in 1932 was Busby Berkeley (also uncredited), who then would stage the Mickey-Judy number 11 years later. Originally tapped to direct, Mr. Berkeley was taken off the Metro production when Roger Edens expressed unhappiness with Mr. Berkeley's "I Got Rhythm" treatment, which Mr. Edens felt overloaded his arrangement. In addition, Miss Garland had complained that Mr. Berkeley's demanding work technique had exhausted her. See more »

Quotes

Slick Foster: You were elected 800 to 1.
Jimmy Deagan: How did that one get in there?
Slick Foster: I don't know, but I have demanded a recount.
See more »

Crazy Credits

The Orchestra is listed as being one of the cast members. See more »

Connections

Version of Great Performances: Crazy for You (1999) See more »

Soundtracks

You've Got What Gets Me
(1932) (uncredited)
Music by George Gershwin
Lyrics by Ira Gershwin
Sung by Bert Wheeler and Dorothy Lee
Danced by Bert Wheeler, Dorothy Lee and Mitzi Green
See more »

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User Reviews

Selznick & The Gershwins
1 October 2008 | by (United States) – See all my reviews

As this is one of the projects that young David Selznick did as a producer for Radio pictures before moving on to MGM and his own production company, it's shocking to think that this man (somehow universally celebrated for his taste) could have taken the great 1930 Broadway musical featuring Ethel Merman and Ginger Rogers and reduced it to a Wheeler & Woolsey slapstick comedy; in the process, Selznick eliminated most of its great Gershwin songs among them "Bidin' My Time" and "Embraceable You" and treated the other immortal tunes like "But Not For Me" as novelty numbers. An appalling example of how old Hollywood didn't recognize genius when it stared it in the face.


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