In a modern retelling of Tod Browning's "Freaks" (1932), "Freakshow" tells the story of a group of criminals who chose to hide out by working security at a traveling circus. At first, they ... See full summary »
A circus trapeze artist, Cleopatra, takes an interest in Hans, a midget who works in the circus sideshow. Her interest however is in the money Hans will be inheriting and she is actually carrying on an affair with another circus performer, Hercules. Hans's fiancée does her best to convince him that he is being used but to no avail. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them. Together, the freaks decide to make her one of their own. Written by
In the United States, this film was banned in a number of states and cities. Although no longer enforced, some of the laws were never officially repealed. Therefore, it is still technically illegal for this film to be shown some areas of the USA. See more »
Hercules rushes out of the wagon in pursuit of Josephine/Joseph, hot on his/her heels, but when Cleopatra looks out the window a moment later, Jo is leaning casually against a wagon applying makeup. He/she would not have had time to relax and get out a compact in that short amount of time. See more »
[referring to a "half-man/half-woman" who has given Hercules an alluring look]
I think she likes you - but he don't.
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'Freaks' is an extraordinary movie with a lot of heart.
I really dig 1930s horror movies. There's just something special about them that can never be recreated. A lot of it has to do with the talkies being new territory, many of the directors adapting German Expressionist techniques to Hollywood melodrama, and the freedom allowed before the Hayes Code really kicked in. Movies like 'Dracula', 'Frankenstein', 'Bride Of Frankenstein', 'Island Of Lost Souls', 'The Invisible Man' and 'White Zombie' are horror classics which still impress today. I wonder whether anyone will be watching the lame horror movies of today in seventy years for any other reason than some cheap laughs? Todd Browning made the transition from silent movies and directed the hugely successful 'Dracula' in 1931. It was a sensation and made Bela Lugosi a horror icon. Browning could pretty much do anything he chose after that. He chose to do 'Freaks'. Great for us as, not so great for him. The movie was universally reviled and even banned in some countries and his career never fully recovered. But 'Freaks' is an extraordinary movie with a lot of heart. It has faults, sure - some corny acting at times, and not so great production values - but it really doesn't matter. I don't know anyone who's seen it who hasn't been deeply affected by it. The reason the movie caused such a negative reaction back in the 1930s was because it used real circus performers including Zip the Pinhead and Radian "The Living Torso". Many people found this to be distasteful and exploitative, but the performers seemed to be glad to get the opportunity to work, and the whole crux of the movie is that the "freaks" are more decent than the "normal" Cleopatra (Olga Baclanova) , the trapeze artist who marries little person Hans (Harry Earls) for his money. 'Freaks' is still a very powerful and unique movie. It has inspired many creative people over the years from the Surrealists to The Ramones to Jodorowsky to David Lynch. 'Freaks' comes with my highest recommendation!
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