4 items from 2015
What makes a film perverse? It could be a character and their individual perversions, or it could be down to the director of the film creating a pervasive air of seediness, but generally the rule of thumb is that highbrow perverted films that carry a ‘message’ get away with more than the lowbrow films which are viewed to be potentially corrupting to the masses.
This class division has been a rule of film classification and censorship since its inception and it carries on to the present day. Subtitled and foreign arthouse cinema generally gets away with more perverse unexpurgated material than your bog standard Hollywood film, which is also more likely to be censored.
Even more persecuted is exploitation cinema, whose raison d’être is generally to be prurient and perverted. These films are subject to severe censorship (12 and a half minutes were shorn off the first UK »
- Clare Simpson
This review contains spoilers.
4.12 Show Stoppers
All season long, American Horror Story has been flirting with something. It took a dozen episodes, but it finally got around to actually putting out after a season-long tease. I'm not talking about a character death or something of that nature, I'm talking about Freaks. Tod Browning's classic, iconic horror movie is one of the most enduring films of its type in the film canon, and even though it's in black and white and the sound is odd, it's one of the most unsettling things ever displayed for the public thanks to one scene. The freaks, betrayed by someone they accepted, get revenge.
“Show Stoppers” opens with a scene right out of Tod Browning’s Freaks, a huge feast to celebrate Elsa having sold the carnival to Chester. She asks for time alone with her core cast and announces that, as a thank you to Stanley for getting her a television show, she will screen Freaks. (From her own…
The post Recap: American Horror Story: Freak Show — 412, ‘Show Stoppers’ appeared first on Shock Till You Drop. »
- Samuel Zimmerman
It's the penultimate episode of "American Horror Story: Freak Show," which means Ryan Murphy and his crew are going at full throttle. There are horrific flashbacks, a murderous doll, sexy conjoined twins, revenge, revelations, and lots of blood. This episode isn't called "Show Stoppers" for nothing!
Gabba, Gabba, Hey!
It isn't a coincidence that the long dinner table that they occasionally use in the main tent looks an awful lot like the set-up in Tod Browning's seminal horror film "Freaks," and they finally got right down to it. When Stanley arrives for dinner, Elsa announces that evening's entertainment will be one of her favorite movies, "Freaks," and then Eve, Paul, Suzi, and the other performers explain how the "freaks" in the movie take their horrific revenge on the person who betrayed them, then gather their own weapons and chase Stanley through the fairgrounds. I was expecting more of an »
- Jenni Miller
4 items from 2015
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