New York City, Dr. Richard Jacks is a creator of perfumes. He spends all of his days try to invent the next best thing in the industry. His girlfriend, Sarah, sometimes gets pushed to the ... See full summary »
Henry Jekyll is a troubled man. His wife died of pneumonia. He wants his sister-in-law, but her father forbids any contact. And his experiments into the dual nature of man have yielded a ... See full summary »
Based on the story by Robert Louis Stevenson, Dr. Henry Jekyll believes that there are two distinct sides to men - a good and an evil side. He believes that by separating the two man can become liberated. He succeeds in his experiments with chemicals to accomplish this and transforms into Hyde to commit horrendous crimes. When he discontinues use of the drug it is already too late... Written by
Mark J. Popp <email@example.com>
The sound of the pounding heart in the transformation scene was Rouben Mamoulian's own, recorded after he ran up and down the stairs for two minutes. See more »
When Hyde first meets Ivy, he tells her he knows she lives in some pig sty on Baptin's Court. But later, a news item about Ivy identifies her address as Diadem Court. (The closed-captioning in the first scene actually reads "Diadem Court" despite what Hyde is heard saying.) See more »
Think before you decide, I tell you! Do you want to be left as you are, or do you want your eyes and your soul to be blasted by a sight that would stagger the devil himself?
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An exceptional cast and intelligent direction seals the quality of the first 'talkie' version of Robert Louis Stevenson's tale. Often hailed as the best of the many screen adaptations of the story, director Robert Moumalin exploits the symbolic potential of the tale as well as boldly tapping into popular Freudian trends concerning sexual repression. The result is not a by-the-numbers rendition but an effective interpretation with quirks and dimensions of its own. Yet the film belongs to Frederic March who scooped an Oscar for his sensational dual role. Although as Jekyll he unfortunately has to trade flowery romantic dialogue with Rose Hobart, there can be no disputing the menace of his Hyde, with his simian-like appearance, top hat, cloak and cane, who turns cockney hooker Miriam Hopkins' life into a nightmare. It's a breathtaking transformation both physically (thanks to stellar make-up and special effects) and artistically and is undoubtedly the centrepiece of this excellent vintage classic.
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