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Freaks (1932)

Unrated  |   |  Drama, Horror  |  20 February 1932 (USA)
8.0
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Ratings: 8.0/10 from 29,590 users  
Reviews: 246 user | 178 critic

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

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(suggested by story: "Spurs") (as Tod Robbins)
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Edit

Cast

Cast overview, first billed only:
Wallace Ford ...
...
Venus
...
Roscoe Ates ...
Roscoe (as Rosco Ates)
...
Hercules
Harry Earles ...
Daisy Earles ...
Rose Dione ...
Madame Tetrallini
Daisy Hilton ...
Violet Hilton ...
Schlitze ...
Himself
Josephine Joseph ...
Half Woman-Half Man
Johnny Eck ...
Half Boy
Frances O'Connor ...
Armless Girl
Peter Robinson ...
Human Skeleton
Edit

Storyline

A circus trapeze artist, Cleopatra, takes an interest in Hans, a midget who works in the circus sideshow. Her interest however is in the money Hans will be inheriting and she is actually carrying on an affair with another circus performer, Hercules. Hans's fiancée does her best to convince him that he is being used but to no avail. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them. Together, the freaks decide to make her one of their own. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

"We'll Make Her One of Us!" from the gibbering mouths of these weird creatures came this frenzied cry... no wonder she cringed in horror... this beautiful woman who dared toy with the love of one of them! See more »

Genres:

Drama | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

20 February 1932 (USA)  »

Also Known As:

Forbidden Love  »

Box Office

Budget:

$310,607 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

According to the screenplay, the scene in which Madame Tetrallini introduces the wandering land-owner to the performers frolicking in the woods ran quite a bit longer. It included additional dialog that endeavored to humanize the so-called freaks. She tells him they are "always in hot, stuffy tents - strange eyes always staring at them - never allowed to forget what they are." Duval responds sympathetically (clearly the stand-in for the viewing audience), "When I go to the circus again, Madame, I'll remember," to which she adds, "I know, Monsieur - you will remember seeing them playing - playing like children... Among all the thousands who come to stare - to laugh - to shudder - you will be one who understands." See more »

Goofs

In the first shot after the "Wedding Feast" title card, we see Violet Hilton & Daisy Hilton playing soprano saxophones, but we only hear a harmonica being played. See more »

Quotes

Roscoe: [whenever he asks only one of the two Siamese twins to stay, and the twins have to leave together] You always use that as a excu-excuse, an alib-b-b-bi.
See more »

Connections

Referenced in American Horror Story: Monsters Among Us (2014) See more »

Soundtracks

Wedding of the Winds
(uncredited)
Music by John T. Hall
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Disturbing & Thought Provoking
9 October 2003 | by (Coventry, England) – See all my reviews

The subject of human disability is still a taboo subject in Cinema, even over 70 years since this film's release.

It's difficult to imagine what impact this film would have had in the 1930's, but as it still has the ability to shock ( through the images of bodily deformity ) I can understand why many shunned and disowned this work, and why it totally ruined Todd Browning's film career.

The basic premise - that beauty is more than skin deep - can appear to be wielded with a sledgehammer, but perhaps the contemporary audience needed to be hit harder in order to make them understand the point.

The film is short ( due to enforced cuts ), and at times can move rather slowly and can appear rather 'stagey' which is a trait of many films from the 20's / 30's.

But don't let that put you off. The plot is simple, but it's the telling of the story rather than the story itself that is important. And you really do need to remind yourself that these are real people - not actors - and this was the live they led.

I rate it 9 outa 10 because they really don't make them like this any more.


41 of 49 people found this review helpful.  Was this review helpful to you?

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