New York playboy Danny Churchill is sent to a small town in Arizona, where being sheriff is very dangerous, to keep away from girls, but he decides to open a dude ranch there. He asks his ... See full summary »
Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and ... See full summary »
Eddie and his Mexican friend Ricardo are expelled from college after Ricardo put Eddie in the girl's dormitory when he was drunk. Per chance Eddie gets mixed up in a bank robbery and is ... See full summary »
Wilkie and Mitchell, trying to desert their draft into the army, stow away on a ship which takes them into the war zone. While AWOL, the rivals for Mary's affections accidently destroy an ... See full summary »
A. Edward Sutherland
William 'Stage' Boyd,
Julie Cavendish comes from a family of great Broadway actors. Her mother Fanny staunchly continues acting. Her boisterous brother Tony is fleeing a breach of promise suit in Hollywood. Her ... See full summary »
New York playboy Danny Churchill is sent to a small town in Arizona, where being sheriff is very dangerous, to keep away from girls, but he decides to open a dude ranch there. He asks his friend Slick, a professional gambler and his wife Kitty, to help him. Slick decides to go there in a cab, driven by shy Jimmy. Jimmy's younger sister Tessie also travels there. There Danny has fallen in love with Molly, but troubles arise for him when the local heavy decides that he doesn't like the ranch and announces running for sheriff. Danny and Slick got the idea that Jimmy would be the ideal candidate, especially because of the fact that the heavy has announced he would kill another sheriff. With some help Jimmy is elected, but Molly leaves Danny with a New York shyster for Mexico. Mitzi, Danny, Kitty, Patsy - Jimmy's sweetheart as well as Jimmy and Slick follow her to win her heart back for Danny, but they are followed by the local heavy and his friend. Written by
Stephan Eichenberg <email@example.com>
Norman Taurog was the uncredited director of the retakes. Subsequently, he would oversee MGM's 1943 version starring Mickey Rooney and Judy Garland. Providing new choreography for the "I Got Rhythm" retake with Kitty Kelly in 1932 was Busby Berkeley (also uncredited), who then would stage the Mickey-Judy number 11 years later. Originally tapped to direct, Mr. Berkeley was taken off the Metro production when Roger Edens expressed unhappiness with Mr. Berkeley's "I Got Rhythm" treatment, which Mr. Edens felt overloaded his arrangement. In addition, Miss Garland had complained that Mr. Berkeley's demanding work technique had exhausted her. See more »
As this is one of the projects that young David Selznick did as a producer for Radio pictures before moving on to MGM and his own production company, it's shocking to think that this man (somehow universally celebrated for his taste) could have taken the great 1930 Broadway musical featuring Ethel Merman and Ginger Rogers and reduced it to a Wheeler & Woolsey slapstick comedy; in the process, Selznick eliminated most of its great Gershwin songs among them "Bidin' My Time" and "Embraceable You" and treated the other immortal tunes like "But Not For Me" as novelty numbers. An appalling example of how old Hollywood didn't recognize genius when it stared it in the face.
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