New York City, Dr. Richard Jacks is a creator of perfumes. He spends all of his days try to invent the next best thing in the industry. His girlfriend, Sarah, sometimes gets pushed to the ... See full summary »
Henry Jekyll is a troubled man. His wife died of pneumonia. He wants his sister-in-law, but her father forbids any contact. And his experiments into the dual nature of man have yielded a ... See full summary »
Based on the story by Robert Louis Stevenson, Dr. Henry Jekyll believes that there are two distinct sides to men - a good and an evil side. He believes that by separating the two man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug it is already too late... Written by
Mark J. Popp <firstname.lastname@example.org>
When discussing whom to cast as Jekyll/Hyde, studio head Adolph Zukor initially suggested Irving Pichel for the part. Director Rouben Mamoulian turned it down because he wanted an actor who could play both parts convincingly and felt Pichel could only play Hyde. 'Phillips Holmes (I)' was considered and rejected for the opposite reason: he would have been a good Jekyll but a poor Hyde. Mamoulian then suggested Fredric March. Zukor felt that this was a bad choice because, up till then, March had been featured in mostly lightweight roles. Mamoulian insisted that March was perfect for the part, and Zukor acquiesced. In addition to winning March the first of his two Oscars, Jekyll/Hyde was the part that finally led to Hollywood taking him seriously in more demanding roles. See more »
When Dr. Jekyll is first seen in the mirror, looking directly into the camera, the effect was achieved by filming Fredric March through a hole in the wall framed to look like a mirror. But moments earlier, the trick is revealed when the butler walks past the "mirror" but has no reflection. See more »
You should go out, sir. London offers many amusements for a gentlemen like you, sir.
Yes, but gentlemen like me daren't take advantage of them, Poole. Gentlemen like me have to be very careful of what we do or say.
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An exceptional cast and intelligent direction seals the quality of the first 'talkie' version of Robert Louis Stevenson's tale. Often hailed as the best of the many screen adaptations of the story, director Robert Moumalin exploits the symbolic potential of the tale as well as boldly tapping into popular Freudian trends concerning sexual repression. The result is not a by-the-numbers rendition but an effective interpretation with quirks and dimensions of its own. Yet the film belongs to Frederic March who scooped an Oscar for his sensational dual role. Although as Jekyll he unfortunately has to trade flowery romantic dialogue with Rose Hobart, there can be no disputing the menace of his Hyde, with his simian-like appearance, top hat, cloak and cane, who turns cockney hooker Miriam Hopkins' life into a nightmare. It's a breathtaking transformation both physically (thanks to stellar make-up and special effects) and artistically and is undoubtedly the centrepiece of this excellent vintage classic.
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