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Freaks (1932)

Unrated  |   |  Drama, Horror  |  20 February 1932 (USA)
8.0
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Ratings: 8.0/10 from 29,212 users  
Reviews: 245 user | 171 critic

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

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(suggested by story: "Spurs") (as Tod Robbins)
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Edit

Cast

Cast overview, first billed only:
Wallace Ford ...
...
Venus
...
Roscoe Ates ...
Roscoe (as Rosco Ates)
...
Hercules
Harry Earles ...
Daisy Earles ...
Rose Dione ...
Madame Tetrallini
Daisy Hilton ...
Violet Hilton ...
Schlitze ...
Himself
Josephine Joseph ...
Half Woman-Half Man
Johnny Eck ...
Half Boy
Frances O'Connor ...
Armless Girl
Peter Robinson ...
Human Skeleton
Edit

Storyline

A circus trapeze artist, Cleopatra, takes an interest in Hans, a midget who works in the circus sideshow. Her interest however is in the money Hans will be inheriting and she is actually carrying on an affair with another circus performer, Hercules. Hans's fiancée does her best to convince him that he is being used but to no avail. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them. Together, the freaks decide to make her one of their own. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

The Love Story of a SIREN, a GIANT, and a DWARF! See more »

Genres:

Drama | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

| |

Release Date:

20 February 1932 (USA)  »

Also Known As:

Forbidden Love  »

Box Office

Budget:

$310,607 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Director Tod Browning worked at a circus in his youth, both as a clown and a contortionist. His familiarity with circus folk inspired him to create this film. See more »

Goofs

Hercules rushes out of the wagon in pursuit of Josephine/Joseph, hot on his/her heels, but when Cleopatra looks out the window a moment later, Jo is leaning casually against a wagon applying makeup. He/she would not have had time to relax and get out a compact in that short amount of time. See more »

Quotes

Freaks: We accept you, one of us! Gooble Gobble!
See more »

Connections

Referenced in Meet the Robinsons (2007) See more »

Soundtracks

Memphis the Majestic
(uncredited)
Music by Russell Alexander
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

'Freaks' is an extraordinary movie with a lot of heart.
20 May 2004 | by (Perth, Australia) – See all my reviews

I really dig 1930s horror movies. There's just something special about them that can never be recreated. A lot of it has to do with the talkies being new territory, many of the directors adapting German Expressionist techniques to Hollywood melodrama, and the freedom allowed before the Hayes Code really kicked in. Movies like 'Dracula', 'Frankenstein', 'Bride Of Frankenstein', 'Island Of Lost Souls', 'The Invisible Man' and 'White Zombie' are horror classics which still impress today. I wonder whether anyone will be watching the lame horror movies of today in seventy years for any other reason than some cheap laughs? Todd Browning made the transition from silent movies and directed the hugely successful 'Dracula' in 1931. It was a sensation and made Bela Lugosi a horror icon. Browning could pretty much do anything he chose after that. He chose to do 'Freaks'. Great for us as, not so great for him. The movie was universally reviled and even banned in some countries and his career never fully recovered. But 'Freaks' is an extraordinary movie with a lot of heart. It has faults, sure - some corny acting at times, and not so great production values - but it really doesn't matter. I don't know anyone who's seen it who hasn't been deeply affected by it. The reason the movie caused such a negative reaction back in the 1930s was because it used real circus performers including Zip the Pinhead and Radian "The Living Torso". Many people found this to be distasteful and exploitative, but the performers seemed to be glad to get the opportunity to work, and the whole crux of the movie is that the "freaks" are more decent than the "normal" Cleopatra (Olga Baclanova) , the trapeze artist who marries little person Hans (Harry Earls) for his money. 'Freaks' is still a very powerful and unique movie. It has inspired many creative people over the years from the Surrealists to The Ramones to Jodorowsky to David Lynch. 'Freaks' comes with my highest recommendation!


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