6.4/10
320
8 user 3 critic

Devil and the Deep (1932)

Man sets out for revenge after learning of his wife's affair.

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(story), (screenplay)
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Cast

Complete credited cast:
...
...
Lt. Sempter
...
Cmdr. Charles Sturm
...
Lt. Jaeckel
...
Hassan
...
Mrs. Planet
...
Hutton
Dorothy Christy ...
Mrs. Crimp
...
Mr. Planet
Gordon Westcott ...
Lt. Toll
James Dugan ...
Condover (as Jimmie Dugan)
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Storyline

Naval commander Charles Sturm has made life miserable for his wife Diana due to his insane jealousy over every man she speaks to. His obsessive behavior soon drives her to the arms of a handsome lieutenant. When Charles learns of their affair, he plots revenge. Written by Daniel Bubbeo <dbubbeo@cmp.com>

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Genres:

Drama

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Details

Country:

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Release Date:

12 August 1932 (USA)  »

Also Known As:

Die Frau im U-Boot  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

At no point is the navy that Laughton, Grant and Cooper belong to, named. That the officers are English and others American would not make sense in the British or U.S. navy, but no flags or emblems are seen, and their uniforms belong to no known country on earth. At least in this dimension, any way. See more »

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User Reviews

 
Tallulah Bankhead takes charge in intense melodrama
20 August 2000 | by (Chicago) – See all my reviews

Paramount, at the height of its sophistication in the early 30's, could recycle its sets from MOROCCO and fashion a stylish production out of a passable triangle melodrama. Unfulfilled wife Tallulah Bankhead --frustrated at home, humiliated in front of her social set by her pathologically jealous husband -- stumbles into an Arab marketplace crowded with whirling dervishes, and into the arms of Gary Cooper for a romantic liaison under the desert stars. Conflicts ensue, of course, and then all three find themselves on a crippled submarine.

Viewers who know Tallulah Bankhead only from her caricatured role in LIFEBOAT will be startled by her intensity and bruised glamour: slouching in Travis Banton gowns, she looks sometimes like Garbo, sometimes like "Margo Channing". Meanwhile, she gives a crash course in how to hold a melodrama together, commanding every scene, inflecting every line with subtle nuances. When she must deal with menacing Charles Laughton, the air between them vibrates with tension. Laughton [billed as "the eminent English character actor"] does his share as well, but he seems mannered in a familiar way, a dry run for his Captain Bligh.

Only the radiant young Cary Grant in a dazzling naval uniform steals attention from the leading lady in a brief appearance. Gary Cooper, though persuasive as the romantic hero, soon gets submerged in a disappointingly shallow character.

The eye is seduced by cameraman Charles Lang's repertoire of shadows, the heart is stirred by a star performance, but in the end the head may resist: the terse dialogue tries for Hemingway but remains stubbornly pedestrian and remarkably humorless: the script owes its sole laugh to Bankhead's line reading while buying a billiard cue. The devil is in the dialogue!


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