Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
Sue Graham is a small town girl who wants to be a motion picture star. She wins a contract when a picture of a very pretty girl is sent to a studio instead of her picture. When she arrives ... See full summary »
F. Richard Jones
Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »
A women's track team is preparing for a big meet against a rival college, but the coach is having trouble getting her team ready. Norma, the team's star, is more interested in slipping out ... See full summary »
Donald Drake, a deep sea gondolier ex soda jerk, arrives at the All Nation Cafe in Shanghai. The proprietor believes he's a penniless ne'er-do-well - which he is - but he unexpectedly comes... See full summary »
Mr. Snavely, a Yukon prospector, lost his only son years ago to the temptations of the big city; now the prodigal Chester, released from prison, comes home to Ma and Pa. A parody of Yukon melodrama; includes the famous looking-out-the-door routine. Written by
Rod Crawford <firstname.lastname@example.org>
In Fields' first sound film, The Golf Specialist (1930) there is a wanted poster of Fields which shows him in his "Fatal Glass of Beer" costume. It evidently was taken from an earlier stage presentation of the classic Fields sketch. See more »
This early short subject, beloved to some of us; really shows one of the great qualities that would set his (best) comedy apart: he was strange. Not exactly verbal comedy, nor really slapstick, W.C. seemed to create his own oddball universe much like, but never quite, ours.
I loved this short from the first time I saw it as a kid, and I think it's one of a kindness really makes it his best (though others are quite funny.) Mack Sennett wanted something more in the way of conventional slapstick; Feilds had to fight for this; which is in part a spoof of sentimental wilderness poetry about Alaska.
Nobody liked it at the time. Fields himself said, "maybe it's not good. But I like it." Thank Godness he stuck by his guns and went on to create his own one of a kind comedy world.
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