IMDb > A Farewell to Arms (1932)
A Farewell to Arms
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A Farewell to Arms (1932) More at IMDbPro »


Overview

User Rating:
6.6/10   2,879 votes »
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Director:
Writers:
Benjamin Glazer (screenplay) and
Oliver H.P. Garrett (screenplay) ...
(more)
Contact:
View company contact information for A Farewell to Arms on IMDbPro.
Release Date:
8 December 1932 (USA) See more »
Genre:
Tagline:
"Let's love tonight," they said, "There may be no tomorrow!" See more »
Plot:
A tale of the love between ambulance driver Lt. Henry and Nurse Catherine Barkley during World War I... See more » | Full synopsis »
Plot Keywords:
Awards:
Won 2 Oscars. Another 1 win & 2 nominations See more »
User Reviews:
Impressionism in the Cinema See more (40 total) »

Cast

  (in credits order) (verified as complete)

Helen Hayes ... Catherine Barkley

Gary Cooper ... Lt. Frederic Henry

Adolphe Menjou ... Maj. Rinaldi
Mary Philips ... Helen Ferguson
Jack La Rue ... Priest
Blanche Friderici ... Head Nurse
Mary Forbes ... Miss Van Campen
Gilbert Emery ... British Major
rest of cast listed alphabetically:
Alice Adair ... Cafe Girl (uncredited)
Henry Armetta ... Bonello - Italian Ambulance Driver (uncredited)
Herman Bing ... Swiss Postal Clerk (uncredited)
Agostino Borgato ... Giulio - Hospital Porter (uncredited)
Robert Cauterio ... Gordini (uncredited)
Marcelle Corday ... Swiss Nurse (uncredited)

Gino Corrado ... Italian Soldier (uncredited)
Peggy Cunningham ... Molly - Disgraced Nurse (uncredited)
George Humbert ... Piani - Singer (uncredited)
Doris Lloyd ... Nurse (uncredited)
Fred Malatesta ... Manera (uncredited)
Paul Porcasi ... Harry - Innkeeper (uncredited)
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Directed by
Frank Borzage 
 
Writing credits
Benjamin Glazer (screenplay) and
Oliver H.P. Garrett (screenplay)

Ernest Hemingway (novel)

Laurence Stallings  play (uncredited)

Produced by
Edward A. Blatt .... associate producer (uncredited)
Benjamin Glazer .... associate producer (uncredited)
 
Original Music by
Herman Hand (uncredited)
W. Franke Harling (uncredited)
Bernhard Kaun (uncredited)
John Leipold (uncredited)
Paul Marquardt (uncredited)
Ralph Rainger (uncredited)
Milan Roder (uncredited)
 
Cinematography by
Charles Lang (photographed by)
 
Film Editing by
Otho Lovering (uncredited)
George Nichols Jr. (uncredited)
 
Casting by
Fred A. Datig (uncredited)
 
Art Direction by
Roland Anderson (uncredited)
Hans Dreier (uncredited)
 
Costume Design by
Travis Banton (uncredited)
 
Second Unit Director or Assistant Director
Lew Borzage .... assistant director (uncredited)
Charles Griffin .... assistant director (uncredited)
Arthur Jacobson .... assistant director (uncredited)
Jean Negulesco .... second unit director (uncredited)
 
Art Department
Clem Jones .... props (uncredited)
Joe Robbins .... props (uncredited)
Joe Thompson .... props (uncredited)
 
Sound Department
Franklin Hansen .... sound (uncredited)
Harold Lewis .... sound (uncredited)
 
Special Effects by
Loyal Griggs .... special effects assistant (uncredited)
 
Visual Effects by
Farciot Edouart .... transparencies (uncredited)
 
Camera and Electrical Department
Sherman Clark .... still photographer (uncredited)
Robert Pittack .... camera operator (uncredited)
Cliff Shirpser .... assistant camera (uncredited)
 
Costume and Wardrobe Department
Ed Gross .... wardrobe (uncredited)
 
Transportation Department
Joe Robbins .... transportation (uncredited)
 
Other crew
Grace Dubray .... script clerk (uncredited)
Robert M. Gillham .... general press agent (uncredited)
Charles Griffin .... technical advisor: war sequences (uncredited)
Dr. Jardini .... technical advisor: hospital sequences (uncredited)
Daniel Keefe .... business manager (uncredited)
Jean Negulesco .... assistant: Benjamin Glazer (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
80 min | Spain:83 min | USA:89 min (original version) | UK:79 min (DVD version)
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Noiseless Recording)
Certification:
Argentina:Atp | Australia:G | Australia:PG (TV rating) | Canada:PG (Ontario) | Finland:K-12 (1996) | Finland:S (1989) | Portugal:M/12 (Qualidade) | South Korea:12 | UK:PG | USA:Unrated | USA:Approved (PCA #4306-R, 9 May 1938 for re-release)

Did You Know?

Trivia:
Censorship problems arose from early versions of the script, which included phases of Catherine's actual childbirth and references to labor pains, gas, her groaning and hemorrhaging. After these were removed, the MPPDA approved the script, and even issued a certificate for re-release in 1938 when the censorship rules were more strictly enforced. Still, the film was rejected in British Columbia and in Australia, where Hemingway's book was also banned.See more »
Quotes:
Catherine Barkley:[Catherine comes to tend a wounded Henry] Hello, darling!
Lieutenant Frederic Henry:Catherine!
[she kisses him]
Lieutenant Frederic Henry:You're lovely.
Catherine Barkley:Are you badly hurt?
Lieutenant Frederic Henry:You're lovely.
Catherine Barkley:[concerned] Oh my poor darling, it's your leg, isn't it?
Lieutenant Frederic Henry:You're the loveliest thing I ever saw.
See more »
Movie Connections:
Referenced in Task Force (1949)See more »
Soundtrack:
Tristan und IsoldeSee more »

FAQ

What is 'A Farewell to Arms' about?
What are the Marne and the Piave?
Is 'A Farewell Arms' based on a book?
See more »
24 out of 28 people found the following review useful.
Impressionism in the Cinema, 24 January 2006
Author: James Hitchcock from Tunbridge Wells, England

The works of Ernest Hemingway have not always translated well to the cinema. The Gary Cooper/Ingrid Bergman "For Whom the Bell Tolls" and David O. Selznick's version of "A Farewell to Arms", although attractively photographed, are two of the dullest and most slow-moving films ever committed to celluloid. "The Snows of Kilimanjaro" is slightly better, but still by no means as good as it should be, given its stellar cast. Howard Hawks's version of "To Have and Have Not" is a good film, but that is probably because its plot has very little to do with that of the novel on which it is supposedly based.

The 1932 version of "A Farewell to Arms" was the first time a film had been based on one of Hemingway's works, and there is an obvious difference between it and the 1957 remake; it is only slightly more than half the length, at 80 minutes as opposed to 152. Over the quarter-century between the dates of the two films there had been a change in the way Hemingway was seen. In 1932 he was still an up-and-coming young author; by 1957, although he was still alive and only in his late fifties, he had achieved the status of Great American Novelist, and the film that was made in that year suffers from an over-reverential attitude to his work, treating it like a solemn classical text that needed an equally solemn cinematic treatment to do it justice.

The film tells the story of the romance between Frederick, an American volunteer serving with the Italian Army as an ambulance driver, and Catherine, a nurse with the British Red Cross. Frederick deserts and crosses the border into neutral Switzerland, to be with Catherine, whom he has secretly married and who is pregnant.

It has been pointed out that the moral of the film is precisely the opposite of that of "Casablanca". In that film Rick and Ilsa give up their chance of happiness together because "the problems of three little people don't amount to a hill of beans in this crazy world". What matters is the war, and the Allied struggle for victory. In "A Farewell to Arms", however, the moral is that the personal happiness of Frederick and Catherine matters more than the great historical events from which they are escaping. This reversal in emphasis between the two films probably reflects a reversal in public attitudes which took place in the intervening decade between 1932 and 1942. In 1932, a year before Hitler came to power, there was a sense of disillusionment with war, even in those countries which had finished on the winning side in 1914-18; the First World War was widely seen as senseless slaughter. Ten years later, the rise of Nazism and the outbreak of the Second World War had changed attitudes so that it was once again fashionable to talk about a "just war" against evil. (By 1957, during the Cold War, the pendulum had partially swung back in the opposite direction; Selznick's film might have been a flop, but there were some very good anti-war films from that period, such as Kubrick's "Paths of Glory").

Seen from a modern perspective, the film looks and sounds very dated. The sound quality is poor and the action looks jerky. These problems were, of course, common to most films from the early thirties, the very dawn of the sound picture era. (It is remarkable how quickly those problems were overcome, when one compares the likes of "A Farewell to Arms" with, say, "Gone with the Wind" from only seven years later). In some respects, however, the director Frank Borzage was able to turn the technical limitations of the period to his advantage. Large-scale realistic battle sequences would not have been possible at this time, but Borzage nevertheless wanted to give some idea of the horror of war in order to show what Frederick is fleeing from. In order to do this he resorts to a wordless montage sequence composed of brief shots of the battle, backed by some highly dramatic music. The result is a sort of cinematic equivalent of Impressionism, serving to give as vivid an impression of warfare as a more detailed picture ever could. (This sequence was probably the reason the film won the Oscar for "Best Cinematography").

The film is better acted than the 1957 remake. Helen Hayes was less glamorous than Jennifer Jones, and has an even less convincing British accent, but makes a much livelier and more convincing Catherine. Gary Cooper's Frederick is similarly far more animated than Rock Hudson's stony-faced interpretation of the role, and he receives good support from Adolphe Menjou as Frederick's comrade Major Rinaldi. The action is better paced and the film, even if it looks primitive by today's standards, nevertheless has a vigour lacking from many more polished films from more recent times. 7/10

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