In New York in 1995 Dr. Richard Jacks is a creator of perfumes. Thus he spends his days inventing new colorful and well smelling potions and certainly caring for his girlfriend Sarah Carver... See full summary »
Based on the story by Robert Louis Stevenson, Dr. Henry Jekyll believes that there are two distinct sides to men - a good and an evil side. He believes that by separating the two man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug it is already too late... Written by
Mark J. Popp <email@example.com>
When discussing whom to cast as Jekyll/Hyde, studio head Adolph Zukor initially suggested Irving Pichel for the part. Director Rouben Mamoulian turned it down because he wanted an actor who could play both parts convincingly and felt Pichel could only play Hyde. 'Phillips Holmes (I)' was considered and rejected for the opposite reason: he would have been a good Jekyll but a poor Hyde. Mamoulian then suggested Fredric March. Zukor felt that this was a bad choice because, up till then, March had been featured in mostly lightweight roles. Mamoulian insisted that March was perfect for the part, and Zukor acquiesced. In addition to winning March the first of his two Oscars, Jekyll/Hyde was the part that finally led to Hollywood taking him seriously in more demanding roles. See more »
In the opening scene, as Jekyll looks into the mirror through the subjective camera, his "reflection" turns away from the mirror before the camera, (supposedly Jekyll's viewpoint) does. See more »
Think before you decide, I tell you! Do you want to be left as you are, or do you want your eyes and your soul to be blasted by a sight that would stagger the devil himself?
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I haven't read Stevenson's famous novel, but this film is adapted from a play which is supposedly a lot different anyway. The story is really not especially great. A scientist makes a potion that turns him into a total spazz. The spazz version ruins Dr. Jekyll's romance with Rose Hobart and tortures a loose woman, played by Miriam Hopkins. The film turns out to be completely amazing, however, thanks to the lead performance, by Fredric March, and the elegant direction by Rouben Mamoulian. Every time I see March in a film, I become more impressed by his range. Of course, this is a perfect vehicle to demonstrate one's range, and he excels as both Jekyll and Hyde, though his Hyde is what most will remember. Looking at his filmography, Mamoulian directed relatively few films for a director of his era (not to mention talent). I need to see more, most notably Love Me Tonight, but he will always be a genius in my book for Queen Christina. His direction of Dr. Jekyll and Mr. Hyde is beautiful and nearly flawless. A lot of the film is made from the direct point-of-view of Jekyll, and he uses a first-person technique that works brilliantly. Between March and Mamoulian, the general silliness of the story is completely made up for. March's female co-stars, Hopkins and Hobart, are quite good, as well.
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