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After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs ... See full summary »
Socially-conscious banker Thomas Dickson faces a crisis when his protégé is wrongly accused for robbing the bank, gossip of the robbery starts a bank run, and evidence suggests Dickson's wife had an affair...all in the same day.
On a cruise to Cuba, Lulu Smith falls in love with Bob Grover. Back home, she breaks off the romance when he tells her he is married. Lulu has a baby, but doesn't tell Bob, who turns out to be a rising politician. She passes herself off as the baby's nanny. When Bob learns what is going on, he adopts the little girl, not telling his wife or anyone else where she came from. Lulu gets a job at a newspaper. Things get complicated when the editor gets the dirt on Grover, but also wants to marry Lulu. Written by
John Oswalt <firstname.lastname@example.org>
While filming the horse-riding scene on the beach, Barbara Stanwyck's horse was frightened by the movie lights, reared, threw the star off, and then kicked her on the way down. Stanwyck suffered a dislodged tail-bone, an injury which, though it didn't hold up production, did cause the actress discomfort for the rest of her life. See more »
The film begins in the present day, i.e. 1932. There is no attempt at period decor in any way; the automobiles, music, and clothing styles are all contemporary; twenty or thirty years pass by. The principals live out their lives, grow old, and die. Yet their surrounding environment never changes; it is still 1932. See more »
For a 1932 film, this had a lot of good moments. I thought the scenes with Roberta as a baby were wonderful -- very good direction. But then, it's Frank Capra.
What I couldn't really follow was the point of the first five minutes of the movie. We know she's going on a vacation with her life savings, but why set her up as a small town librarian and then never make reference to that part of her life again in the movie? Seemed unnecessary and a little confusing. And who names their daughter Lulu? But the best part of the movie -- the best worst part -- is how old everybody gets after only about sixteen years. Stanwyck's character is probably only about 40 at the end of the movie, but 40 in 1932 is like 70, clearly, so they pile on the make-up and give her a grey wig. At least she's not wearing a shawl and walking with a cane. She actually carries off those scenes well, and she looks gorgeous. I really enjoyed it.
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