Joe Grant is an inventor, fireman and baseball player in his small home town. He gets an offer to play in a big team, he hopes to get more money for his inventions. But he is invited to ... See full summary »
Alexander Botts is a self-described natural born salesman and master mechanic, who is trying to make a big sale of Earthworm tractors to grouchy lumberman Johnson. Since Botts doesn't ... See full summary »
Country bumpkin Elmer Kane joins the Chicago Cubs as the greatest hitter in baseball. His skill with a bat takes the team to the World Series, but on the way to the championship he has to deal with gamblers and crooked pitchers.
An intended film for Bud Abbott and Lou Costello that ened up with Hugh O'Brian (a performer who was often funny, but not on purpose) and Buddy Hackett in the A&C roles, with most of the ... See full summary »
Spike Jones and His City Slickers,
Joe Grant is an inventor, fireman and baseball player in his small home town. He gets an offer to play in a big team, he hopes to get more money for his inventions. But he is invited to present his invention to a fire-extinguisher company at the same time when he is supposed to play. Will he be able to show the effectiveness of his invention and win the game ? Written by
Stephan Eichenberg <email@example.com>
You saw him in "Hold Everything" and "Sit Tight" - "Going Wild" at "Top Speed" - so you won't need to be "Broad Minded" to agree that the "Local Boy Makes Good" in a bigger way than ever in "Fireman Save My Child". (Newspaper ad). See more »
Joe E. Brown as small town fireman cum big league pitcher
Joe E. Brown plays a small town inventor and fireman, who creates a small bomb which puts out fires. The story involves his efforts to patent it; baseball provides the means by which he earns the money to do so. It is a typical Brown comedy - a fairly involved plot, romance in the form of Evelyn Knapp and plenty of action sequences, mainly involving fire. (The opening sequence contains a fire at the local Sauerkraut Factory, which indicates the elaborate production values contained in the film.) There are problems with the film, I think, displayed in the also typical Joe E. Brown swagger and bragadoccio, (which can be very annoying) and the character's involvement with con men and a femme fatale, who take him for a good deal of his savings. This twist is strangely unresolved at the film's end. And it is frustrating to the viewer in that one wonders how anyone could be so uncaring as to ignore the fact that he's supposed to pitch in the seventh game of the World Series. It's well worth watching, though, as a well produced film with some great sequences, not typical fare for 1932.
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