At Joe's Roadside, a popular but rundown New York roadhouse where the wealthy and not-so-wealthy hang out, a wealthy Manhattan girl and a struggling Brooklyn boy meet and fall in love. She ... See full summary »
A lonely husband, whose wife has been away, hires a look-a-like impersonator to fill his place and fool his mother-in-law while he plays around with a pretty coquette. His wife returns that night and confusion prevails.
Edward Everett Horton,
Laura La Plante
Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the... See full summary »
A girl who's just lost her job meets a drunk millionaire on a bridge who's just lost his money. They go back to his house, and eventually come up with a plan to benefit them both: he'll ... See full summary »
Stuart Erwin plays a small-town real estate agent who owns much property which, for several generations, has failed to sell even while the town has grown. It becomes know, except to Erwin, ... See full summary »
When a recently deceased playboy gets to heaven and is granted one wish--granted to all newcomers--he requests that he be able to see the reactions of three husbands, with whom he regularly... See full summary »
Is This How Frank Fay Played Elwood P. Dowd On Broadway?
Frank Fay, a nice guy who spends his life solving everyone else's problems by providing A FOOL'S ADVICE, saves his indifferent cozy community from corrupt politicians, and earns said community's somewhat unfocused gratitude. Will Fay at least get the girl, or make some money, or have something nice happen to him?
This is an oddly melancholy picture, where Frank Fay, the author of the story and producer of the picture, rather badly serves Frank Fay, the actor, who is just not funny in something that is supposed to be gentle comedy (in the manner of a Will Rogers picture). Fay is playing a nice guy who, it is implied, really is too nice for his own good, even though he has the smarts to rise to any occasion, and mechanical skills that let him "help" in the invention of a new, superduper recording device. Problem is, that the intended comedy highlight, where Fay falls victim to stage fright while delivering a campaign speech, completely undercuts his character, while pointedly making it obvious that Fay is a lesser comedian than Robert Benchley.
Nonetheless, there is something curious and somewhat haunting in Fay's performance that sticks with one -- indicating that this genial, good-tempered character will never really succeed, even on his own terms -- and that he knows it, even if he is not about to change. It's an odd star persona, and one can see why this movie is not well-known.
But this character does seem to be a cousin to Elwood P. Dowd, the genial drinking man who sees a giant rabbit named Harvey, and dropped out of the rat race. And Fay's performance of that role on Broadway was famous, even if it was Jimmy Stewart who did the part in the movies. So maybe this film was the prototype for a legendary performance that is now gone.
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