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Freaks (1932)

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Ratings: 8.0/10 from 27,296 users  
Reviews: 238 user | 165 critic

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

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(suggested by story: "Spurs")
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Cast

Cast overview, first billed only:
Wallace Ford ...
Phroso
...
Venus
...
Roscoe Ates ...
Roscoe (as Rosco Ates)
Henry Victor ...
Hercules
Harry Earles ...
Daisy Earles ...
Rose Dione ...
Madame Tetrallini
Daisy Hilton ...
Violet Hilton ...
Schlitze ...
Himself
Josephine Joseph ...
Half Woman-Half Man
Johnny Eck ...
Half Boy
Frances O'Connor ...
Armless Girl
Peter Robinson ...
Human Skeleton
Edit

Storyline

A circus trapeze artist, Cleopatra, takes an interest in Hans, a midget who works in the circus sideshow. Her interest however is in the money Hans will be inheriting and she is actually carrying on an affair with another circus performer, Hercules. Hans's fiancée does her best to convince him that he is being used but to no avail. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them. Together, the freaks decide to make her one of their own. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

"We'll Make Her One of Us!" from the gibbering mouths of these weird creatures came this frenzied cry... no wonder she cringed in horror... this beautiful woman who dared toy with the love of one of them! See more »

Genres:

Drama | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

20 February 1932 (USA)  »

Also Known As:

Forbidden Love  »

Box Office

Budget:

$310,607 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

According to the screenplay, the scene in which Madame Tetrallini introduces the wandering land-owner to the performers frolicking in the woods ran quite a bit longer. It included additional dialog that endeavored to humanize the so-called freaks. She tells him they are "always in hot, stuffy tents - strange eyes always staring at them - never allowed to forget what they are." Duval responds sympathetically (clearly the stand-in for the viewing audience), "When I go to the circus again, Madame, I'll remember," to which she adds, "I know, Monsieur - you will remember seeing them playing - playing like children... Among all the thousands who come to stare - to laugh - to shudder - you will be one who understands." See more »

Goofs

Hercules rushes out of the wagon in pursuit of Josephine/Joseph, hot on his/her heels, but when Cleopatra looks out the window a moment later, Jo is leaning casually against a wagon applying makeup. He/she would not have had time to relax and get out a compact in that short amount of time. See more »

Quotes

Freaks: We accept you, one of us! Gooble Gobble!
See more »

Connections

Referenced in The Sopranos: University (2001) See more »

Soundtracks

Wedding of the Winds
(uncredited)
Music by John T. Hall
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
hideously beautiful
18 September 2005 | by (Hellfudge, Pennsylvania) – See all my reviews

It is ironic how director Tod Browning followed up "Dracula"--a horror film with painterly set design and a distinct atmosphere of unease--with a horror film more grounded in reality. Whereas the sets in "Dracula" were as skillfully rendered as the most elaborate of tapestries, the abstraction of "Freaks" comes from the title characters, who are at once hideous, wonderful, and all too human. Browning doesn't present these characters--who were actual sideshow performers--in an exploitative manner (though the long disclaimer that precedes the film is a definite reflection of his concern), but instead touches on a humility, modesty, and altruism that makes them as capable of expressing joy, sorrow, and vengeance as any 'normal' human being. And that's the overriding moral of "Freaks," wherein busty trapeze artist Cleopatra marries sensitive midget Hans only so she and her lunkheaded, strongman lover can make off with his inheritance. Granted, this plot has since become cliché, but to apply it to sideshow performers who are truly in their element 'under the big top' is something of a masterstroke...as it makes the 'normals' seem that much more out-of-place and unwelcome. (A complaint: as some of the dialog is difficult to decipher, it seems that the sound quality was either poorly recorded at the time or when it was transferred to video.)


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