A distinguished English gentleman has a secret life--he is the notorious jewel thief the press has dubbed "The Amateur Cracksman". When he meets a woman and falls in love he decides to "... See full summary »
Harry d'Abbadie d'Arrast
Spendthrift Willie Leyland again returns to the family home in London penniless. His father is none too pleased but Willie smooth-talks him into letting him stay. At the same time he turns ... See full summary »
Russian prince goes to Monte Carlo just after World War I with money supplied him by Parisian Russians. He wins but the casino operators want him honor the tradition of returning to the ... See full summary »
George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them. When grown daughter Eleanor falls in love with Howard (from New York!), ... See full summary »
Joseph L. Mankiewicz
Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
An ambitious barrister and his wife are targeted by blackmailers. In trying to save her husband, the wife becomes involved in a murder case her husband is trying. For his part, the husband's actions make him a suspect in a related murder.
The Dowson poem from which the film gets its name contains the line "I have forgot much, Cynara! gone with the wind.", which gave Margaret Mitchell the title for her novel (although a title-card by Ben Hecht in the movie attributes it otherwise). See more »
Yes, but surely, if you're fond of someone, you want to be kind. At least one owes a little consideration.
Consideration? When you're telling a woman you don't want her? It's like brushing a man's hair the morning you hang him.
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Recently I was finally able to see this early sound classic with Ronald Colman and Kay Francis. I haven't seen many movies with the latter, and her understated beauty suits Colman perfectly.
Colman looking elegant in his perfectly tailored suits, plays a conservative and happily married (to Kay, as Clemency) barrister whose life is turned upside down by a chance affair with a shop girl played sensitively by an unknown at the time, Phyllis Barry. King Vidor, the director, took a chance in casting her, but his faith in her ability paid off. She brings just the right touch of pathos and desperation to the role of Doris. (And just happens to resemble Kay more than just a little.) In David Shepard's book on King Vidor several effects within the movie are discussed, such as the movie within a movie scene with Charlie playing the little tramp when they all go to the flickers the night he and Tring (character actor Henry Stephenson in a salty role.) meet the girls, and the fade out scenes of Colman tearing up the paper with the girls address to a scene of Clemency in Venice with her sister and the scraps of paper have dissolved into pigeons in flight.
I would say that this was a different type of role for Colman. Yet even though he plays an adulterous husband, his kindness and tenderness toward Doris is always there, and all parties suffer because of the infidelity. Even in a precode, no one gets away from the consequences of their actions! I highly recommend this movie for Colman and Francis fans and as a fine example of an early Vidor sound movie. I enjoyed it more than Street Scene as the sound quality was better by this time, and the story flowed more smoothly.
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