After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs ... See full summary »
A poor but honest and hardworking waitress from way across the tracks meets and falls in love with a college student from the upper-stuffy class, but the Mama of the intended objects to the... See full summary »
On a cruise to Cuba, Lulu Smith falls in love with Bob Grover. Back home, she breaks off the romance when he tells her he is married. Lulu has a baby, but doesn't tell Bob, who turns out to be a rising politician. She passes herself off as the baby's nanny. When Bob learns what is going on, he adopts the little girl, not telling his wife or anyone else where she came from. Lulu gets a job at a newspaper. Things get complicated when the editor gets the dirt on Grover, but also wants to marry Lulu. Written by
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The Production Code Administration (PCA) refused Columbia's request for approval in 1935 for re-release, citing the adultery, which was a code violation. The production code was strictly enforced starting in mid-1934. See more »
The film begins in the present day, i.e. 1932. There is no attempt at period decor in any way; the automobiles, music, and clothing styles are all contemporary; twenty or thirty years pass by. The principals live out their lives, grow old, and die. Yet their surrounding environment never changes; it is still 1932. See more »
The three principle actors are the best thing about "Forbidden" released in 1932 by Columbia Pictures. Like most pre-code films, it dealt more frankly with story lines like extramarital affairs and unwed mothers. Lonely Stanwyck meets an outgoing man (Adolphe Menjou) and falls in love, not knowing he is married. She tries to do the right thing, staying away from him, and then has his baby without his knowledge. Well, they meet again, are off and on again, all the while Menjou's political career soars, and he stays married, raising the child as his and his wife's. Stanwyck stays the "other woman" for decades. Then there is the sleazy newspaper man (Ralph Bellamy) out to get Menjou and destroy his political career, and is also hot for Stanwyck, who works for his newspaper. It all turns pretty sordid, to say the least. The film has its flaws, and the script at times jumps about, but Barbara Stanwyck is good in anything she does, and it was nice to see Adolphe Menjou actually playing someone who is actually in love (and rather sweet in his own way) and not a sleazy stage producer, which seemed to be his usual role in the 1930's! I had no idea the newspaperman was Ralph Bellamy - he is very young and good looking here, although a slime ball. But he too turns in a good performance. These films remain important because they remind of us a time when films were more honest and blunt in their dealing with real life situations - before the enforcement of the Hays Code in 1934. This film was directed by Frank Capra - who would direct Stanwyck in some of her most memorable roles.
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