A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

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(suggested by story: "Spurs") (as Tod Robbins)
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Cast

Cast overview, first billed only:
...
...
...
...
Roscoe (as Rosco Ates)
...
Hercules
...
Daisy Earles ...
Rose Dione ...
Madame Tetrallini
Daisy Hilton ...
Violet Hilton ...
Schlitze ...
Himself
...
Half Woman-Half Man
Johnny Eck ...
Half Boy
Frances O'Connor ...
Armless Girl
Peter Robinson ...
Human Skeleton
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Storyline

A circus trapeze artist, Cleopatra, takes an interest in Hans, a midget who works in the circus sideshow. Her interest however is in the money Hans will be inheriting and she is actually carrying on an affair with another circus performer, Hercules. Hans's fiancée does her best to convince him that he is being used but to no avail. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them. Together, the freaks decide to make her one of their own. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

"We'll Make Her One of Us!" from the gibbering mouths of these weird creatures came this frenzied cry... no wonder she cringed in horror... this beautiful woman who dared toy with the love of one of them! See more »

Genres:

Drama | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

20 February 1932 (USA)  »

Also Known As:

Forbidden Love  »

Box Office

Budget:

$310,607 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to one source, director Tod Browning was introduced to the story by Cedric Gibbons, longtime head of MGM's Art Department. He was supposedly boyhood friends with author Clarence Aaron 'Tod' Robbins and convinced the studio to purchase film rights for the sum of $8,000. Another source claims that the diminutive actor Harry Earles gave Browning a copy of the story during the production of The Unholy Three (1925) in hopes that he could star in the adaptation. See more »

Goofs

In the first shot after the "Wedding Feast" title card, we see Violet Hilton & Daisy Hilton playing soprano saxophones, but we only hear a harmonica being played. See more »

Quotes

Cleopatra: Can't you see it was only a joke?
Hans: [broken hearted] Our wedding a joke... now I see why it's funny.
See more »

Connections

Spoofed in Ed Wood (1994) See more »

Soundtracks

Gruesome Tales
(uncredited)
Music by William Axt and Erno Rapee
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Living, Breathing Monstrosities.."
9 August 2004 | by (Raleigh, NC) – See all my reviews

Those that have seen either 1930's gangster film, "The Public Enemy" or "Little Caesar" will be familiar with the opening scrawl of the amazing film, "Freaks." In the 1930's it seemed as though the filmmakers had to set up the audience or apologize, in a way, for what they were about to see. The opening, before the title card, explains how "freaks" or human oddities have been treated by society. It tells how such deformed people were shunned from society, but, how they have normal thoughts and feelings just like the rest of us. This truly is the power of this truly moving, funny, very strange, and ultimately frightening film from the "Dark Carnival" mind of director Tod Browning...

No reason to do a summary here, that ruins the experience for new audiences to discover on their own and the rest of the reviewers have all ready done a stellar job, I'm sure, of giving plot synopsis.

Let's say that the average viewer will be stunned at first by the fact that real deformed dwarfs, midgets,siamese twins, and other "oddities" were the actors in this film. And that, in itself, lends the film its mysterious power and casts its spell on the viewer as much now in 2004 as I'm sure it did in the 30's and upon its rediscovery in the 1960's.

The tone of this film varies throughout. At it's center really are several relationships: Hans and his fiancée; Hans and the "Big" Lady, Cleopatra; Frozo the Clown and Venus; Hercules the strong man and Cleopatra, and of course the "Freaks" vs. Hercules and Cleopatra and the special code of the Freaks.

There are several lame 1930's jokes an example: "I thinks she likes you, b-b-b-but h-he don't!" stutters a clown in the circus when the half male/female character walks by Hercules and stops to take a gander. It's a strange, perverse joke and an example of what you're in for with this movie.

The power of the film is within the freaks themselves. We are invited to gawk, stare, but, ultimately sympathize with them. We want to see anyone who threatens them get their comeuppance and boy do they ever get that!

The freak that will freak you out the most: The Living Torso, Radian.

You'll love Frozo and Venus and pull for them throughout.

You'll root for Hans and Frida.

You'll enjoy Rosco the clown's humorous performance.

You'll be truly disturbed by the classic; uber-horror scene of the freaks crawling with knives in the mud in the rain-storm revenge sequence toward the end. Some of the most classic images in all of film not just horror.

I love it when Hans calls other "big" people in the circus who make him angry : "Swine!" He rules.

When the title card: THE WEDDING FEAST comes up you too will be truly FREAKED out! I love this movie and it has quickly become one of my favorites of all time right along-side 1930's classics like Dracula, Frankenstein, etc.


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