During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she ... See full summary »
A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
A circus trapeze artist, Cleopatra, takes an interest in Hans, a midget who works in the circus sideshow. Her interest however is in the money Hans will be inheriting and she is actually carrying on an affair with another circus performer, Hercules. Hans's fiancée does her best to convince him that he is being used but to no avail. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them. Together, the freaks decide to make her one of their own. Written by
Olga Baclanova, later recalled the day when she was first introduced to the supporting cast, "[Tod Browning] shows me little by little and I could not look, I wanted to faint. I wanted to cry when I saw them. They have such nice faces... they are so poor, you know... [Browning] takes me and say, you know, 'Be brave, and don't faint like the first time I show you. You have to work with them.'... It was very, very difficult first time. Every night I felt that I am sick. Because I couldn't look at them. And then I was so sorry for them. That I just couldn't... it hurt me like a human being." See more »
The shadow of the boom fall on Phroso's back when he and Venus are talking in the trailer, after her angry outburst at him. See more »
[whenever he asks only one of the two Siamese twins to stay, and the twins have to leave together]
You always use that as a excu-excuse, an alib-b-b-bi.
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Those that have seen either 1930's gangster film, "The Public Enemy" or "Little Caesar" will be familiar with the opening scrawl of the amazing film, "Freaks." In the 1930's it seemed as though the filmmakers had to set up the audience or apologize, in a way, for what they were about to see. The opening, before the title card, explains how "freaks" or human oddities have been treated by society. It tells how such deformed people were shunned from society, but, how they have normal thoughts and feelings just like the rest of us. This truly is the power of this truly moving, funny, very strange, and ultimately frightening film from the "Dark Carnival" mind of director Tod Browning...
No reason to do a summary here, that ruins the experience for new audiences to discover on their own and the rest of the reviewers have all ready done a stellar job, I'm sure, of giving plot synopsis.
Let's say that the average viewer will be stunned at first by the fact that real deformed dwarfs, midgets,siamese twins, and other "oddities" were the actors in this film. And that, in itself, lends the film its mysterious power and casts its spell on the viewer as much now in 2004 as I'm sure it did in the 30's and upon its rediscovery in the 1960's.
The tone of this film varies throughout. At it's center really are several relationships: Hans and his fiancée; Hans and the "Big" Lady, Cleopatra; Frozo the Clown and Venus; Hercules the strong man and Cleopatra, and of course the "Freaks" vs. Hercules and Cleopatra and the special code of the Freaks.
There are several lame 1930's jokes an example: "I thinks she likes you, b-b-b-but h-he don't!" stutters a clown in the circus when the half male/female character walks by Hercules and stops to take a gander. It's a strange, perverse joke and an example of what you're in for with this movie.
The power of the film is within the freaks themselves. We are invited to gawk, stare, but, ultimately sympathize with them. We want to see anyone who threatens them get their comeuppance and boy do they ever get that!
The freak that will freak you out the most: The Living Torso, Radian.
You'll love Frozo and Venus and pull for them throughout.
You'll root for Hans and Frida.
You'll enjoy Rosco the clown's humorous performance.
You'll be truly disturbed by the classic; uber-horror scene of the freaks crawling with knives in the mud in the rain-storm revenge sequence toward the end. Some of the most classic images in all of film not just horror.
I love it when Hans calls other "big" people in the circus who make him angry : "Swine!" He rules.
When the title card: THE WEDDING FEAST comes up you too will be truly FREAKED out! I love this movie and it has quickly become one of my favorites of all time right along-side 1930's classics like Dracula, Frankenstein, etc.
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