| Lionel Atwill | ... | Dr. Jerry Xavier | |
| Fay Wray | ... | Joanne Xavier | |
| Lee Tracy | ... | Lee Taylor | |
| Preston Foster | ... | Dr. Wells | |
| John Wray | ... | Dr. Haines | |
| Harry Beresford | ... | Dr. Duke | |
| Arthur Edmund Carewe | ... | Dr. Rowitz | |
| Leila Bennett | ... | Mamie | |
| Robert Warwick | ... | Police Commissioner Stevens | |
| George Rosener | ... | Otto | |
| Willard Robertson | ... | Detective O'Halloran | |
| Thomas E. Jackson | ... | Daily World Editor (as Thomas Jackson) | |
| Harry Holman | ... | Mike - Waterfront Policeman | |
| Mae Busch | ... | Cathouse Madame | |
| Tom Dugan | ... | Sheriff | |
| rest of cast listed alphabetically: | |||
| Raoul Freeman | ... | Morgue Detective (uncredited) | |
| Selmer Jackson | ... | Willard Keefe - Daily World Night Editor (uncredited) | |
| Charles McMurphy | ... | Detective at Headquarters (uncredited) | |
| Ky Robinson | ... | Morgue Detective (uncredited) | |
Directed by | |||
| Michael Curtiz | |||
Writing credits | ||
| Robert Tasker | (screen play) & | |
| Earl Baldwin | (screen play) | |
| Howard Warren Comstock | (based on a play by) (as Howard W. Comstock) & | |
| Allen C. Miller | (based on a play by) | |
| George Rosener | contributor to screenplay construction (uncredited) | |
Produced by | |||
| Hal B. Wallis | .... | executive producer (uncredited) | |
| Darryl F. Zanuck | .... | executive producer (uncredited) | |
Cinematography by | |||
| Ray Rennahan | (photography) | ||
| Richard Towers | (black and white version) (uncredited) | ||
Film Editing by | |||
| George Amy | (edited by) | ||
Art Direction by | |||
| Anton Grot | |||
Makeup Department | |||
| Ruth Pursley | .... | hair stylist (uncredited) | |
| Ray Romero | .... | makeup artist (uncredited) | |
| Perc Westmore | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Al Alleborn | .... | assistant director (uncredited) | |
| Marshall Hageman | .... | assistant director (uncredited) | |
Art Department | |||
| Herbert Plews | .... | props (uncredited) | |
Sound Department | |||
| Robert B. Lee | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Fred Jackman Jr. | .... | special photographic effects (uncredited) | |
Camera and Electrical Department | |||
| Thad Brooks Jr. | .... | assistant camera: Technicolor (uncredited) | |
| Owen Crompton | .... | grip (uncredited) | |
| Ellsworth Fredericks | .... | camera operator (uncredited) | |
| W. Howard Greene | .... | second camera operator: Technicolor (uncredited) | |
| Carl E. Guthrie | .... | second camera operator: black and white unit (uncredited) | |
| Ernest Haller | .... | camera operator (uncredited) | |
| Floyd Lee | .... | assistant camera: Technicolor (uncredited) | |
| Scotty Welbourne | .... | still photographer (uncredited) | |
| William Williams | .... | camera operator (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | conductor: Vitaphone Orchestra | |
| Bernhard Kaun | .... | composer: end title music (uncredited) | |
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| So Sweet, So Dead | Spider-Man 2 | The Secret of Treasure Island | The Black Widow | Eyes Without a Face |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Don't even try to compare this wonderful old WArner Brothers thriller from l934 with today's thrillers. It was made at a time long gone when atmosphere, sets, lighting and camerawork were king. I adore getting this movie out at least once a month along with "Mystery of the Wax Museum" and "Night Monster" (another reviewer has also cited "Night Monster" as the classic it is)turn out the lights and lose myself in the early Technicolor two-strip photographey which is beautifully pastel and atmospheric in its eerie greens, pinks, crimson and gold. The Anton Grot sets are unforgettable. The cast of Hollywood's greatest character actors throw themselves into their roles (I doubt they had any other choice. After all, the demonic Michael Curtiz was cracking the whip as director). Fay Wray is pretty and screams now and then. Most irritating of all is Lee Tracey as the relentlessly wise-cracking reporter. Glenda Farrell had the same role in "Mystery of the Wax Museum" also filmed in early color and she was fantastic. A great old thriller, set in a remote mansion by the sea. The monster is terrifying. Ironically, you never see any carnage, blood or torture. Hats off to those long-ago film masters who knew how to do things right.