Waterfront couple raise their son to be a sea captain. He grows up to be rather snotty and rebels against drunken Beery. Valiant Dressler keeps things moving even as hubby ruins their ... See full summary »
Lally is a rich girl whose father writes books and plays Polo. After 23 years of marriage, he decides to divorce his wife, and marry Mrs. Chevers. This sours Lally on all men, while on ... See full summary »
In 1925, John becomes President of the prosperous Warren Bank when Maggie retires. Six years later, John, Helen and the two children are happy in their home, but the two mother-in-laws are ... See full summary »
Three working girls in Budapest pool their resources to get a better apartment and impress their dates. One dates a nobleman and, learning of her rejection by him, considers poison. Another... See full summary »
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in ... See full summary »
When their mother dies in childbirth, Emma Thatcher who has been the nanny to his 3 children but now has an infant to care for. The children grow up and Frederick becomes rich and successful. He and Emma marry, as it turns out right before his death, and his will becomes a source of trouble between the children and Emma. Written by
Rebecca Fennig <email@example.com>
After winning her Best Actress Academy Award in 1931 for "Min and Bill," Marie was nominated again the very next year for her role in this film; Emma. See more »
At the beginning of the film as the young Bill and Dr. Horton are rushing up to the house, a clear, moving shadow of the boom microphone can be seen following them on the hedges on either side of the walkway. See more »
You'll get your feet wet, and forget to change your socks.
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Watching after her rich employer's motherless brood, elderly housekeeper EMMA finds love in a very unexpected place. But an accusation of murder is only one of the burdens she'll have to bear on her weary old shoulders before she finds a way to be useful again.
At the time she made this film, Marie Dressler was Hollywood's greatest star. An unlikely celebrity sensation, with her homely face & shapeless body, Dressler was nonetheless adored by the American public who could sense her basic decency & goodness. For a few brief years she became the nation's grandma, someone with whom the public could feel completely comfortable. Dressler seemed to typify the virtues of hard work & plainspoken honesty - attributes which counted for much in the Great Depression's darkest days.
This in no way is meant to denigrate Dressler's talents as an actress; she earned her accolades. She had complete command of her craft, mobilizing her pliable face & large body into capturing & holding first the audience's attention & then their admiration, followed quickly by their deep affection. Marie Dressler was a unique cinematic phenomenon; she stands alone, never replicated, duplicated or effaced - except by the vagaries of fickle time. Today in this new millennium, when her special earthy benevolence is needed more than ever, she is virtually unknown to any but the oldest or most nostalgic of movie mavens.
As sole star, and with a script penned by her dear friend Frances Marion, Dressler is given free rein to beguile in EMMA. Whether dealing with tragic death, or engaged in comedic high jinks (Dressler in an airplane simulator run amuck or chasing her lingerie-disgorging suitcase across a crowded train station is nothing less than hilarious) she is as completely unforgettable as she was to prove utterly irreplaceable.
Firm support is given by gentle Jean Hersholt as Dressler's kindly employer. As his son, Richard Cromwell gives an energetic performance. Lovely Myrna Loy, not-quite-yet a star, is strangely awkward as Hersholt's spiteful daughter. John Miljan is effective in the role of a relentless District Attorney.
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