During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she ... See full summary »
A circus trapeze artist, Cleopatra, takes an interest in Hans, a midget who works in the circus sideshow. Her interest however is in the money Hans will be inheriting and she is actually carrying on an affair with another circus performer, Hercules. Hans's fiancée does her best to convince him that he is being used but to no avail. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them. Together, the freaks decide to make her one of their own. Written by
F. Scott Fitzgerald was a member of the MGM writing department at the time the movie was in production. He never felt quite at home with all the movie stars and powerful moguls, and so he often dined in the commissary at the table of the sideshow attractions (freaks) during his lunch hour. See more »
The shadow of the boom fall on Phroso's back when he and Venus are talking in the trailer, after her angry outburst at him. See more »
Don't let people convince you that "Freaks" is a horror movie, because it isn't. It's actually a quite sad and sympathetic look at the way abnormalities were treated in the early part of the 20th century, and has direct parallels to the obsession with physical perfection causing eating disorders today. Tod Browning of course asks us to consider who are the bigger freaks: those with deformed bodies or those with deformed souls? The two "normal" people who are out to cheat and steal are monstrous, whereas the freaks are quite likable and charming. The ending is disturbing to be sure, but it's hard to condemn the freaks for acts that seem largely justified.
Is it a coincidence that in several shots showing Cleopatra reclining on a sofa, she appears to be deformed herself (in one shot it looks as if she has no legs). Has anybody else noticed this? "Freaks" was obviously way ahead of its time. There's a very interesting documentary on the DVD about its reception in 1932; it bombed and pretty much ruined Browning's career. Thank God that the general public is not allowed to be the final arbiter of a film's value. Think how many priceless films we would have lost by now if that were the case.
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