Mickey and Pluto are going duck hunting. They clown around a bit. Then they march off, with Pluto's fleas following in formation, which lures a few ducks to follow. As soon as Mickey turns ... See full summary »

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Cast

Uncredited cast:
Pinto Colvig ...
Pluto (voice) (uncredited)
...
Mickey Mouse (voice) (uncredited)
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Storyline

Mickey and Pluto are going duck hunting. They clown around a bit. Then they march off, with Pluto's fleas following in formation, which lures a few ducks to follow. As soon as Mickey turns around and sees the ducks, they fly off. He heads for his blind, out-fitting Pluto with a decoy on his head. The ducks buy it, but Mickey has trouble with his shotgun, ultimately shooting a hole in the bottom of his boat and having the gun disintegrate. The ducks see this, and unmask Pluto. Sensing vulnerability, they recruit more ducks, and fly off with Pluto and Mickey. Mickey drags on windmills and rooftops, and finally both of them drop into long underwear hanging on a line (with Pluto's fleas using little parachutes). Written by Jon Reeves <jreeves@imdb.com>

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Approved
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Release Date:

28 January 1932 (USA)  »

Also Known As:

Die Entenjagd  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Featured in The Mickey Mouse Club: Episode #1.42 (1955) See more »

Soundtracks

Columbia, the Gem of the Ocean
Written by David T. Shaw
Arranged by Thomas A. Beckett
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User Reviews

 
Hunting Up Trouble
24 September 2002 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney MICKEY MOUSE Cartoon.

Mickey finds THE DUCK HUNT he's taken Pluto on will become a most surprising experience.

With a sparse plot and action driven almost completely by the soundtrack, this is an amusing black & white cartoon. Once again, the Disney animators indulge themselves with numerous underwear/posterior gags. Walt Disney supplies Mickey's voice.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.


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