A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

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Writers:

(suggested by story: "Spurs") (as Tod Robbins), (screenplay) | 1 more credit »
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Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration ... See full summary »

Director: Roger Sewhcomar
Stars: Lian Allweiss, Maggie Balistreri, Lowell Byers
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Cast

Cast overview, first billed only:
...
...
...
...
Roscoe (as Rosco Ates)
...
Hercules
...
Daisy Earles ...
Rose Dione ...
Madame Tetrallini
Daisy Hilton ...
Violet Hilton ...
Schlitze ...
Himself
...
Half Woman-Half Man
Johnny Eck ...
Half Boy
Frances O'Connor ...
Armless Girl
Peter Robinson ...
Human Skeleton
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Storyline

A circus trapeze artist, Cleopatra, takes an interest in Hans, a midget who works in the circus sideshow. Her interest however is in the money Hans will be inheriting and she is actually carrying on an affair with another circus performer, Hercules. Hans's fiancée does her best to convince him that he is being used but to no avail. At their wedding party, a drunken Cleopatra tells the sideshow freaks just what she thinks of them. Together, the freaks decide to make her one of their own. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

Can a full grown woman truly love a MIDGET ? See more »

Genres:

Drama | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

20 February 1932 (USA)  »

Also Known As:

Forbidden Love  »

Box Office

Budget:

$310,607 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

During filming, director Tod Browning was plagued with dreams in which Johnny Eck and a pinhead would keep bringing a cow in backward through a doorway in the middle of shoots. See more »

Goofs

The shadow of the boom fall on Phroso's back when he and Venus are talking in the trailer, after her angry outburst at him. See more »

Quotes

Carnival Barker: And now folks, if you will just step this way, you are about to witness a most amazing, the most outstanding living monstrosity of all time.
[Woman screams]
See more »

Connections

Featured in Ahate pasa (2010) See more »

Soundtracks

Memphis the Majestic
(uncredited)
Music by Russell Alexander
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Don't Be Fooled
22 July 2005 | by (United States) – See all my reviews

Don't let people convince you that "Freaks" is a horror movie, because it isn't. It's actually a quite sad and sympathetic look at the way abnormalities were treated in the early part of the 20th century, and has direct parallels to the obsession with physical perfection causing eating disorders today. Tod Browning of course asks us to consider who are the bigger freaks: those with deformed bodies or those with deformed souls? The two "normal" people who are out to cheat and steal are monstrous, whereas the freaks are quite likable and charming. The ending is disturbing to be sure, but it's hard to condemn the freaks for acts that seem largely justified.

Is it a coincidence that in several shots showing Cleopatra reclining on a sofa, she appears to be deformed herself (in one shot it looks as if she has no legs). Has anybody else noticed this? "Freaks" was obviously way ahead of its time. There's a very interesting documentary on the DVD about its reception in 1932; it bombed and pretty much ruined Browning's career. Thank God that the general public is not allowed to be the final arbiter of a film's value. Think how many priceless films we would have lost by now if that were the case.

Grade: A


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